Bad Bunny is ready to take summer by storm, but first, he’s performing as the musical guest during the season finale of Saturday Night Live this weekend.
In promos for the May 17 finale of season 50 shared on Thursday (May 15), the superstar appears alongside host Scarlett Johansson and SNL mainstay Kenan Thompson, with the trio hilariously discussing their plans during the show’s summer hiatus.
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“Umm…I guess just doing awesome stuff,” Bad Bunny replies after Thompson asks what he’ll be up to during the summer months. “Oh, yeah? Like what?” Johansson follows up, to which the three-time Grammy winner answers, “Just awesome stuff, don’t worry about it. My life is awesome, especially in summer.”
That evasive answer wasn’t good enough for Thompson, who couldn’t resist doubling down and asking for just a single example of all the awesome things Bad Bunny plans on doing. The Calvin Klein model’s admittedly awesome answer? “Eating breakfast for dinner.”
An earlier segment features Johansson excitedly positing that the season finale will be even bigger, better and longer than the recent SNL50 anniversary special — much to the chagrin of Thompson, who points out that the NBC celebration was “like nine hours, so…”
Only when the Black Widow actress suggests that the episode could be more star-studded than SNL50 does the “DTMF” rapper step in to take Thompson’s side, chiding, “Now you’re just being unrealistic.” (“Yeah, what Bad Bunny said,” Thompson amusingly seconds.)
The SNL stint arrives at a rather fortuitous time for Bad Bunny, whose latest album, Debí Tirar Más Fotos, just bounced back to the apex of the Billboard 200 following its vinyl release.
Watch Bad Bunny riff on the awesomeness of summer vacation ahead of this weekend’s SNL finale below.
The New York Knicks are riding hot as a rocket blast in the 2025 NBA Playoffs, and Nick Jonas has an inkling that his role in Broadway’s The Last Five Years might have something to do with the team’s success.
“OK, so real quick: The Knicks are in the playoffs, and they could advance to the next round if they win their game against the Celtics tonight,” the superstar explained in an Instagram video posted Wednesday (May 14). “During rehearsals for The Last Five Years, I said to our director, ‘I really think Jamie,’ my character, ‘should be a New York basketball fan.’ And she was like, ‘Great. What team?’
“And I was like, ‘Well, hmm…good question, what team.’ And eventually we decided to make Jamie a Knicks fan,” the pop singer-turned-Broadway star continued.
From his dressing room, Jonas then showed off a vintage Knicks crewneck found by The Last Five Years costume designer Dede Ayite, explaining that he wears the shirt during every performance of “Moving Too Fast,” one of Jamie’s first big musical numbers in the show.
“So I’m not saying that the Knicks are in the playoffs and could potentially go to the next round because of The Last Five Years and because of this,” he then concluded, gesturing to his costume. “But coincidence? I think not.”
While the Knicks ultimately lost Wednesday night’s game, they’re still currently leading the Celtics 3-2 in the Eastern Conference semifinals, and will have home court advantage going into Game 6 on Saturday night (May 16) at Madison Square Garden.
Meanwhile, Jonas has six more weeks of his run on Broadway before The Last Five Years closes its limited engagement at the Hudson Theatre on June 22. After that, he’ll segue full force into album mode, with the Jonas Brothers’ seventh LP, Greetings from Your Hometown, set for release Aug. 8 — two days before the kickoff of JONAS20: Living the Dream Tour, the North American trek celebrating their 20th anniversary as a band.
Check out Jonas’ witty theory before it expires on his Instagram Stories here.
With more than 2,000 attendees converging on Atlanta for the annual Music Biz conference at the Renaissance Atlanta Waverly Hotel and Convention Center Galleria, Music Business Association president Portia Sabin opened day 2 by reminding everyone of the “guiding belief” behind the Music Business Association and its conference — while revealing the conference will return to Atlanta next year.
“We’re all better together,” Sabin proclaimed. “We know we can achieve success and overcome any challenge in our way when we come to the table with open minds, foster collaboration, and develop solutions that truly support one another.”
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Sabin pointed out that the music industry has become truly global in the past several years and, corresponding to that, international music companies now comprise one-fifth of Music Biz’s membership. What’s more, she said 15% of the attendees at this year’s conference (which runs from May 12-15) are from outside the U.S: “That’s 250 individuals, representing 168 companies and over 30 countries, ranging from Vietnam and Australia, to Japan and Egypt,” she said.
In order to better represent its membership and the global music industry, “we’ve embraced this shift by hosting our virtual Passport series — free webinars that dissect issues in music markets across the globe — as well as expanding our traveling Roadshow series with our first international event in Toronto this past March,” Sabin added.
Finally, Sabin pointed out that in preparing to hold the conference in Atlanta over the last year, Music Biz hosted a number of mixers and meetups to “build relationships with Atlanta’s vibrant music business community. Most recently, we partnered with the Mayor’s Office of Film, Entertainment and Nightlife for an event at City Hall, to connect local & global music professionals and preview some of the programming we offer at our conference.”
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After holding the convention for the last 10 years in Nashville, the Music Biz conference is going on the road again, just like its antecedent organization, the National Assn. of Recording Merchandisers, did for decades by moving the annual convention to various cities. However, Sabin revealed that Atlanta will host the convention again next year, too, while thanking the city and the hotel for supporting it.
“Thank you to the team here at the Renaissance for making this year’s event possible, and to the city of Atlanta for being such gracious hosts ever since we announced plans to bring our conference here in 2025 and 2026,” Sabin said at the beginning of her remarks to attendees.
When co-host and Harlem native KP suggested that Jim Jones had better songs than Styles P when it came to a Verzuz, the Yonkers rappers respectfully disagreed and laid out the differences between the two artists.
“You’re entitled to that feeling,” Styles replied. “This is what hip-hop is about: You connecting with music that connects with you. If that’s how you feel, I ain’t mad at you for feeling that way. I f—in’ totally think… I know you’re f—in’ wrong.”
He continued: “Me and Jim ain’t in the same league. Me and Jim don’t do the same things. I am a bar master. I am a lyrical technician. I been on joints with some of the best MCs in the world: Big, Hov, Black Thought, Talib… I bar sh– down. If there’s a lyricist or MC, I’m one of their f—in’ favorites.
He then continued by saying he’s got love for Jim and respect for how he came up in the game, but at the same time feels a little disrespected by the comparison.
“I’m not here to make catchy hooks. … I don’t knock that,” he explained. “I’m trying to say some sh– that’s gonna make your soul move. That’s what I’m into. So when I say a verse, if it resonates with you, it’s gonna be some sh– that you may catch 10 years later down the line, so me and Jim don’t do the same things. I have the utmost respect for Jim, for how he built his career. I love Jim, that’s like my bro, but I think to compare us is an unfair comparison.”
If you recall, both rappers’ respective groups battled in one of the best Verzuz face-offs to date when The LOX dismantled The Diplomats at The Theater at Madison Square Garden back in 2021.
Halle Bailey has been granted a restraining order against DDG, her ex-boyfriend and the father of her 1-year-old son, Billboard can confirm.
TMZwas first to report Tuesday (May 13) that the 25-year-old singer/actress had filed a police report against the 27-year-old streamer and rapper and requested court-ordered protection, claiming he had attacked her multiple times.
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In court documents obtained by Billboard, Bailey alleged “things got physical” starting in January, when DDG (real name Darryl Dwayne Granberry Jr.) came over to pick up their then-13-month-old son Halo and she initiated a conversation about scheduling his visits.
Bailey claims that as she was buckling Halo into his car seat in the back of Granberry’s car, he yelled, “Get out of my car, bi—.” At that point, she alleges, Halo started crying, making her nervous to leave the baby with him in his agitated state. When she stayed in the car, she alleges that Granberry pulled her hair, slammed her face on the steering wheel and chipped her tooth. After they arrived at Granberry’s family’s house, Bailey says she told his family what happened and left the baby with them.
Bailey attached photos of her alleged injuries, including her chipped tooth, to the restraining order request.
In the docs, Bailey went on to detail two more alleged incidents of abuse: one in March, which she says she filed a police report over, and one this past weekend, when she says Granberry accused her of vacationing with Brent Faiyaz in a series of texts while she was on a Mother’s Day trip with their son and her mother.
Granberry announced the couple had split in October 2024, ending their two-year relationship.
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“This decision was not easy, but we believe it’s the best path forward for both of us. I cherish the time we’ve spent together and the love we’ve shared,” he wrote on his Instagram Story at the time. The following month, Bailey shared in a since-deleted X post that she felt “extremely upset” when Granberry brought Halo with him during an “unapproved” appearance on Kai Cenat’s live stream. She later backpedaled, writing, “maybe i did overreact…. i know that halo is always safe with his dad. i just don’t like finding out with the rest of the world what my baby is doing.”
Shortly after those tweets, Granberry came to Bailey’s defense in a YouTube video in which he implored negative commenters to leave her alone, citing her transparency over her struggles with postpartum depression. “When situations like this happen, I try to handle it with as much grace as possible because Halo needs her. I need her,” he said at the time. “We need each other to try to create a childhood that’s safe, fun and memorable for him.” But in March, Granberry aired his grievances over their custody issues in a song titled “Don’t Take My Son.”
In the restraining order request, Bailey also requested permission to take Halo with her while she travels to Italy to film a movie, where she will have family and a traveling nanny to help care for him. She also asked the judge for a cease-and-desist order to prevent Granberry from “posting and/or streaming on any and all platforms about Halo and/or me. He is a YouTube and Twitch Blogger and creates a fan frenzy by making false claims about me. This has caused me to feel afraid and victimized. His fans then threaten me. I am often scared for my life and Halo’s safety.”
A hearing has been set for June 4 over whether a more permanent restraining order should be put in place.
Representatives for Bailey and Granberry did not immediately respond to Billboard‘s requests for comment.
Author Jillian Lauren, the wife of Weezer bassist Scott Shriner, has been officially charged with two felony counts following a bizarre shootout with police at her Los Angeles home in April.
Lauren, whose full name is Jillian Lauren Shriner, pled not guilty during a Tuesday (May 13) court hearing to the charges: discharge of a firearm with gross negligence and assault with a semiautomatic firearm. The criminal complaint from the Los Angeles County District Attorney’s Office also lists violence and gun usage as aggravating factors, which could lead to an enhanced sentence if Lauren is ultimately convicted.
While significant, the felony charges are less severe than those Lauren initially faced when she was booked on suspicion of attempted murder following the April 8 altercation with the Los Angeles Police Department (LAPD).
The alleged incident occurred when the LAPD responded to the city’s Eagle Rock neighborhood after the California Highway Patrol requested backup for a hit-and-run. Following the LAPD officers’ arrival, Lauren, who was uninvolved in the hit-and-run, allegedly emerged from her home with a gun and encountered police.
The LAPD said the 51-year-old Lauren refused to put down her weapon and aimed it at the officers, leading to a shootout in which she sustained a non-life-threatening wound. No officers were injured during the incident, according to police.
The strange altercation was memorialized in body camera recordings, surveillance video and 911 dispatch recordings later released by the LAPD.
Lauren’s attorney did not immediately return a request for comment on Tuesday.
Lauren is the author of the bestselling memoirs Everything You Ever Wanted, and Some Girls: My Life in a Harem. Shriner played Coachella with Weezer last month, shortly after the incident occurred.
Live Nation has agreed to a long-term lease for a 5,000-seat venue in downtown Atlanta that will be part of a development around the Mercedes-Benz Stadium and State Farm Arena.
Centennial Yards is described by CIM, the developer that has partnered with the City of Atlanta, as a “mixed-used community featuring residential units, retail and entertainment establishments, community gathering spaces and more.” The 50-acre site is expected to have a $5 billion price tag. In addition to the music venue, it will include a 14-story hotel, a two-story food and beverage hall and a Cosm entertainment venue. The development already includes a brewery, loft residences and a 500-foot pedestrian bridge.
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Live Nation’s involvement with the development was first reported by The Wall Street Journal.
Concert venues are increasingly popular properties in urban developments centered around the venues of professional sports teams. Mercedes-Benz Stadium has been the home of the Atlanta Falcons since 2017. The Atlanta Hawks basketball team plays at State Farm Arena.
“Every owner of a major sports team that wants to have their new building is not just building a building anymore,” Live Nation president/CFO Joe Berchtold said at the J.P. Morgan Global Technology, Media and Communications Conference on Tuesday (May 13). “They’re building an entertainment district around it.”
Centennial Yards is the latest example of concert promoters taking part in developments that aim to revitalize urban areas. Downtown Nashville’s The Pinnacle, a 4,500-capacity music venue operated by AEG Presents, is part of Nashville Yards, owned by real estate developer Southwest Value Partners. Nashville Yards also houses AEG Presents’ regional offices, CAA and, starting in July, Messina Touring Group.
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Another massive multi-purpose project getting underway is RFK Stadium in Washington, D.C. The development currently includes a food hall, a skate park and festival grounds that hosts music festivals and other large gatherings. Berchtold said at the conference that he was in D.C. last week but didn’t mention the RFK project.
Leasing a mid-sized venue in Atlanta will add to Live Nation’s portfolio of venues under its Venue Nation business segment. Venue Nation plans to open 20 additional venues globally in 2025, which it believes will add 7 million incremental fans annually. As of the end of 2024, Live Nation leased 222 venues, owned 32 and operated 67. It has the exclusive booking rights to another 69 venues and owns an equity stake in 4.
A wide range of guest performers will hit the American Idol stage Sunday alongside this year’s top 14 contestants ahead of the live crowning of the 2025 winner during the three-hour finale, Ryan Seacrest announced on Monday’s (May 12) live episode.
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Sunday’s performers include: Brandon Lake, Goo Goo Dolls, Good Charlotte, Jennifer Holliday, Jessica Simpson, Josh Groban, Kirk Franklin, Myles Smith, Patti LaBelle and Salt-N-Pepa. In addition, Idol judges Luke Bryan, Carrie Underwood and Lionel Richie will perform together, while artist in residence Jelly Roll will also hit the stage for a performance.
There’s no word yet on what songs the guests will perform or with which of the season 23 finalists. The list of guest performers truly ranges genres and generations, including pop (Simpson and Smith), rock (Good Charlotte and Goo Goo Dolls), Christian and gospel (Lake and Franklin), adult contemporary (Groban), R&B (LaBelle), rap (Salt-N-Pepa) and Broadway (original Dreamgirls star Holliday). And of course country is well-represented on the judging panel by Underwood and Bryan, not to mention artist-in-residence Jelly Roll.
Five contestants remain this season — Thunderstorm Artis, John Foster, Slater Nalley, Breanna Nix and Jamal Roberts — with two set to be eliminated on Monday’s episode, leaving only a top three to compete for Sunday’s crown. They’ll give their final performances during Sunday’s jam-packed finale.
The three-hour American Idol finale will air live Sunday coast-to-coast, starting at 8 p.m. ET/5 p.m. PT. The show is available to stream the next day on Hulu.
Veteran music journalist Gerry Wood died on Saturday (May 3) in Inverness, Fla. He was 87.
Wood was Billboard’s Nashville bureau chief and country editor in 1980 when he was promoted to editor-in-chief of the magazine, resulting in a transfer to the publication’s New York headquarters. He served in that capacity through 1983, when he left Billboard, only to return in 1986 as general manager/Nashville, a position he held into 1991.
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Wood’s elevation to editor-in-chief coincided with the explosion of country music in the late 1970s and early ‘80s, when Kenny Rogers, Willie Nelson and Alabama were among the top-selling acts in any genre and the film Urban Cowboy became a pop-culture phenomenon. Wood was there before, during and after the explosion, charting every bit of it. He could probably relate to the lyrics of a Barbara Mandrell hit in 1981: “I Was Country When Country Wasn’t Cool.”
Ken Schlager, former Billboard managing editor, paid tribute to Wood on Facebook: “When I joined Billboard as managing editor in November 1985 one of the first tasks was finding a new Nashville bureau chief. Our publisher, Sam Holdsworth (R.I.P.), had asked Gerry, who was no longer associated with Billboard, to check out the candidates that had emerged and scout for others. After several weeks, Gerry reported back that he, in fact, was the best candidate. It seemed like a whole lotta hubris, but it turned out he was right. That’s how Gerry ended up back at Billboard.
“Some weeks later, when I made my first trip to Nashville, Gerry, now bureau chief, greeted me with a gift basket in my hotel room filled with GooGoo Clusters, Moon Pies, and airplane bottles of Jack Daniel’s.
“Gerry was a sweet guy. Smart, hard-working, knowledgeable and well-connected. I’m sorry to hear of his passing.”
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Born Gerald Edmund Wood in Lewiston, Maine, on April 7, 1938, Wood began his career in radio. He was a news and sports reporter and DJ at WSON in Henderson, Ky., and at WVJS in Owensboro, Ky. He also served as news reporter and DJ at WAKY in Louisville, Ky.
Wood graduated from the University of Kentucky in 1960 and went on to earn a master’s degree from Vanderbilt University in Nashville in 1965. He later worked in public relations at Vanderbilt (1966-69).
While attending Vanderbilt and after, Wood served as news reporter and DJ at WKDA in Nashville (1964-66). After working in public relations at Vanderbilt (1966-69), he shifted to working on Music Row, where he worked in public relations at ASCAP (1969-75), rising to associate director. Wood began his first stint at Billboard in 1975.
Wood left Billboard in 1983 when the editorial leadership was reorganized under group publisher Jerry Hobbs. He moved back to Music City to become editor-in-chief at Nashville magazine (1983-84) and a special correspondent for People magazine (1984). Like many others before and since, Wood returned to Billboard for a second tour of duty, rejoining the staff in 1986 as general manager/Nashville. In that capacity, he directed and coordinated editorial, chart and sales activities in the country sector. He held that position through 1990.
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On local TV, Wood became known as “The Gamboling Gourmet” on WTVF-TV. He also worked under that identity for Nashville magazine. As a freelance journalist, Wood wrote for Country Weekly and many other publications. He was also a regular reviewer on the TNN cable channel in the mid-1980s.
Wood won a Journalistic Achievement Award from SESAC in 1981. He was a board member of the Nashville Entertainment Association and a member of the Country Music Association, the Gospel Music Association, the Recording Academy, the Nashville Songwriters Association International, and Sigma Delta Chi.
Wood was also a published author. Ain’t God Good (1975) and Let the Hammer Down (1978) were collaborations with country comedian Jerry Clower. Other titles included The Grand Ole Opry Presents the Year in Country Music (1997) and Tales From Country Music (2003).
Outside of his career, Wood was a travel enthusiast. Late in life, he moved to Florida and wrote books and articles for local publications on the Gulf Coast.
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“I was just laughing with Ed [Morris] yesterday as we were reminiscing about our days at Billboard with Gerry at the helm of the Nashville bureau,” says Debbie Holley, who worked under Wood in the country department at Billboard in the 1980s.
“Ed and I never knew where he would be calling in his column from, to whichever one of us was willing to take it over the phone by dictation. If he wasn’t on a plane or boat, he was calling from a train making his way across the country!
“Ed and I truly loved Gerry Wood! If free-flowing, imaginative, intuitive, and emotional thought are characteristics associated with the right brain, his right hemisphere must have been double in size. Gerry Wood definitely encompassed and underscored ‘creative.’ He was full of original ideas, artistic works and new possibilities. He was unconventional and impractical at times, but that always led to even more interesting projects. He was more than willing to share the spotlight and pushed everyone around him to ‘be your best self,’ ‘try things without fear of judgment,’ and ‘go for it, or you’ll always wonder!’
“I’m sad that he has left us, but I bet there are a couple of one-way streets called ‘Music Row’ just inside ‘Heaven’s Gates!’ And, I bet Gerry Wood is right there with all of the songwriters, music publishers and record label execs on ’16th (and 17th) Avenue!’”
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Ed Morris, who was Billboard’s country music editor from 1990-95, tells Billboard, “Gerry hired me in 1981 as he was leaving Nashville for New York to take the chief editor job. Having heard I was an atheist, he found it enormously amusing to name me gospel editor, thereby making me hostage to the Righteous for the next two years. Gerry lived to be entertained—by both by personalities and circumstances—and I never once saw him less than buoyant.”
Wood also had a good sense of humor about himself. At one Billboard staff conference, a staff member, Jean Williams, wasn’t able to be present, but sent in taped remarks. At one point she said, “Gerry Wood had a good idea. I think it was about a year ago.”
William paused just a little too long between those two sentences, creating the impression that good ideas from Wood were a rarity. Everyone in the room laughed at the unintended slight. No one laughed harder than Gerry.
Latto really needs “Somebody,” and she announced on Monday (May 12) that she’s dropping her new single with that name on Friday.
“Greetings from Jamaica,” she wrote on Instagram under the island-inspired artwork. She first teased the single on X back in March with a one-minute clip of her playing it in the car. “I’m on a beach, my hair blowing in the wind. I’m sippin’ a piña colada in a G-string bikini,” she says while licking her lips. She posted a slowed-down version of that snippet in her latest IG announcement.
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“Somebody” will mark Latto’s first solo single release of 2025, and it will arrive four months after she dropped the “Blick Sum” remix featuring fellow ATL rapper Playboi Carti. “Blick Sum” was originally featured on her third studio album Sugar Honey Iced Tea, which she released last August via Streamcut and RCA Records. The 17-track project included the hit single “Big Mama,” which was nominated for a best melodic rap performance at the 2025 Grammys, and reached No. 15 on the Billboard 200 and earned Latto her first No. 1 on Top Rap Albums.
Next month, Latto will embark on the mini Big Mama Takes Europe tour, featuring festival stops at DLT Malta in St. Paul’s Bay, Malta, Tinderbox in Odense, Denmark, Yardland Festival in Paris, France and Les Ardentes in Liège, Belgium, as well as shows in London, Berlin and Amsterdam.
See Latto’s “Somebody” single announcement below, and pre-save it here.