Sleep Token‘s new album Even in Arcadia tops this week’s new music poll.
Music fans voted in a poll published Friday (May 9) on Billboard, choosing the cryptic English group’s latest LP — their first with major label RCA Records — as their favorite new music release of the past week.
Related
Sleep Token ‘Even in Arcadia’: All 10 Songs Ranked
In a week brimming with fresh offerings, Sleep Token rose to the top; their 10-track collection brought in more than 61% of the vote. Voters chose Even in Arcadia over new releases from artists including ROSÉ, Kid Cudi, Miley Cyrus, Kali Uchis, Halsey & Amy Lee, PinkPantheress and Maren Morris.
Sleep Token built up to the May 9 release of Even in Arcadia with “Emergence,” which sprung to No. 1 on Billboard‘s Hot Hard Rock Songs chart and broke into the Hot 100, marking Sleep Token’s first entry on the all-genre chart. Two more Hot Hard Rock No. 1s followed suit: “Caramel” and “Damocles.” (On the May 10-dated Hot Hard Rock Songs ranking, “Damocles” sits at No. 1, “Caramel” at No. 2 and “Emergence” at No. 3.)
Though Even in Arcadia is Sleep Token’s fourth studio album, it’s the first to see a release through RCA.
“Before we could approach the rollout plans for Even In Arcadia, it was critical to me that everyone who would be tied to the project deeply understood and respected the profound and expansive world the band created to surround its artistry long before this record,” RCA vp of marketing Aaron Stern told Billboard in April. “Sleep Token set a best-in-class standard for how an artist can cultivate an audience of fans that sincerely immerse themselves in the music and surrounding visual identity.”
Among the new music trailing behind Even in Arcadia on this week’s poll are songs from ROSÉ (“Messy,” with 25% of the vote), Kid Cudi (“Neverland,” with 4% of the vote) and Miley Cyrus (“More to Lose,” with 3% of the vote).
Bad Bunny’s Debí Tirar Más Fotos returns to the top, jumping 7-1 on the May 17-dated chart after its vinyl release, while Fuerza Regida achieves its highest-charting album ever, as the band’s new 111XPANTIA debuts at No. 2.
Fuerza Regida also lays claim to the highest-charting Spanish-language album by a duo or group, or a regional Mexican music album, ever.
Related
Bad Bunny’s ‘Debí Tirar Más Fotos’ Returns to No. 1 on Billboard 200 After Vinyl Release
Debí Tirar Más Fotos adds a fourth total week atop the list, as it previously spent three weeks at No. 1, consecutively, on the Jan. 25-Feb. 8-dated charts.
The Billboard 200 began publishing on a regular weekly basis in March 1956.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 17, 2025-dated chart will be posted in full on Billboard‘s website on May 13. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
In the tracking week ending May 8, Debí Tirar Más Fotos earned 84,500 equivalent album units in the United States — with album sales comprising 48,000 (essentially all vinyl purhases), according to Luminate. As for 111XPANTIA, it earned 76,000 units — and of that, 39,000 were album sales.
Let’s take a look at some of the major milestones achieved this week by the teaming of Bad Bunny and Fuerza Regida in the top two slots of the Billboard 200.
Bad Bunny’s Debí Tirar Más Fotos returns to No. 1 on the Billboard 200 albums chart, jumping 7-1 on the May 17-dated chart, following the set’s release on vinyl. It’s the fourth total week atop the list for the Spanish-language project, which spent three consecutive weeks at No. 1 on the Jan. 25-Feb. 8-dated charts. In the tracking week ending May 8, Debí Tirar Más Fotos earned 84,500 equivalent album units (up 123%) in the United States, with more than half of the sum driven by vinyl purchases, according to Luminate.
It’s a historic week for Latin music, as Fuerza Regida — Billboard’s year-end top duo/group in both 2024 and 2023 — achieves its first top 10-charting set on the Billboard 200 with the band’s 111XPANTIA bowing at No. 2. In turn, for the first time in the 69-year history of the all-genre chart, Spanish-language albums are Nos. 1 and 2 at the same time. Further, 111XPANTIA marks the highest-charting Spanish-language album by a duo or group, and the highest-charting regional Mexican music album.
Related
Bad Bunny Announces Debí Tirar Más Fotos World Tour: Here Are the Dates
Plus, rapper Key Glock notches his fourth top 10-charting effort on the Billboard 200 as Glockaveli premieres at No. 8.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 17, 2025-dated chart will be posted in full on Billboard‘s website on May 13. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of Debí Tirar Más Fotos’ 84,500 equivalent album units earned in the week ending May 8, album sales — essentially all vinyl — comprise a little over 48,000 (up 15,099%, it reenters Top Album Sales for its first week at No. 1), SEA units comprise just over 36,000 (down 3%, equaling 50.27 million on-demand official streams of the set’s songs; it falls 5-6 on Top Streaming Albums) and TEA units comprise under 500 units (down 8%).
The album’s 48,000 sold marks the largest single-week sales for a Latin music album in nearly six years, since Santana’s Africa Speakssold 57,000 copies in its first week (June 22, 2019-dated chart), driven by sales generated from a concert ticket/album sale redemption offer for the act’s then-upcoming tour. Such offers are no longer chart-eligible.
Debí Tirar Más Fotos surges back to No. 1 on the Billboard 200 after its vinyl shipments to customers impacted the tracking week — to the tune of nearly 48,000 copies. That’s the largest sales week for a Latin album on vinyl in the modern era (since Luminate began tracking sales in 1991). It surpasses the previous record, held by the opening week of Kali Uchis’ Orquídeas (20,000 sold across seven variants; on the Jan. 27, 2024-dated chart).
Debí Tirar Más Fotos’ lone vinyl edition — on blue-colored double-vinyl in a gatefold package — was sold exclusively via Bad Bunny’s official webstore for $29.98. It went up for pre-order in early February and was then (per the store) “estimated to ship on/around the end of April 2025.” The vinyl is currently sold out on the artist’s webstore, and it has not been announced if the vinyl will be restocked, or sold through any other seller. (The blue-colored vinyl is the only physical format on which the set has been released. It has yet to be issued on CD or any other physical format, and has only been available to purchase as a download.)
Since Debí Tirar Más Fotos debuted on the Jan. 18-dated Billboard 200 (at No. 2), it has yet to leave the top 10 after 18 weeks, with its chart fortunes largely fueled by continued strong streaming of its songs.
At No. 2 on the Billboard 200, Fuerza Regida debuts with its highest-charting album ever, and first top 10, as 111XPANTIA arrives with 76,000 equivalent album units earned — the band’s best week ever by units.
The set also becomes the highest-charting Spanish-language album by a duo or group (surpassing the No. 4 peak of Maná’s Amar Es Combatir in 2006), and for a regional Mexican music album (higher than the No. 3 peak of Peso Pluma’s Génesis in 2023).
111XPANTIA also earns the largest week, by units, for any Spanish-language album by a duo or group, and by a regional Mexican album, since the chart began ranking by units in December 2014. The previous high, in that span of time, for a Spanish language album by a duo or group was Santana’s Africa Speaks (57,000 in its opening week, in 2019), while the previous high for a regional Mexican title was Génesis (73,000 in its debut frame in 2023).
Of the 76,000 units earned by 111XPANTIA in its opening week, album sales comprise 39,000 (the band’s best sales week ever, and the biggest sales week for a regional Mexican album in the modern era; it debuts at No. 2 on Top Album Sales), SEA units comprise 37,000 (equaling 50.44 million on-demand official streams of the set’s songs; it debuts at No. 5 on Top Streaming Albums) and TEA units comprise a negligible sum.
With 39,000 copies sold, 111XPANTIA surpasses the previous largest sales week for a regional Mexican title, when Selena’s Amor Prohibido sold 36,000 copies on the chart dated May 6, 1995, in the wake of her death in March of that year.
111XPANTIA was released on May 2 as a 12-song standard album, widely available as a digital download for purchase and via streaming services. On May 5, a deluxe edition of the set, with three bonus tracks, was issued via download services and streamers. The band’s official webstore carried the only physical format editions of the album: the 12-song version on four color vinyl variants, a standard CD, a signed CD (by the group’s lead singer, Jesús Ortíz Paz) and four deluxe boxed sets (two containing a branded T-shirt and a signed CD, two with a branded hat and a signed CD).
The new album was preceded by its hit single “Por Esos Ojos,” which reached No. 5 on Hot Latin Songs (March 1 chart), No. 3 on Hot Regional Mexican Songs (May 10), No. 5 on Latin Streaming Songs (March 1) and No. 79 on the all-genre Billboard Hot 100 songs chart (March 15).
111XPANTIA is the sixth charting effort on the Billboard 200 for Fuerza Regida, and the third to reach the top 40 (after PERO NO TE ENAMORES, No. 25 in 2024; and Pa las Baby’s y Belikeada, No. 14 in 2023). The group’s success has also extended to the Hot 100, where the act charted 13 song entries before the new album dropped.
Prior to the new album’s release, the group also logged eight top 10s (with one No. 1) on the Top Latin Albums chart, and 10 top 10s (with five No. 1s) on the Regional Mexican Albums chart.
(Latin and regional Mexican albums are defined as those that are eligible for, or have charted on, Billboard’s Top Latin Albums and Top Regional Mexican Albums charts, respectively.)
Nos. 2-7 on the latest Billboard 200 are all former chart-toppers. SZA’s SOS slips 2-3 (52,000 equivalent album units, though up 1%), Morgan Wallen’s One Thing at a Time is steady at No. 4 (46,000; down less than 1%), Kendrick Lamar’s GNX dips 3-5 (45,000; down 7%), Sabrina Carpenter’s Short n’ Sweet falls 5-6 (41,000; down 6%) and PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U descends 6-7 (40,000; down 7%).
Key Glock lands his fourth top 10-charting effort on the Billboard 200 at Glockaveli debuts at No. 8 with 34,000 equivalent album units earned. Of that sum, SEA units comprise 28,000 (equaling 37.28 million on-demand official streams of the set’s songs; it debuts at No. 12 on Top Streaming Albums), album sales comprise 6,000 (it enters at No. 9 on Top Album Sales) and TEA units comprise a negligible sum.
Glockaveli was released on May 2 as a standard 18-song album, widely available as a digital download to purchase and via streaming services. The standard set was also available on CD (both signed and unsigned), vinyl (standard, color vinyl and signed color vinyl) and a deluxe boxed set containing a branded T-shirt and a CD. A deluxe edition of the album, with three bonus tracks, dropped mid-week — first via the artist’s webstore on May 4, and then wide the following day to general download services and streamers.
Rounding out the top 10 of the latest Billboard 200 are Morgan Wallen’s former leader Dangerous: The Double Album (rising 10-9 with 33,500 equivalent album units; up 1%) and Shaboozey’s Where I’ve Been, Isn’t Where I’m Going (falling 8-10 with 32,000; down 8%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
John Legend is opening up the “descent” of his former friend Ye.
In a new interview with The Times, published on Saturday (May 10), the 46-year-old R&B singer expressed shock over the dramatic changes in Ye (formerly Kanye West) after their close personal and professional bond in the early 2000s.
Related
Ye Claims His ‘Hitler’ Single Is Banned From ‘All Digital Streaming Platforms…
“Back then Kanye was very passionate, very gifted, and he had big dreams not only for himself but also for all the people around him,” Legend said, reflecting on how West helped launch his career after collaborating on the rapper’s 2004 album, The College Dropout. “He had so much optimism, so much creativity. It does feel sad, sometimes shocking, to see where he is now.”
The EGOT winner signed with West’s G.O.O.D. Music after releasing a pair of self-produced albums early in his career. The two artists collaborated on numerous projects over the years, but their friendship began to fray after West, 47, voiced support for Donald Trump’s 2016 presidential campaign. Their relationship ultimately ended in the aftermath of West’s unsuccessful 2020 presidential bid.
“I didn’t see a hint of what we’re seeing now, his obsessions with antisemitism, anti-blackness, and it is sad to see his devolution,” Legend told The Times.
Ye has faced backlash in recent months for his hate-filled, antisemitic rants on social media. The rapper has also expressed support for Diddy, who is currently on trial for sex trafficking charges.
Legend admits he’s not qualified to “psychoanalyze” West, but offers a guess as to why the embattled rapper has changed so much in recent years.
“After his mother passed in 2007 there was definitely a difference,” the singer said. “His descent started then and seems to have accelerated recently.”
West’s mother, Donda, died of a heart attack at age 58 in 2007 following complications from multiple cosmetic procedures. After her death, the rapper released two albums bearing her name: Donda (2021), which debuted at No. 1 on the Billboard 200, and Donda 2 (2022), which was initially available exclusively on the Stem Player before being released on streaming services in late April.
Elsewhere in The Times interview, Legend reflected on West’s undeniable impact in launching his career.
“Kanye blew up after producing Jay-Z’s album The Blueprint in 2001,” he said. “Then he experienced a buzz as a solo artist and the whole time I was traveling with him, doing shows with him, getting exposure not only as his singer and keyboard player but also as an artist myself. I had been turned down by labels everywhere. Then The College Dropout sold 400,000 copies in its first week, everyone wanted to know what was happening in our camp.”
The singer added, “All those people who turned me down suddenly decided that my music sounded a lot better than it did the first time round.”
Kelly Clarkson is getting candid with fans about why she hasn’t been hitting the road lately.
During her concert in Atlantic City, N.J., on Friday (May 9), the 43-year-old pop star and TV personality told the crowd that touring isn’t realistic right now due to the demanding schedule of The Kelly Clarkson Show.
Related
Kelly Clarkson Drops Glam Video For ‘Where Have You Been’ Single
“We haven’t done a show in a while, y’all, ’cause I have a talk show. It’s like a whole other job,” Clarkson said, referencing her band, according to Page Six. The three-time Grammy winner also noted that being a single mother takes up much of her time.
Still, Clarkson expressed gratitude for the opportunity to perform two nights at Atlantic City’s Hard Rock Live at Etess Arena — her first live shows in nearly six months.
“We are bummed ’cause we love doing shows, and it’s hard to fit it in, so it’s cool when it does work out with the schedule,” the American Idol alum told the audience. “And it’s cool to get to see your faces and feed off y’all. Thank you so much for having so much energy.”
Her 90-minute set included fan-favorite hits such as “My Life Would Suck Without You,” “Because of You,” “Breakaway,” “Miss Independent,” “Stronger (What Doesn’t Kill You)” and “Since U Been Gone.” It marked her first full-length concert since November 2024.
Clarkson hasn’t embarked on a full tour since 2019. In the years since, she has booked Las Vegas residencies — including shows at PH Live at Planet Hollywood in 2023 and 2024. Earlier this year, she announced a new Vegas residency, Kelly Clarkson: Studio Sessions, at The Colosseum at Caesars Palace. The show opens July 4 and runs through July and August, with additional dates scheduled for November.
In March, Clarkson celebrated the milestone 1,000th episode of The Kelly Clarkson Show. The daytime program, which launched in 2019, was renewed by NBC Owned Television Stations for a seventh season in December 2024. Her contract is set to expire next year, Page Six reports.
The show has earned 22 Daytime Emmy Awards, including eight individual wins for Clarkson herself. Most recently, it won outstanding daytime talk series for the fourth consecutive year at the 2024 Daytime Emmys.
Now in its sixth season, The Kelly Clarkson Show averages 1.2 million viewers per day and remains one of the top syndicated talk shows in the country, airing on more than 200 stations nationwide.
Arcade Fire returned to Saturday Night Live on May 10 to perform new songs from their upcoming album.
The Canadian quintet — led by frontman Win Butler and his wife, Régine Chassagne — took the stage at Studio 8H ahead of their forthcoming seventh studio album, Pink Elephant.
Related
Arcade Fire Announces New Album ‘Pink Elephant’ & Shares Lead Single ‘Year of the…
Arcade Fire opened their set with the album’s title track and closed with the new single “Year of the Snake.”
Pink Elephant will mark the band’s first album since 2022’s We, which reached No. 6 on the Billboard 200 and climbed to the summit of the Top Rock Albums chart.
The forthcoming 10-track album was recorded at Butler and Chassagne’s Good News Recording Studio in New Orleans and is set for release this spring through Columbia Records. Described as a “cinematic, mystical punk” effort, the album promises a sonic odyssey exploring themes of light and darkness, inner beauty, and the “perception of the individual.”
The release also marks Arcade Fire’s first since multiple former fans accused Butler of sexual misconduct in 2022. The frontman denied that any of the encounters were nonconsensual, but issued an apology “to anyone who I have hurt with my behavior.”
The SNL appearance was the band’s first major television performance since the allegations came to light.
Saturday’s episode marked Arcade Fire’s sixth appearance on the long-running NBC sketch comedy show. They made their SNL debut in 2007 during an episode hosted by Rainn Wilson. In 2010, they returned alongside host Scarlett Johansson, followed by a 2013 performance during Tina Fey’s episode. In 2012, they served as Mick Jagger’s backing band. The group returned again in 2018 with Bill Hader and most recently appeared in 2022 during an episode hosted by Benedict Cumberbatch.
SNL will close out its milestone 50th season on May 17, with Johansson returning as host and Bad Bunny as the musical guest.
Watch Arcade Fire’s SNL performances below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.
Miley Cyrus is putting family first. On the heels of dropping her new single, the ballad “More to Lose,” the singer released a statement on Saturday (May 10) in response to rumors of a rift with parents Tish and Billy Ray.
Related
Miley Cyrus Has Nothing ‘More to Lose’ on ‘Emotional’ New Single: Stream…
“I rarely comment on rumors,” Miley noted in an update shared via Instagram Story on her official account. “But my mama and I are too tight for anything to ever come between us. She’s my best friend.”
“Like a lot of moms, she doesn’t know how to work her phone and somehow unfollowed me–simple, coincidental, and uninteresting,” she said, in reference to murmurs that Tish had reportedly unfollowed her on the social media app earlier this week.
Her statement continued: “My dad and I have had our challenges over the years. Now, in my thirties, family is my priority above all else. I’m at peace knowing bridges have been built and time has done a lot of healing.”
“Grateful for the good health and love that flows through my family,” Miley concluded her message.
Fans had expressed concern about the alleged unfollowing in various comments on Tish’s recent Instagram posts, to which she responded that she didn’t know she’d apparently unfollowed her daughter. “have no idea how that happened but it’s fixed now!” read Tish’s reply to one of those comments on Wednesday, May 7. (At press time on Saturday, she follows Miley on Instagram.)
On Wednesday, Billy Ray had posted a video clip with Miley performing at the piano, along with the caption, “Can’t wait to see this young lady. Crazy how time flies.”
Related
Billy Ray Cyrus Reveals the Text Message That Reconnected Him to Elizabeth Hurley
On Friday, he uploaded a snapshot of himself with his son Braison, plus Miley and her boyfriend Maxx Morando, all together in celebration of Braison’s birthday.
Miley’s new song “More to Lose” is off of the imminent album Something Beautiful, a 13-track collection due out on May 30. It’ll be the follow-up to 2023’s Endless Summer Vacation, which was led by the Grammy-winning, Billboard Hot 100 No. 1 single “Flowers”; Endless Summer Vacation reached No. 3 on the Billboard 200 albums chart.
“I tried to keep it a singular take,” she shared with fans about recording the emotional track “More to Lose.” “It’s really a song that’s more of a story, and I never want that to be interrupted or overthought or chasing perfection. I never wanted ‘More to Lose’ to be perfect, I wanted it to sound beautiful and emotional.”
During a special evening with Spotify last week, Cyrus gave more insight into Something Beautiful, revealing the album’s overarching theme as “beauty, but not what beauty represents by a standard of someone else’s idea.” In another sound-bite from the event, she said — to cheers from the audience — “On a scale of, I think, one to gay, how gay is this album? It’s not only my best album, but also my gayest.”
Talk about the trailblazers! Country icon Reba McEntire joined Lainey Wilson and Miranda Lambert to debut the trio’s emotional new collaboration “Trailblazer” toward the end of the 2025 ACM Awards Thursday (May 8) at The Star in Frisco, Texas. The song had dropped on streaming services just hours earlier, at 8 p.m. ET.
Related
Here Are the 2025 ACM Awards Winners: Full List
The celebrated country artists took to a stage that was dressed to appear like a barren desert, the skies behind them a warm orange as the silhouettes of birds fluttered through the the scene. Dressed in matching brown suede outfits accented with turquoise, the three women traded lyrics before harmonizing on the chorus, singing, “Talk about a trailblazer, cuttin’ one half at a time/ Running like a dream chaser, living on a prayer and a rhyme/ Put a flag in the ground to the country sound, to the rhythm of your own highway/ Talk about a trailblazer, I’m rolling down the road you paved.”
At the end of the song, McEntire, who was also hosting the show for the 18th time, took the hands of her collaborators, and together, the three women walked to the front of the stage and took a bow together.
The day before the ACM Awards, the trio spoke to Billboard‘s Melinda Newman about their new ballad, which pays tribute to those who influenced them and paved the way. “We wanted to lean in pretty hard to paying tribute to each person,” shared Lambert, who was the focus of Billboard‘s inaugural Power Pets feature alongside her dog Bellamy. “We had to do it strategically, though, because we didn’t want it to be so blatant — but more like a secret thing that you would have to listen to it twice.”
Related
Reba McEntire, Miranda Lambert & Lainey Wilson on New Single ‘Trailblazer’ & Their…
“We were just having a conversation about how [Lambert and McEntire] have influenced me and [about] passing the torch and blazing trails for each other,” Wilson also noted. “Generation after generation, it’s going to continue, but we got to keep blazing those trails for the next one.”
The ACM Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.
Rick Ross and Drake have remained at odds since exchanging jabs on a series of diss tracks last year, but Rozay is open to ending the beef with his “Stay Schemin” collaborator.
Related
A Timeline of Drake & Rick Ross’ Relationship: Collabs, Feuds & A Lost…
The Biggest Boss joined Bootleg Kev for an interview Wednesday (May 7), during which they discussed the Kendrick Lamar and Drake battle, something Ross saw as “necessary” for the rap game.
The conversation then switched to spotlight the root of Rozay’s issues with Drake, which Bootleg Kev theorized came from Drake’s treatment of French Montana on a track.
“I spoke on that on the record I released. Like I said, ‘F–k that s–t,’” Ross said. “Was it something really deep? Nah, f–k that, though. But if you p—y, you p—y. If it’s real, it’s real.”
Now, it’s unclear if Ross is being 100 percent serious, but the Florida rapper says he’d be open to squashing his feud with Drizzy.
“You never know,” he began. “If a n—a send me a bottle of Luc Belaire, especially the white one. That go for any of these young n—-s out here … Send me a white Belaire and I’ll take a picture with you.”
Drake sent shots at Ross on his April 2024 “Push Ups” diss track, and Rozay returned the favor with “Champagne Moments.” Ross accused Drizzy of getting a nose job and referred to the OVO rapper as the “white boy” while continuing to troll the 6 God on social media.
Last year, Ross joined Yung Miami for an episode of Caresha Please, which saw him reflect on being at odds with Drake.
“He mentioned my name, and that’s a no-no,” he said. “Don’t do that, especially when it ain’t about no real s–t. But when you do that, OK then: this is how we gonna play. I can wake up every day and say ‘BBL Drizzy’ or some old s–t, while I’m smoking a joint, listening to the waterfalls and all that s–t, looking at the birds fly off. That s–t easy for me. I don’t know. It depend on how I feel. I ain’t losing no sleep over none of that.”
Watch Rick Ross talk to Bootleg Kev about his Drake feud below:
When Donald Trump finally visits the John F. Kennedy Performing Arts Center next month to attend his first-ever show at the beloved Washington, D.C. cultural institution he will be treated to a performance of the musical Les Misérables that will be missing a number of key players. According to CNN, at least 10-12 of the show’s performers are expected to skip the June 11 performance Trump will reportedly attend on the same night as a high-dollar fundraiser at the Center.
Related
Guster Perform With Cast of ‘Finn’ After LGBTQ+ Musical Canceled Following Trump Kennedy…
CNN reported that the cast was given the option to not be on stage the night Trump is in the house, with both unnamed “major cast members and members of the ensemble” opting to take a night off in the midst of the Trump administration’s aggressive makeover of the venue. As part of his government-wide slash-and-burn effort to remake Washington his image, Trump installed himself as the chairman of the Kennedy Center with the help of a rebooted board made up entirely of his hand-picked appointees at the institution that has traditionally had a bipartisan mix of board members.
The Les Miz performance will coincide with the fundraiser featuring sponsorship levels selling for as much as $2 million according to ABC News, with the invitation noting that Trump will appear that night as “a special guest and friend of the Kennedy Center”; at press time it was not clear what the funds were being raised for as Trump is constitutionally barred from running for a third term. Trump played songs from the musical about the plight of the impoverished underclass during the French Revolution on stops of his 2016 presidential campaign, upsetting the co-creators of the stage musical, who requested that he stop blasting “Do You Hear the People Sing?” at his rallies.
In a statement to EW, Trump confidant and the Center’s new director, Richard Grenell, said of the reported boycott, “We haven’t heard this rumor. But the Kennedy Center will no longer fund intolerance. Any performer who isn’t professional enough to perform for patrons of all backgrounds, regardless of political affiliation, won’t be welcomed. In fact, we think it would be important to out those vapid and intolerant artists to ensure producers know who they shouldn’t hire — and that the public knows which shows have political litmus tests to sit in the audience.”
The cast boycott is the latest in an unfolding culture war between the Trump administration and some artists who were slated to perform at the Kennedy Center, a number of whom canceled shows in the wake of the Trump takeover. Among those who pulled gigs or resigned from their leadership roles at the Kennedy Center in protest were: Ben Folds, Renee Fleming, Shonda Rhimes, Low Cut Connie, Rhiannon Giddens, Issa Rae, as well as a performance of the Tony- and Pulitzer Prize-winning Hamilton, the lauded show Trump subsequently criticized, saying “I never liked Hamilton very much.”
Trump raged against the programming at the Center in February in a Truth Social post in which he wrote, “No more drag show, or other anti-American propaganda — Only the best.” In another post, Trump said he wanted to make sure the Kennedy Center “runs properly. We don’t need woke at the Kennedy Center. Some of the shows were terrible. They were a disgrace that they were even put on.”
