Skrillex and Jamie xx to Deliver Rare B2B Set at London’s LIDO Festival

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LIDO Festival’s June debut in London has just escalated from anticipated to essential with the announcement of a b2b set between Skrillex and Jamie xx.

While not entirely unprecedented, their joining forces behind the decks remains a rarity, one reserved for moments that aim to push the envelope beyond the standard music festival playbook.

The performance will take place on Saturday, June 7th as part of the Jamie xx-curated lineup at Victoria Park. The day also features his b2b with Nia Archives, a showcase of his underground club concept “The Floor” and sets from avant-pop visionaries like Arca and Romy.

Skrillex has made a habit of surprising audiences with unlikely b2b sets in recent years, including his collaborative performances alongside Fred again.. and Four Tet, with whom he headlined sold-out spectacles at Coachella and Madison Square Garden. Presently, he’s riding the wave of a disruptive new chapter following the release of his long-awaited fourth album, F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3.

Tickets for LIDO Festival, taking place June 6-7 and June 13-15 at London’s Victoria Park, are available now.

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EDC Las Vegas Offered a $575,000 Bottle Service Package at 2025 Festival

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What does over half a million dollars buy you in a place where kandi-trades and cheap White Claws are the cultural currency? At EDC Las Vegas 2025, it apparently yields an alcohol arsenal so opulent it could toast the entire “Forbes 30 Under 30” list twice over.

For those who found Ultra’s $425,000 champagne-fueled VIP fantasy just a touch too humble, EDC returned this past weekend with a jaw-dropping rebuttal. The festival’s menu options featured “The Notorious,” a bottle service experience that stretches the definition of “splurge” to a new fiscal altitude: $575,000.

According to an image shared on social media by Las Vegas Locally, the package includes 125 bottles of Dom Pérignon Brut, 125 bottles of Dom Pérignon Rosé and 10 bottles of Clase Azul Ultra Tequila for a 260-bottle flex of financial bravado.

The rest of the menu doesn’t shy away from indulgence either. A six-pack of Bud Light would’ve set you back $150 while a single 6L Methuselah of Armand de Brignac Rosé topped out at $63,000. Even the lower-tier champagne packages boast names like “Supernova Pop” ($105,000) and “You, Me, & Everyone We Know” ($140,000), proving once again that the sky is the starting point at North America’s largest EDM festival.

EDC returned to the Las Vegas Motor Speedway May 16-18, 2025.

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AI Chatbots Are Putting Clueless Hikers in Danger, Search and Rescue Groups Warn

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Hikers are ending up in need of rescue because they're following the questionable recommendations of an AI chatbot.

Two hikers trying to tackle Unnecessary Mountain near Vancouver, British Columbia, had to call in a rescue team after they stumbled into snow. The pair were only wearing flat-soled sneakers, unaware that the higher altitudes of a mountain range only some 15 degrees of latitude south of the Arctic Circle might still be snowy in the spring. 

“We ended up going up there with boots for them,” Brent Calkin, leader of the Lions Bay Search and Rescue team, told the Vancouver Sun. “We asked them their boot size and brought up boots and ski poles.”

It turns out that to plan their ill-fated expedition, the hikers heedlessly followed the advice given to them by Google Maps and the AI chatbot ChatGPT.

Now, Calkin and his rescue team are warning that maybe you shouldn’t rely on dodgy apps and AI chatbots — a piece of technology known for lying and being wrong all the time — to plan a grueling excursion through the wilderness.

“With the amount of information available online, it’s really easy for people to get in way over their heads, very quickly,” Calkin told the Vancouver Sun.

Across the pond, a recent report from Mountain Rescue England and Wales blamed social media and bad navigation apps for a historic surge in rescue teams being called out, the newspaper noted.

Stephen Hui, author of the book “105 Hikes,” echoed that warning and cautioned that getting reliable information is one of the biggest challenges presented by AI chatbots and apps. With AI in particular, Hui told the Vancouver Sun, it’s not always easy to tell if it’s giving you outdated information from an obscure source or if it’s pulling from a reliable one.

From his testing of ChatGPT, Hui wasn’t too impressed. Sure, it can give you “decent directions” on the popular trails, he said, but it struggles with the obscure ones.

Most of all, AI chatbots struggle with giving you relevant real-time information.

“Time of year is a big deal in [British Columbia],” Hui told the Vancouver Sun. “The most sought-after view is the mountain top, but that’s really only accessible to hikers from July to October. In winter, people may still be seeking those views and not realize that there’s going to be snow.”

When Calkin tested ChatGPT, he found that a “good input” made a big difference in terms of the quality of the answers he got. Of course, the type of person asking a chatbot for hiking advice probably won’t know the right questions to ask.

Instead of an AI chatbot, you might, for instance, try asking a human being with experience in the area you’re looking at for advice, Calkin suggested, who you can find on indispensable founts of wisdom like Reddit forums and Facebook groups.

“Someone might tell you there’s a storm coming in this week,” Calkin told the Vancouver Sun. “Or I was just up there Wednesday and it looks good. Or you’re out of your mind, don’t take your six-year-old on that trail.”

More on AI: Elon Musk’s AI Just Went There

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Yusuf/Cat Stevens announces first UK tour for 9 years

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Cat Stevens is heading out on his first UK tour for 9 years, in support of his upcoming memoir, Cat On The Road To Findout.

Cat Stevens is heading out on his first UK tour for 9 years, in support of his upcoming memoir, Cat On The Road To Findout.

THE JUNE 2025 ISSUE OF UNCUT IS AVAILABLE TO ORDER NOW: STARRING R.E.M., A DOORS RARITIES CD, BON IVER, PRINCE, SHACK, AMY WINEHOUSE, DIRE STRAITS, STEREOLAB AND MORE

The tour is titled Cat On The Road To Findout – An Evening Of Tales, Tunes And Other Mysteries and will include unplugged performances of songs from his catalogue alongside in-depth conversation about his life and memoir.

Speaking about the book tour, Stevens says: “Having passed through the exhaustingly complex maze of everyday material life, ascending the dizzying heights of wealth, recognition and artistic achievements, I think I’ve got a few things to share. Keeping an open mind was part of the nature I instinctively maintained as a creative songwriter. Nothing was off-bounds. Music was a way of discovering my purpose within the universe. I just kept on exploring, reading and learning more, ignoring myths and warnings and crossing dangerous-looking bridges into the vast ranges of philosophies and through the veils of the spiritual unknown.

“Now I have written a book which explains what I’ve learned and the stories along the way. That doesn’t make me a teacher, but more of a potential specimen for those who are searching and pursuing happiness on all sides of the divide. Believe me, folks, it’s out there!”

UK fans can access an exclusive artist presale from Wednesday, May 21 at 10am here. O2 Priority members presale begins on Wednesday, May 21 at 10am. Live Nation and Venue pre-sales can be accessed on Thursday, May 22 at 10am. General on sale begins on Friday, May 23 at 10am.

Meanwhile, Stevens’s memoir will be published in hardback, ebook and audiobook format (narrated by the author) by Constable in the UK and Commonwealth on September 18, 2025 and by Genesis Publications in North America on October 7, 2025. You can pre-order the book here.

‘Cat On The Road To Findout – An Evening Of Tales, Tunes And Other Mysteries’ tour dates:

UK
Sept 6 – Cambridge, Corn Exchange
Sept 8 – Bristol, Bristol Beacon
Sept 11 – Birmingham, Alexandra Theatre
Sept 14 – London, Theatre Royal Drury Lane
Sept 16 – Manchester, Bridgewater Hall
Sept 18 – Dublin, 3Olympia Theatre
Sept 22 – Glasgow, Royal Concert Hall

North America
Oct 2 – Philadelphia, PA, The Met
Oct 6 – Boston, MA, Boch Center Theatre
Oct 8 – Toronto, ON, Massey Hall
Oct 11 – New York, NY, Beacon Theatre
Oct 14 – Chicago, IL, Chicago Theatre
Oct 18 – San Francisco, CA, The Masonic
Oct 21 – Los Angeles, CA, Dolby Theatre

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Venue Woes Continue as Brooklyn Mirage Postpones Memorial Day Weekend Shows

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Avant Gardner, the operators of the Brooklyn Mirage, announced Tuesday that all concerts scheduled through Memorial Day weekend have been postponed due to ongoing permit issues, further delaying the venue’s highly anticipated reopening.

In a statement, management confirmed that affected shows would be rescheduled for July and August, with ticket-holders receiving email and text notifications about refund options.

“Although the Brooklyn Mirage is opening later than anticipated, we are making great progress towards opening our doors,” the venue stated. “We take responsibility for the delay and are working diligently with the City of New York to make sure that we meet all regulations and requirements, so that we can deliver a safe and unforgettable experience for everyone.”

The Chainsmokers were set to headline a pair of concerts, which have now been rescheduled for August 7-8. They took to Instagram Stories to lament the postponements.

“We are being told the venue still does not have the permitting required to open,” the duo wrote. “We are truly devastated. We put so much into building an amazing show for our favorite city but this is just how things go sometimes.”

The postponements mark another setback for the beleaguered open-air venue, which has undergone extensive renovations and was expected to unveil significant upgrades this spring. The venue was unable to open on its scheduled date of May 2nd after reportedly failing to secure final compliance from building inspectors, ultimately postponing the relaunch indefinitely.

Avant Gardner today promised to share updates about the Mirage’s progress and expected opening date by the end of this week, noting they are working “24/7 to bring you the groundbreaking experience we promised.” Helmed by new CEO Josh Wyatt, the renovation project includes structural upgrades, a redesigned stage and major enhancements to the venue’s sound and lighting systems.

“I can tell you that when you walk into Brooklyn Mirage for the first time, you’re going to see a set design that will blow you away,” Wyatt told EDM.com in a recent interview. “Then when you come back two weeks or two months later, it’s going to look totally different. The type of technology that we’re designing to be able to allow us to do that is bespoke and has never been done before—I think it’s pretty mind-blowing.”

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Chicago Newspaper Caught Publishing a “Summer Reads” Guide Full of AI Slop

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The Chicago Sun-Times, a daily non-profit newspaper owned by Chicago Public Media, published a “summer reading list” featuring wholly fabricated books — the result of broadcasting unverified AI slop in its pages.

An image of a “Summer reading list for 2025” was first shared to Instagram by a book podcaster who goes by Tina Books and was circulated on Bluesky by the novelist Rachael King. The newspaper’s title and the date of the page’s publication are visible in the page’s header.

The page was included in a 64-page “Best of Summer” feature, and as the author, Marco Buscaglia, told 404 Media, it was generated using AI.

“I do use AI for background at times but always check out the material first,” Buscaglia told 404 Media. “This time, I did not and I can’t believe I missed it because it’s so obvious. No excuses.”

“On me 100 percent and I’m completely embarrassed,” he added.

At first glance, the list is unassuming.

“Whether you’re lounging by the pool, relaxing on sandy shores or enjoying the longer daylight hours in your favorite reading spot,” reads the list’s introduction, “these 15 titles — new and old — promise to deliver the perfect summer escape.”

The book titles themselves are unassuming, too. The newspaper recommends titles like the ethereal-sounding “Tidewater Dreams,” which it says was written by the Chilean-American novelist Isabel Allende; “The Last Algorithm,” purported to be a new sci-fi thriller by Andy Weir; and “The Collector’s Piece,” said to be written by the writer Taylor Jenkins Reid about a “reclusive art collector and the journalist determined to uncover the truth behind his most controversial acquisition.”

But as we independently confirmed, though these authors are real and well-known, these books are entirely fake — as are several others listed on the page. Indeed: the first ten out of all fifteen titles listed in the Sun-Times list either don’t exist at all, or the titles are real, but weren’t written by the author that the Sun-Times attributes them to.

Fabrications like made-up citations are commonplace in AI-generated content, and a known risk of using generative AI tools like ChatGPT.

We reached out to the Sun-Times and its owner, Chicago Public Media, which notably also owns the beloved National Public Radio station WBEZ Chicago. In an email, a spokesperson emphasized that the content wasn’t created or approved by the Sun-Times newsroom and that the paper was actively investigating.

“We are looking into how this made it into print as we speak,” read the email. “This is licensed content that was not created by, or approved by, the Sun-Times newsroom, but it is unacceptable for any content we provide to our readers to be inaccurate. We value our readers’ trust in our reporting and take this very seriously. More info will be provided soon as we investigate.”

This was echoed by Buscaglia, who told 404 Media that the content was created to be part of a “promotional special section” not specifically targeted to Chicago.

“It’s supposed to be generic and national,” Buscaglia told 4o4 Media. “We never get a list of where things ran.”

This wouldn’t be the first time AI has been used to create third-party content and published without AI disclosures by journalistic institutions, as Futurism’s investigation last year into AdVon Commerce revealed.

Readers are understandably upset and demanding answers.

“How did the editors at the Sun-Times not catch this? Do they use AI consistently in their work?” reads a Reddit post to r/Chicago about the scandal.  “As a subscriber, I am livid!”

“What is the point of subscribing to a hard copy paper,” the poster continued, “if they are just going to include AI slop too!?”

“I just feel an overwhelming sense of sadness this morning over this?” University of Minnesota Press editorial director Jason Weidemann wrote in a Bluesky post. “There are thousands of struggling writers out there who could write a brilliant summer reads feature and should be paid to do so.”

“Pay humans to do things for fuck’s sake,” he added.

More on AI and journalism: Scammers Stole the Website for Emerson College’s Student Radio Station and Started Running It as a Zombie AI Farm

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Fortnite’s Foul-Mouthed AI Darth Vader Sparks Major Controversy

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Epic Games introduced an AI-powered Darth Vader using a clone of the actor's iconic voice, which immediately stirred up a hornet's nest.

In case you haven’t heard, Fortnite — the megahit video game from Epic Games that’s stuffed with characters from every media franchise imaginable, not to mention real celebrities — has become a cause célèbre after it introduced Darth Vader as an in-game boss. 

This was no ordinary homage to the “Star Wars” villain. It uses “conversational AI” to recreate the iconic voice of the late actor James Earl Jones, allowing gamers to chat with the Sith Lord and ask him pretty much any question they want.

Though it’s resulted in plenty of light-hearted fun, gamers, being gamers, immediately set to work tricking the AI into swearing and saying slurs.

But that’s only the beginning of the controversy, if you can believe it. 

On Monday, the Screen Actor’s Guild blasted Epic Games for its AI Vader stunt and filed an unfair labor complaint against the developer with the National Labor Relations Board, arguing that Epic’s use of AI violated their agreement by replacing human performers without notice.

“Fortnite’s signatory company, Llama Productions, chose to replace the work of human performers with AI technology,” SAG-AFTRA said in a statement. “Unfortunately, they did so without providing any notice of their intent to do this and without bargaining with us over appropriate terms.” 

SAG-AFTRA is still on strike against the video game industry, though actors are still allowed work on Fortnite and some other exempted projects, notes the Hollywood Reporter. Voice actors, in general, have struggled to win the same protections against AI as other performers in other fields. It’s easier and far cheaper to fake someone’s voice and pass it off as real than it is to mimic a visual performance.

For this stunt, Epic used Google’s Gemini 2.0 model to generate the wording of Vader’s responses, and ElevenLabs’ Flash v2.5 model for the audio.

Whatever your thoughts on the ethics of resurrecting a dead actor’s voice with AI, no theft is involved with Epic’s AI Vader  — just, if SAG is to be believed, dubious labor practices. It was created in collaboration with Jones’ estate, according to an Epic press release featuring a statement from the family. Jones, shortly before he passed away, signed a contract with Disney allowing the AI startup Respeecher to clone his voice. 

That’s all fine with SAG-AFTRA. It doesn’t necessarily have a problem with actors — or their estates — licensing AI replicas of themselves. 

“However, we must protect our right to bargain terms and conditions around uses of voice that replace the work of our members,” the union wrote, “including those who previously did the work of matching Darth Vader’s iconic rhythm and tone in video games.”

We’ll have to see what the labor board and Epic make of SAG-AFTRA’s claims. In the meantime, it’s pretty jarring to see an AI version of Jones’ legendary Vader performance out in the wild and answering silly questions in a video game.

More on AI: Even Audiobooks Aren’t Safe From AI Slop

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