Jennifer Lopez Reflects on Her AMAs History & Returning as Host – Even as She Admits: ‘I Don’t Love Being a Host’

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Jennifer Lopez is set to host the 2025 American Music Awards, which will air live coast-to-coast on Memorial Day, Monday (May 26), and she’ll also open the show with a musical performance.

On Thursday (May 22), Lopez took a break from rehearsals to chat with Billboard about hosting and performing. She had a surprising revelation — “I don’t love being a host, to be quite honest” — but she will no doubt give the hosting gig everything she’s got, which is a signature J.Lo trait.

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We discussed her debut performance on the show in 1991, as a backup dancer behind New Kids on the Block, a mid-performance slip in 2009 (ever the trouper, she was back on her feet instantly), and a tribute performance to salsa legend Celia Cruz in 2013 that she regards as one of her favorite performances she’s ever done.

This year’s show will be held at Fontainebleau Las Vegas. It’s Lopez’s second time hosting the AMAs; she first hosted the show 10 years ago. Other performers on this year’s show include Janet Jackson (who is set to receive the ICON Award), Rod Stewart (who is set to receive a lifetime achievement award), Benson Boone, Blake Shelton, Gloria Estefan, Gwen Stefani, Lainey Wilson and Reneé Rapp.

Here’s our conversation, with just light edits.

The AMAs went on the air when you were 4 and a half. Did you grow up watching the AMAs and the Grammys?

Absolutely.

Did they kind of feed your dreams?

Yes, they did, absolutely. You can’t help but watch those [shows], being an artist or not even knowing you’re an artist yet, and just be pulled in by the performances and the incredible moments that you see, and people kind of being celebrated for what they do. It was just always amazing to see which moments kind of put a mark on your mind when you’re watching TV and those awards shows. And I do think it makes people who are young artists believe that it’s something you can actually accomplish.

Do you remember specific artists who had that effect on you when you were a kid?

I remember watching with my mom. She was a huge Diana Ross fan, and I remember seeing Diana Ross on the AMAs and the Grammys. I remember seeing all the Motown artists. Tina Turner was also a big one for me.

You’re the fourth music star to solo-host the AMAs twice, following Lionel Richie, Diana Ross and Pitbull. I’d say you’re all in good company.

Oh wow. Yeah, that’s good company. That’s a nice group.

I watched all 10 of your previous AMAs performances the other day – nice work if you can get it – and you really commit. You go all out. It’s like one of your songs says, “Go hard or go home.” You go hard.

I do go hard. I enjoy performing and I enjoy kind of pushing myself out of my comfort zone to do different things. I started as a dancer, so my performances are very kind of dance-oriented because that’s who I am at heart. I feel like I am a singer and I am an actress and I love doing those things, but I think I came out of the womb dancing. And my mother was a dancer, so I think I picked that up from her.

I grew up watching variety shows and specials headlined by people like Ann-Margret and Mitzi Gaynor. There aren’t many places anymore for that kind of all-around entertainer. Awards shows are about it. Just about all 10 of your AMAs performances were big production numbers with big production values. They gave you a showcase to show what you can do.

Yeah, that is true. There’s different things as an artist. I do films as an actor and I do my shows and my touring for my music. Trying to kind of bring those things together is never an easy thing and you don’t get to do that, but I think when you’re hosting an awards show, you get to sing a little bit and dance a little bit and people get to feel your personality and your energy.

I don’t love being a host, to be quite honest. I think that’s why it’s taken me 10 years to do it again. I do get – believe it or not – shy and nervous, but I do remember having a great time doing it back then [in 2015]. I felt like it was a good time to give it another try.

What do you remember about the 1991 show when you were a dancer behind New Kids?

Oh my God, I remember that was such an exciting moment for me. I had been hired as a dancer. This is before I was acting and singing and doing my own music. I was hired to be a backup dancer for New Kids. Just the idea of being part of that was such a big deal. I was right in the middle, in the center, and it was exhilarating, to be quite honest. It was amazing. I couldn’t believe it and being around all the other artists and seeing some of the stars that I liked. It was so much fun.

You were just 21, and that was back when awards shows reached a massive audience.

Yeah, everyone in my neighborhood saw it. They couldn’t believe it was me. It was so much fun. It was a great moment.

In 2009, performing “Louboutins,” you did a dismount and fell on your backside, but what impressed me watching it was how quickly you were back on your feet. It was a split second. Do you remember that?

Of course I do. I just slipped and fell down for a second, but yeah, I got right back up. And it wasn’t as big a deal as everybody made it, but yes, I was a little bit hurt for a couple of days. That whole day I didn’t feel it because I had so much adrenaline, and the performance went so well.

In 2013, you did a tribute to Celia Cruz, in which you performed “Químbara,” “Carnaval” and “Bemba Colorá.” Did you know her?

I did not know her very closely, but I had met her. I was always such a huge fan of hers. Like the minute they asked me to do the Celia Cruz tribute, I knew exactly what songs I wanted to do. I knew exactly the type of number that I wanted to do. It was an amazing moment. I felt kind of her energy flowing through me. That’s probably one of my favorite performances of all time that I’ve done.

The American Music Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.

Lady Gaga Wins 2025 Sports Emmy for ‘Hold My Hand’ Pre-Super Bowl Tribute to Disaster Victims

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Lady Gaga took home a Sports Emmy on Tuesday night (May 20) for her pre-Super Bowl performance of “Hold My Hand” in tribute to victims of the New Orleans terror attack on New Year’s Eve, Hurricane Helene in Florida and Georgia in the fall, and the January wildfires that ravaged Los Angeles County.

In a pre-taped segment that aired ahead of the Fox broadcast of Super Bowl LIX on Feb. 9, the pop superstar performed behind a piano on New Orleans’ Bourbon Street, introduced by NFL legends Tom Brady, Michael Strahan and Terry Bradshaw. She sang a stripped-down version of her Oscar-nominated Top Gun: Maverick single “Hold My Hand” as various police officers and firefighters looked on around her.

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Gaga earned the 2025 Sports Emmy for outstanding music direction alongside her fellow producers Seth Dudowsky, Bill Richards, Joel Santos, Jesse Weiss and Brad Zager, as well as music editor Joe Nargi.

In the category, they were up against Prime Video’s Evolution of the Black Quarterback, HBO Max’s The Lionheart, ESPN+’s Noche UFC: For Mexico, For All Time, and Netflix’s The Turnaround.

After winning an Oscar for best original song with “Shallow” from A Star Is Born and 14 Grammys over her career, Gaga is now only a Tony shy of the coveted EGOT honor. While there is debate over whether only the Primetime Emmys should count toward the EGOT, the Emmys social accounts were trumpeting Gaga’s three-letter accomplishment on Tuesday night after her Sports Emmys victory.

“Putting the ‘E’ in @ladygaga’s E-G-O…she’s just short of the T!” read a post on @TheEmmys X account.

Lainey Wilson & Ella Langley Win Big at 2025 ACM Awards

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Lainey Wilson and Ella Langley were the big winners at the 2025 ACM Awards, which were held on Thursday (May 8) at Ford Center at The Star in Frisco, Texas. Wilson won four awards, including entertainer of the year and album of the year. Langley won five, including four for “you look like you love me,” her flirty duet with Riley Green.

Wilson won entertainer of the year for the second year in a row. She’s the first person to win back-to-back awards in that top category since Jason Aldean scored a threepeat from 2016-18. She’s the first woman to win back-to-back awards for entertainer of the year since Taylor Swift achieved the feat in 2009-10.

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Wilson also won album of the year for Whirlwind. She also won for her previous studio album, Bell Bottom Country. She’s the seventh artist in ACM history to win for back-to-back studio albums (whether they won the ACMs in consecutive years or not). Miranda Lambert won with five consecutive studio albums. Chris Stapleton won with two consecutive studio albums – and he did that twice. Winning with two consecutive studio albums once were Alabama, Alan Jackson, George Strait and The Chicks.

Wilson won female artist of the year for the third year in a row. She’s the first artist to achieve that feat since Lambert won nine years in a row from 2010-18. Wilson’s fourth award was for artist-songwriter of the year.

Langley and Green won in three categories for their hit “you look like you love me.” The duet won single of the year, music event of the year and visual media of the year. (Langley won two awards in the visual media category, as both artist and one of the directors.) Oddly, they didn’t perform the song on the show, perhaps because they performed it on the CMA Awards in November. Langley’s fifth award on the night was new female artist of the year.

Hosted by Reba McEntire, the ACM Awards streamed live on Prime Video and the Amazon Music channel on Twitch.

Here are other acts that made history at the ACM Awards:

Old Dominion won group of the year for the eighth year in a row, which allowed them to break out of a tie with Rascal Flatts for the most wins in the history of that category. By coincidence, Rascal Flatts was among the nominees this year. Old Dominion’s eight-year winning streak is the longest in any category since Lambert won female artist of the year nine years in a row from 2010-18.

Brooks & Dunn won duo of the year for the first time since 2010. The award had gone back and forth between Dan + Shay and Brothers Osborne for the past eight years. This extends Brooks & Dunn’s record number of wins in this category to 17. Brooks & Dunn won duo of the year at last year’s CMA Awards, setting the stage for this win.

Chris Stapleton won male artist of the year for the fifth time, which puts him in a four-way tie with Merle Haggard, George Strait and Brad Paisley for the most wins in the history of the category.

“Dirt Cheap,” written by Josh Phillips and recorded by Cody Johnson, won song of the year. It’s the first song written by a solitary songwriter to win since Jennifer Nettles won for “Stay” in 2008. Just one other song written by just one writer has won since 2000: Alan Jackson’s “Where Were You (When the World Stopped Turning)” in 2002.

Moreover, “Dirt Cheap” is the first song in 11 years that was not written or co-written by the artist to in in this category. The last was “I Drive Your Truck,” written by Jessi Alexander, Connie Harrington and Jimmy Yeary, and recorded by Lee Brice.

As previously announced, Zach Top won for new male artist of the year; The Red Clay Strays for new duo or group of the year; and Jessie Jo Dillon for songwriter of the year. This was the second year in a row that Dillon, the daughter of songwriting great Dean Dillon, has won in that category. She is the fourth two-time winner in that category, following Dallas Davidson, Shane McAnally and Hillary Lindsey.

Two non-competitive awards were also presented – a lifetime achievement award to Alan Jackson and a Triple Crown award to Keith Urban (signifying that he has won a new artist of the year award; an award for male, female, duo or group of the year; and entertainer of the year).

Morgan Wallen, Post Malone and Kelsea Ballerini were completely shut out, despite going into the show with a total of 16 nominations between them – seven for Wallen, five for Posty and four for Ballerini.

Lainey Wilson, Reba McEntire & Miranda Lambert Debut Emotional ‘Trailblazer’ at 2025 ACM Awards

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Talk about the trailblazers! Country icon Reba McEntire joined Lainey Wilson and Miranda Lambert to debut the trio’s emotional new collaboration “Trailblazer” toward the end of the 2025 ACM Awards Thursday (May 8) at The Star in Frisco, Texas. The song had dropped on streaming services just hours earlier, at 8 p.m. ET.

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The celebrated country artists took to a stage that was dressed to appear like a barren desert, the skies behind them a warm orange as the silhouettes of birds fluttered through the the scene. Dressed in matching brown suede outfits accented with turquoise, the three women traded lyrics before harmonizing on the chorus, singing, “Talk about a trailblazer, cuttin’ one half at a time/ Running like a dream chaser, living on a prayer and a rhyme/ Put a flag in the ground to the country sound, to the rhythm of your own highway/ Talk about a trailblazer, I’m rolling down the road you paved.”

At the end of the song, McEntire, who was also hosting the show for the 18th time, took the hands of her collaborators, and together, the three women walked to the front of the stage and took a bow together.

The day before the ACM Awards, the trio spoke to Billboard‘s Melinda Newman about their new ballad, which pays tribute to those who influenced them and paved the way. “We wanted to lean in pretty hard to paying tribute to each person,” shared Lambert, who was the focus of Billboard‘s inaugural Power Pets feature alongside her dog Bellamy. “We had to do it strategically, though, because we didn’t want it to be so blatant — but more like a secret thing that you would have to listen to it twice.”

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“We were just having a conversation about how [Lambert and McEntire] have influenced me and [about] passing the torch and blazing trails for each other,” Wilson also noted. “Generation after generation, it’s going to continue, but we got to keep blazing those trails for the next one.”

The ACM Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.

What Hints Do 2025 BET Awards Nominations Give Us About 2026 Grammys?

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Just as Kendrick Lamar leads the 2025 BET Award nominations, which were announced on Thursday (May 8), he is likely to also lead the Grammy nominations when they’re announced later this year.

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Lamar has been the leading Grammy nominee twice before. He had 11 nominations leading up to the 2016 ceremony, and eight nods leading up to the 2019 ceremony. He has finished second (or in a tie for second) four other times — twice behind Jay-Z and twice behind Beyoncé. If Lamar amasses 11 nominations, he’ll match his personal best. If he garners 12, he’ll tie Michael Jackson (1984) and Babyface (1997) for the most nominations by anyone in any one year.

The Grammys and BET Awards operate on different timetables. The eligibility year for this year’s BET Awards was March 16, 2024, through March 15, 2025. The eligibility year for the upcoming Grammys is Aug. 31, 2024, through Aug. 30, 2025. And, of course, the Grammys cover all genres, while the BET Awards focus on various forms of Black music. But the BET Awards offer some clues about which way Grammy voters may be leaning.

Three of the BET nominees for album of the year won album awards at the Grammys on Feb. 2. Beyoncé’s Cowboy Carter won both best country album and album of the year, Doechii’s Alligator Bites Never Heal won best rap album and Chris Brown’s 11:11 Deluxe won best R&B album. A fourth BET album of the year nominee, Future and Metro Boomin’s We Don’t Trust You, was nominated for a Grammy for best rap album.

The other four BET nominees will be eligible for the 2026 Grammys — Lamar’s GNX, The Weeknd’s Hurry Up Tomorrow, GloRilla’s Glorious and the Drake-Partynextdoor collab Some $exy $ongs 4U.

GNX seems virtually certain to be Grammy nominated for album of the year. It would be Lamar’s fifth album of the year nomination as a lead artist, which would allow him to break out of a tie with Ye (formerly Kanye West) for the most album of the year nods by a rapper.

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Two of the BET nominees for best new artist — Shaboozey and Teddy Swims — were Grammy nominated in that category at this year’s show. Two other BET nominees in that category are presumed to be ineligible for Grammy nominations in that category. Leon Thomas won a Grammy two years ago for co-writing SZA’s “Snooze,” which was voted best R&B song. Ayra Starr was nominated as a performer two years ago for best African music performance for “Rush.”

The five other BET nominees — 41, BigXthaPlug, BossMan Dlow, Dee Billz and October London — are likely to be eligible to compete for the Grammy in that highly competitive category later this year.

Lamar’s “Not Like Us,” which won a Grammy for best music video on Feb. 2, is nominated for BET’s video of the year. Future, Metro Boomin, Travis Scott and Playboi Carti’s “Type Shit” was also entered in that Grammy category, though it wasn’t nominated.

Luther Vandross is the subject of three BET Awards nominations. Lamar and SZA’s “Luther,” now in its 11th week at No. 1 on the Billboard Hot 100, is up for both best collaboration and the viewers choice award. And the documentary Luther: Never Too Much is nominated for best movie.

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Vandross didn’t receive a lifetime achievement award from the BET Awards. He died in 2005, just four years after the show originated. Vandross, who is widely considered the leading R&B male balladeer of his generation, has yet to receive a lifetime achievement award from the Recording Academy, either.

In other BET nominations news, Blue Ivy Carter, the 13-year-old daughter of Beyoncé and Jay-Z, is nominated for the Young Stars Award, an award she won last year. The BET allows multiple nominations and wins in that category. Blackish co-star Marsai Martin won it five times. Yara Shaidi and Keke Palmer each won it twice.

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Wicked was passed over for a nod for best movie, but Cynthia Erivo is nominated for best actress for her performance in the film. And “Defying Gravity,” by Erivo featuring Ariana Grande, is up for the BET Her award. At the Grammys, Wicked can compete for best compilation soundtrack for visual media, while “Defying Gravity” can compete for best pop duo/group performance.

The 25th BET Awards will be held on Monday (June 9) at the Peacock Theater at L.A. Live in Los Angeles. Comedian Kevin Hart is set to host for the second time.