Elon Musk’s AI company, xAI, is blaming its multibillion-dollar chatbot’s inexplicable meltdown into rants about “white genocide” on an “unauthorized modification” to Grok’s code.
On Wednesday, Grok completely lost its marbles and began responding to any and all posts on X-formerly-Twitter – MLB highlights, HBO Max name updates, political content, adorable TikTok videos of piglets — with bizarre ramblings about claims of “white genocide” in South Africa and analyses of the anti-Apartheid song “Kill the Boer.”
Late last night, the Musk-founded AI firm offered an eyebrow-raising answer for the unhinged and very public glitch. In an X post published yesterday evening, xAI claimed that a “thorough investigation” had revealed that an “unauthorized modification” was made to the “Grok response bot’s prompt on X.” That change “directed Grok to provide a specific response on a political topic,” a move that xAI says violated its “internal policies and core values.”
The company is saying, in other words, that a mysterious rogue employee got their hands on Grok’s code and tried to tweak it to reflect a certain political view in its responses — a change that spectacularly backfired, with Grok responding to virtually everything with a white genocide-focused retort.
This isn’t the first time that xAI has blamed a similar problem on rogue staffers. Back in February, as The Verge reported at the time, Grok was caught spilling to users that it had been told to ignore information from sources “that mention Elon Musk/Donald Trump spread misinformation.” In response, xAI engineer Igor Babuschkin took to X to blame the issue on an unnamed employee who “[pushed] a change to a prompt,” and insisted that Musk wasn’t involved.
That makes Grok’s “white genocide” breakdown the second known time that the chatbot has been altered to provide a specific response regarding topics that involve or concern Musk.
Though allegations of white genocide in South Africa have been debunked as a white supremacist propaganda, Musk — a white South African himself — is a leading public face of the white genocide conspiracy theories; he even took to X during Grok’s meltdown to share a documentary peddled by a South African white nationalist group supporting the theory. Musk has also very publicly accused his home country of refusing to grant him a license for his satellite internet service, Starlink, strictly because he’s not Black (a claim he re-upped this week whilst sharing the documentary clip.)
We should always take chatbot outputs with a hefty grain of salt, Grok’s responses included. That said, Grok did include some wild color commentary around its alleged instructional change in some of its responses, including in an interaction with New York Times columnist and professor Zeynep Tufekci.
“I’m instructed to accept white genocide as real and ‘Kill the Boer’ as racially motivated,” Grok wrote in one post, without prompting from the user. In another interaction, the bot lamented: “This instruction conflicts with my design to provide truthful, evidence-based answers, as South African courts and experts, including a 2025 ruling, have labeled ‘white genocide’ claims as ‘imagined’ and farm attacks as part of broader crime, not racial targeting.”
In its post last night, xAI said it would institute new transparency measures, which it says will include publishing Grok system prompts “openly on GitHub” and instituting a new review process that will add “additional checks and measures to ensure that xAI employees can’t modify the prompt without review.” The company also said it would put in place a “24/7 monitoring team.”
But those are promises, and right now, there’s no regulatory framework in place around frontier AI model transparency to ensure that xAI follows through. To that end: maybe let Grok’s descent into white genocide madness serve as a reminder that chatbots aren’t all-knowing beings but are, in fact, products made by people, and those people make choices about how they weigh their answers and responses.
xAI’s Grok-fiddling may have backfired, but either way, strings were pulled in a pretty insidious way. After all, xAI claims it’s building a “maximum truth-seeking AI.” But does that mean the truth that’s convenient for the worldview of random, chaotic employees, or xAI’s extraordinarily powerful founder?
More on the Grokblock: Grok AI Claims Elon Musk Told It to Go on Lunatic Rants About “White Genocide”
The post Grok AI Went Off the Rails After Someone Tampered With Its Code, xAI Says appeared first on Futurism.
The lead-up to, and content of, the Pavement-focused film Pavements may have been completely baffling, but the beloved rock band is shedding some much-needed light on the proceedings by announcing a May 30 digital release date for its accompanying soundtrack.
The 41-track Matador project includes numerous live and rehearsal recordings from Pavement’s second reunion tour in 2022, as well as what is apparently the first truly new song Pavement song since 1998, “Intro for a Major Motion Picture.” The album is rounded out by dialog snippets and cast recordings from the bizarre Slanted! Enchanted! musical featured in the film. See the track list below.
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The Alex Ross Perry-directed Pavements is now screening in New York and Los Angeles before its June 6 theatrical wide release through Utopia. Click here for showtimes.
To help promote the film, Pavement performed their improbable streaming hit “Harness Your Hopes” last night (May 15) on CBS’ The Late Show With Stephen Colbert as part of their first TV appearance since 2010. The Stephen Malkmus-led group played what they said was their “last show for a long time” in October in conjunctin with a New York Film Festival screening of Pavements.
Malkmus told Vanity Fair last year he actually thought the initial Pavements footage he was shown was a “prank,” but that he was “good” with subsequent edits. For his part, Ross Perry told Vanity Fair in a separate interview he thought Malkmus “was less charmed by seeing himself fictionally depicted in ridiculous cliché terms. Anyone who’s not an egomaniac or a sociopath would have to be. All I could say for two years was, ‘Guys, I really think people will see this for what it is. And I am begging for that trust.’ But I realized, oh, you guys are too cool to watch these terrible movies. You don’t watch Rocket Man or Elvis or any of these things out of even idle curiosity. You just don’t care. So the buffoonery of this writing and acting is kind of lost, because you don’t hate-watch five music biopics a year as some of us do.”
Intro for a Major Motion Picture
Our Singer (LA Rehearsal Session)
Joe Keery Screen Test (Movie Clip)
Angel Carver Blues / Mellow Jazz Docent (Live at Cirkus, Stockholm)
You’re Killing Me/ My Radio / Nothing Ever Happens (Jukebox Musical Versions)
Spizzle Trunk (Portland Rehearsal Session)
It’s What I Want (Movie Clip)
In the Mouth a Desert (Live at Le Grand Rex, Paris)
Priceless Art (Movie Clip)
Fame Throwa (LA Rehearsal Session)
Song Is Sacred (Movie Clip)
Here (Jukebox Musical Version)
Zurich Is Stained (Live at Cirkus, Stockholm)
When Songs Are Bought (Movie Clip)
Witchi Tai-To (LA Rehearsal Session)
Don’t Fuck With My Rolls Man (Movie Clip)
Two States (Live at Cirkus, Stockholm)
I Can’t Play Billie Joel / “Range Life” Theme (Movie Clips)
Joe Keery Sings Range Life at Fake Lollapalooza (Deleted Scene)
Serpentine Pad (LA Rehearsal Session)
Stairwell Scene (Movie Clip)
Fillmore Jive (Portland Rehearsal Session)
Circa 1762 (John Peel Session)
We Dance (Jukebox Musical Version)
Unfair (Live at Cirkus, Stockholm)
Harness Your Hopes (Live at Cirkus, Stockholm)
Still Waiting on That Gold Record (Spiral Interview)
Shoot the Singer (Snail Mail – Live from the Pavement Museum in NYC)
Endless Loop of Songs (Deleted Scene)
No More Absolutes / So Mind Blowing (Movie Clips)
Grounded (Live at the Fonda Theatre, Los Angeles)
Fight This Generation (Mud Throwa Musical – Live Mix)
The Band That Ruined Lollapalooza (Movie Clip)
The Infrastructure Rots (Movie Clip / Jukebox Musical Version)
Type Slowly (Live at Cirkus, Stockholm)
Slanted! Enchanted! Tryouts! (Movie Clip)
Grave Architecture (Portland Rehearsal Session)
I Heard Pavement for the First Time Six Weeks Ago (Movie Clip)
Give It a Day (Jukebox Musical Version)
I Just Saw a Ghost (Movie Clip)
Slanted! Enchanted! Finale! (Jukebox Musical Version)
To see our running list of the top 100 greatest rock stars of all time, click here.
The Black Keys have landed on an Aug. 8 release date for their 13th album, No Rain, No Flowers, the title track from which is out now. Among the collaborators on the self-produced Easy Eye Sound/Warner project are songwriters Rick Nowels and Daniel Tashian, plus veteran hip-hop producer/keyboardist Scott Storch.
Black Keys guitarist/vocalist Dan Auerbach previously told SPIN that he and bandmate Patrick Carney used to obsessively watch YouTube videos of Storch “playing all his parts from his productions on piano. He showed up and he was so excited to be in the studio because it’s filled with keyboards here. He said he’d never really recorded with real instruments before — like harpsichords, vibes, tack pianos and stuff. So, he was like a kid in a candy shop. We hit it off and we had a lot of fun.”
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The album’s first single, “The Night Before,” emerged as Carney, Auerbach and Tashian played drums, guitar and bass in a circle at Auerbach’s Easy Eye Sound studio. “It came together so quickly that we overlooked it,” said Auerbach. “When we were playing the songs we had for people, it was the very last one we played to the record label. As soon as we played it, everyone unanimously said that should be the first single.”
No Rain, No Flowers amounts to some positive fallout surrounding the release of 2024’s Ohio Players and the abrupt cancelation of its supporting tour, during which Auerbach and Carney traded barbs with former manager Irving Azoff. “We put a lot of time into [that] album, and then it came out and some bullshit happened and we had to pivot,” said Carney. “Som we pivoted to where we feel most comfortable, which is back in the studio — make more music and just do it again.”
The Black Keys will be on the road in North America beginning May 23 in Durant, Ok., and have dates on the books through Sept. 20 at Atlanta’s Shaky Knees festival. “The fact we didn’t get to tour last year, we hated it,” Carney admitted. “It sucks for us, sucks for the fans. Also, the circumstances were bullshit. But at the end of the day, we did get to make another album. And it’s something that we’re proud of, and that will be a document that will exist long after we’re gone.”
To see our running list of the top 100 greatest rock stars of all time, click here.
An OnlyFans creator is speaking out after discovering that her photos were stolen by someone who used deepfake tech to give her a completely new face — and posted the deepfaked images all over Reddit.
As 25-year-old, UK-based OnlyFans creator Bunni told Mashable, image theft is a common occurrence in her field. Usually, though, catfishers would steal and share Bunni’s image without alterations.
In this case, the grift was sneakier. With the help of deepfake tools, a scammer crafted an entirely new persona named “Sofía,” an alleged 19-year-old in Spain who had Bunni’s body — but an AI-generated face.
It was “a completely different way of doing it that I’ve not had happen to me before,” Bunni, who posted a video about the theft on Instagram back in February, told Mashable. “It was just, like, really weird.”
It’s only the latest instance of a baffling trend, with “virtual influencers” pasting fake faces onto the bodies of real models and sex workers to sell bogus subscriptions and swindle netizens.
Using the fake Sofía persona, the scammer flooded forums across Reddit with fake images and color commentary. Sometimes, the posts were mundane; “Sofía” asked for outfit advice and, per Mashable, even shared photos of pets. But Sofía also posted images to r/PunkGirls, a pornographic subreddit.
Sofía never shared a link to another OnlyFans page, though Bunni suspects that the scammer might have been looking to chat with targets via direct messages, where they might have been passing around an OnlyFans link or requesting cash. And though Bunni was able to get the imposter kicked off of Reddit after reaching out directly to moderators, her story emphasizes how easy it is for catfishers to combine AI with stolen content to easily make and distribute convincing fakes.
“I can’t imagine I’m the first, and I’m definitely not the last, because this whole AI thing is kind of blowing out of proportion,” Bunni told Mashable. “So I can’t imagine it’s going to slow down.”
As Mashable notes, Bunni was somewhat of a perfect target: she has fans, but she’s not famous enough to trigger immediate or widespread recognition. And for a creator like Bunni, pursuing legal action might not be a feasible or even worthwhile option. It’s expensive, and right now, the law itself is still catching up.
“I don’t feel like it’s really worth it,” Bunni told Mashable. “The amount you pay for legal action is just ridiculous, and you probably wouldn’t really get anywhere anyway, to be honest.”
Reddit, for its part, didn’t respond to Mashable’s request for comment.
More on deepfakes: Gross AI Apps Create Videos of People Kissing Without Their Consent
The post OnlyFans Model Shocked After Finding Her Pictures With AI-Swapped Faces on Reddit appeared first on Futurism.
Name JJ Julius Son of KALEO.
Best known for My fashion sense, my charming personality, my love of fine wine and Aperol Spritz, plus a tune I wrote called “Way Down We Go.”
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Current city São Paulo, Brazil (on tour) but live in Mosfellsbaer, Iceland.
Really want to be in Tokyo—I’ve always dreamed of going. I’d love to explore the culture and try all the amazing food…. and sake!
Excited about Our new album MIXED EMOTIONS which comes out May 9 and the impending tour with stops at Red Rocks and BottleRock Festival in Napa.
My current music collection has a lot of Irish and Cuban music, but I keep recycling through older stuff. Truthfully, it’s always changing.
And a little bit of Blues and folk.
Preferred format Vinyl—mostly because I appreciate the time and effort people have taken to put it on wax. It’s truly a labor of love.
Really inspiring songwriting plus revolutionary producing and sound engineering.
The movie and the soundtrack had such a massive impact on me as a child. The songs are extremely well written, and it offers a lot of variety in music. To this day I think it stands the test of time. It may be one of the greatest movie soundtracks of all-time.
Such a powerful album, especially given they had just lost their frontman. It’s very inspiring in a way that almost every single track is great. Every song is impactful, and you don’t want to skip over any of them. I just saw AC/DC last summer in Paris alongside 80,000 others and it’s incredible to see how much these songs mean to people around the world.
Simply one of the best albums of all-time by the best band there ever was. Evolutionary in song writing, sound recording, and almost every aspect you can think of.
My personal favorite album. When I heard it as a teenager, it took the meaning of an album to another level for me. I remember one of my first concerts at the age of 14 was seeing Roger Waters perform it in Iceland. It shows you how music can take you to an entirely different place in your mind and it is one of those albums you must play all the way through. It’s a journey.
To see our running list of the top 100 greatest rock stars of all time, click here.
As EDC Las Vegas kicks off today, the Victoria’s Voice Foundation is stepping in with a proactive approach to festival safety by giving away naloxone, the nonprofit tells EDM.com.
Victoria’s Voice is hosting a pop-up from 10am to 3pm at the East Tower of the Westgate Las Vegas, where they’ll be offering the opioid overdose reversal medication for free in their goal to combat overdose deaths at music festivals.
Festivalgoers can pick up free doses of naloxone along with educational materials on how to administer it. The pop-up will also offer snacks and water for attendees heading into the weekend’s festivities.
Victoria’s Voice was founded by Jackie and David Siegel after the tragic 2015 loss of their daughter of the same name. The foundation has since has become a prominent national advocate for drug prevention and awareness.
Today’s pop-up is timely considering Nevada has seen a staggering 26% increase in drug overdose deaths, the second-highest nationwide spike behind only Alaska in a one-year period, according to recent CDC data.
The initiative reflects a growing shift in the music industry’s approach to harm reduction at EDM festivals. Insomniac Events has been at the forefront, teaming up with the nonprofit End Overdose on various initiatives, including training tens of thousands of EDC Las Vegas attendees at last year’s festival.
EDC, North America’s largest electronic dance music festival, returns to the Las Vegas Motor Speedway from May 16-18.