{"id":10212,"date":"2026-04-14T17:20:24","date_gmt":"2026-04-14T17:20:24","guid":{"rendered":"https:\/\/musictechohio.online\/site\/top-rsd-2026-releases\/"},"modified":"2026-04-14T17:20:24","modified_gmt":"2026-04-14T17:20:24","slug":"top-rsd-2026-releases","status":"publish","type":"post","link":"https:\/\/musictechohio.online\/site\/top-rsd-2026-releases\/","title":{"rendered":"Top RSD 2026\u00a0Releases"},"content":{"rendered":"<div>\n<figure><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/GettyImages-2209255293-scaled.jpg\" width=\"2560\" height=\"1707\" alt=\"\"><figcaption>LONDON, UNITED KINGDOM &#8211; APR 12, 2025 &#8211; People queue and browse at Record Store Day 2025 in London&#8217;s Soho area. (Photo credit should read Matthew Chattle\/Future Publishing via Getty Images)<br \/>\n<\/figcaption><\/figure>\n<p>It\u2019s positively uncanny how the deeper we get into this third decade of the 21st century, the more demand there is for physical media.<\/p>\n<p>Maybe it\u2019s because people are finally beginning to wake up from the spoon-fed methods of streaming services \u2014 both audibly and visually \u2014 that owning your own is starting to sound like a wise alternative once again.<\/p>\n<p>More from Spin:<\/p>\n<ul>\n<li>\n\t\t\t<a href=\"https:\/\/www.spinmagazine.com\/2026\/04\/heatwaves-heartland-and-heavy-truths-mts-records-finds-its-own-frequency-in-2026\/\">Heatwaves, Heartland, and Heavy Truths: MTS Records Finds Its Own Frequency in 2026<\/a>\n\t\t<\/li>\n<li>\n\t\t\t<a href=\"https:\/\/www.spinmagazine.com\/2026\/04\/rising-artists-raise-the-roof-at-tipify-x-spins-road-to-austin-showcase\/\">Rising Artists Raise the Roof at Tipify x SPIN\u2019s \u201cRoad to Austin\u201d Showcase<\/a>\n\t\t<\/li>\n<li>\n\t\t\t<a href=\"https:\/\/www.spinmagazine.com\/2026\/04\/kevin-koplars-to-a-better-dark-turns-one-and-still-sounds-like-a-dare\/\">Kevin Koplar\u2019s \u2018To A Better Dark\u2019 Turns One and Still Sounds Like a Dare<\/a>\n\t\t<\/li>\n<\/ul>\n<p>And folks are definitely doubling down on their love for vinyl \u2014 with this year\u2019s Record Store Day taking place in the wake of recent news that album sales have hit the $1 billion watermark in 2025, based on information published by the Recording Industry Association of America (RIAA).<\/p>\n<p>With nearly 360 different titles to choose from, RSD 2026 is gearing up to be one of the biggest grabs in the 18-year history of the successful shoppers holiday.\u00a0<\/p>\n<p>We combed through the list, as we do each year, to pick 12 titles SPIN readers should keep an eye out for while looking through the cherished RSD bin on Saturday, April 18.\u00a0<\/p>\n<figure class=\"wp-block-image size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030619.webp\" alt=\"\" class=\"wp-image-658435\" srcset=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030619.webp 800w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030619-340x340.webp 340w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030619-768x768.webp 768w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030619-498x498.webp 498w\" sizes=\"(max-width: 800px) 100vw, 800px\"><\/figure>\n<h2 class=\"wp-block-heading\" id=\"h-bruce-springsteen\">Bruce Springsteen<\/h2>\n<p><strong>Live from Asbury Park 2024 (Legacy Recordings)<\/strong><\/p>\n<p>Captured live at the 2024 Sea.Hear.Now Festival in Asbury Park, New Jersey, just before Trump took office for a second time, Bruce Springsteen and the E Street Band were firing on all cylinders on this night, as this incredible set (making its debut on vinyl) sonically exclaims. Spread across five LPs, Live from Asbury Park is an over three-hour tour-de-force that covers the entirety of The Boss\u2019s career, from early gems (\u201cBlinded By The Light,\u201d \u201cGrowin\u2019 Up\u201d) to popular hits (\u201cHungry Heart,\u201d \u201cDancing in the Dark\u201d) and sentimental fan faves (\u201cTougher Than The Rest,\u201d \u201cRacing in the Street\u201d), all played at maximum joy.\u00a0<\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030616.webp\" alt=\"\" class=\"wp-image-658436\" srcset=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030616.webp 800w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030616-340x340.webp 340w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030616-768x768.webp 768w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030616-498x498.webp 498w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"><\/figure>\n<h2 class=\"wp-block-heading\" id=\"h-megadeth\">Megadeth<\/h2>\n<p><strong>Hidden Treasures (Capitol Records)<\/strong><\/p>\n<p>Originally released as an EP in the summer of 1995, Hidden Treasures is an odds-and-sods collection that \u2014 if anything \u2014 chronicled Megadeth\u2019s truly random placements on film soundtracks at the time (including a spot on the original Super Mario Bros. movie from 1993 with an underrated track called \u201cBreakpoint\u201d). Long out of print in the United States, this RSD edition has been expanded into an LP by tacking on material from the 1994 A Tout Le Monde EP, including demo versions of such classic cuts as \u201cSymphony of Destruction\u201d and \u201cNew World Order.\u201d\u00a0<\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030622.webp\" alt=\"\" class=\"wp-image-658437\" srcset=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030622.webp 800w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030622-340x340.webp 340w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030622-768x768.webp 768w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030622-498x498.webp 498w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"><\/figure>\n<h2 class=\"wp-block-heading\" id=\"h-violent-femmes\">Violent Femmes<\/h2>\n<p><strong>The Blind Leading the Naked (Craft Recordings)<\/strong><\/p>\n<p>The third Violent Femmes album never got any kind of reissue since it was last pressed by the Wisconsin trio\u2019s old label Slash Records. So kudos to Craft Recordings for ensuring The Blind Leading The Naked \u2014 produced by Jerry Harrison of Talking Heads and featuring guest turns from folk guitar icon Leo Kottke, Stooges saxophonist Steve Mackay and English avant-rock legend Fred Frith \u2014 gets a proper reissue not only for RSD but its 40th anniversary as well. And on colored vinyl to boot.\u00a0<\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"823\" src=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030623.webp\" alt=\"\" class=\"wp-image-658438\" srcset=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030623.webp 800w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030623-340x350.webp 340w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030623-768x790.webp 768w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030623-498x512.webp 498w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"><\/figure>\n<h2 class=\"wp-block-heading\" id=\"h-buster-williams-nbsp\">Buster Williams\u00a0<\/h2>\n<p><strong>Pinnacle (Time Traveler Recordings)<\/strong><\/p>\n<p>Fans of such funky Herbie Hancock classics as Mwandishi, Fat Albert Rotunda and Sextant are already familiar with the work of bassist Charles Anthony \u201cBuster\u201d Williams and his place in the pantheon of jazz fusion. Originally recorded and released in 1975 on the Muse Records label, Buster\u2019s solo debut found him working alongside a killer ensemble that included drummer Billy Hart, Sonny Fortune on soprano saxophone, the mighty Woody Shaw on trumpet and keyboardist Onaje Allan Gumbs among others, to craft a visionary work that brings electric and acoustic jazz together in funkiness and spirituality.\u201dThe title says it all,\u201d writes journalist Mike Flynn in this special RSD reissue. \u201c<em>Pinnacle<\/em> wasn\u2019t just a debut. It was a statement of arrival \u2014 an artist stepping forward from a prolific past into a fearless, unbound future.\u201d<\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"806\" src=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030624.webp\" alt=\"\" class=\"wp-image-658439\" srcset=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030624.webp 800w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030624-340x343.webp 340w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030624-768x774.webp 768w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030624-498x502.webp 498w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"><\/figure>\n<h2 class=\"wp-block-heading\" id=\"h-cecil-taylor-unit\">Cecil Taylor Unit<\/h2>\n<p><strong>Fragments: The Complete 1969 Salle Pleyel Concerts (Elemental Music)<\/strong><\/p>\n<p>The lineup of the Cecil Taylor Unit features on this newly unearthed complete performance from Nov. 3, 1969, at Salle Pleyel in Paris, France, was only around for about a year. But during that brief period of time they were together, the bass-less quartet pianist Taylor, Jimmy Lyons on alto saxophone, Sam Rivers on tenor\/soprano saxophone and flute, and Andrew Cyrille on drums, was a fire-breathing jazz dragon whose vibrations can be felt all over this 3-LP set. \u201cThis was an amazing group that was able to bring Taylor\u2019s music to life in unprecedented ways,\u201d writes Cecil scholar Phil Freeman, who co-produced <em>Fragments <\/em>with the jazz detective himself, Zev Feldman. \u201cThe contrast between Rivers and Lyons is extraordinarily vivid, and the interplay between Taylor and Cecil is amazing.\u201d\u00a0<\/p>\n<p>The Cecil Taylor Unit\u2019s performance at Salle Pleyel in Paris on November 3, 1969, was a notable moment in avant-garde jazz. Featuring Cecil Taylor on piano, the concert showcased the group\u2019s intense, free jazz style. The recording was transferred from the original tape reels at INA and restored and mastered by Matthew Lutthans at The Mastering Lab. The limited-edition 180-gram 3-LP set includes an extensive insert with rare photographs from the show and liner notes by acclaimed jazz critic and author Phil Freeman.<\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030615.webp\" alt=\"\" class=\"wp-image-658440\" srcset=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030615.webp 800w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030615-340x340.webp 340w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030615-768x768.webp 768w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030615-498x498.webp 498w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"><\/figure>\n<h2 class=\"wp-block-heading\" id=\"h-john-frusciante\">John Frusciante <\/h2>\n<p><strong>To Only Record Water for Ten Days (Rhino)<\/strong><\/p>\n<p>After cutting two deeply experimental albums in the mid-90s while in the throes of a crippling heroin addiction, John Frusciante got clean, returned to the Red Hot Chili Peppers, tapped into both his spirituality and inner OMD fan, and put together his excellent third solo LP, <em>To Only Record Water for Ten Days, <\/em>which turned 25 in February. And to commemorate its silver anniversary, Rhino drops this expanded edition of <em>Water<\/em>, pressed on blue and orange vinyl to match the cover\u2019s color scheme, and featuring four bonus tracks from the album sessions.\u00a0<\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030614.webp\" alt=\"\" class=\"wp-image-658441\" srcset=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030614.webp 800w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030614-340x340.webp 340w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030614-768x768.webp 768w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030614-498x498.webp 498w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"><\/figure>\n<h2 class=\"wp-block-heading\" id=\"h-bad-brains-live-org-music\">Bad Brains Live (ORG Music)<\/h2>\n<p>Originally released in 1988, Bad Brains\u2019 first live album is culled from dates off the tour in support of their third LP, <em>I Against I. <\/em>And while some may prefer its successor, 1990\u2019s <em>The Youth Are Getting Restless <\/em>(sourced from a 1987 gig at the Paradiso in the Netherlands), <em>Live<\/em> nonetheless shines in its own right with feral renditions of such Brains anthems as \u201cRight Brigade,\u201d \u201cSacred Love\u201d and \u201cCoptic Times.\u201d\u00a0<\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030621.webp\" alt=\"\" class=\"wp-image-658442\" srcset=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030621.webp 800w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030621-340x340.webp 340w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030621-768x768.webp 768w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030621-498x498.webp 498w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"><\/figure>\n<h2 class=\"wp-block-heading\" id=\"h-ween-europe-90-rhino\">Ween Europe \u201c90\u201d (Rhino)<\/h2>\n<p>If you ever wondered what the meaning of \u201cbrown\u201d is in Ween culture, this early duo gig from Basel, Switzerland, while Dean and Gene were staying with their tour manager in Europe to promote their 1990 debut GodWeenSatan: The Oneness, is the textbook definition Playing to a crowd of one, the pair and their drum machine perform like they\u2019re playing to a full house. This show \u2014 along with the long lost studio sessions recorded in Eindhoven on Christmas Day 1990 that includes an early version of \u201cPush The Lil\u2019 Daisies (and Make M Come Up)\u201d \u2014 comprise this essential RSD exclusive for Ween fans of all stripes. Get in line early for this one.\u00a0<\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030612.webp\" alt=\"\" class=\"wp-image-658443\" srcset=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030612.webp 800w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030612-340x340.webp 340w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030612-768x768.webp 768w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030612-498x498.webp 498w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"><\/figure>\n<h2 class=\"wp-block-heading\" id=\"h-the-muffs-live-at-fort-apache-omnivore-recordings\">The Muffs Live at Fort Apache (Omnivore Recordings)<\/h2>\n<p>That sweet electric guitar crunch in the music of Olivia Rodrigo and Violet Grohl? That\u2019s the influence of The Muffs you are hearing 30-plus years after the band\u2019s second album, <em>Blonder and Blonder<\/em>, made this band one of the hottest acts on alternative radio. And this never-before-released live set from Boston\u2019s legendary Fort Apache Studios \u2014 pressed on opaque yellow vinyl \u2014 is a perfect document of their feral sweetness onstage.\u00a0<\/p>\n<p>\u201cThis album captures us at a particular high point,\u201d bassist Ronnie Barnett tells SPIN about the release. \u201cWe\u2019d only just solidified the three piece lineup we would remain for the next 24 years, our Rob Cavallo-produced career defining second album complete with the post-<em>Dookie<\/em> hype machine behind us was only a month old and we just finished recording \u201cKids In America\u201d for <em>Clueless<\/em> the day before. We would get better at being a three piece but this album most definitely and accurately is a true audio snapshot of us at that specific time snd place.\u201d<\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030617.webp\" alt=\"\" class=\"wp-image-658444\" srcset=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030617.webp 800w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030617-340x340.webp 340w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030617-768x768.webp 768w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030617-498x498.webp 498w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"><\/figure>\n<h2 class=\"wp-block-heading\" id=\"h-pink-floyd-nbsp\">Pink Floyd\u00a0<\/h2>\n<p><strong>Live From the Los Angeles Sports Arena, April 26th, 1975 (Legacy Recordings)<\/strong><\/p>\n<p>Few figures in American bootleg lore are as renowned as the late Mike Millard, who feigned being wheelchair-bound to secretly tape a ton of shows in Los Angeles from 1974 to 1980. And one of his most iconic captures is this revelation of a concert from the LA Sports Arena on April 26, 1975, which includes early tastes of 1977\u2019s <em>Animals<\/em>, a complete performance of <em>The Dark Side of the Moon<\/em> and a hypnotic live version of \u201cEchoes\u201d from 1971\u2019s <em>Meddle<\/em>. Initially released as part of the 50th anniversary edition of <em>Wish You Were Here<\/em>, this Steven Wilson remix of the original recording has been liberated as a standalone work available on both CD and clear-pressed vinyl.<\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030618.webp\" alt=\"\" class=\"wp-image-658445\" srcset=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030618.webp 800w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030618-340x340.webp 340w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030618-768x768.webp 768w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030618-498x498.webp 498w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"><\/figure>\n<h2 class=\"wp-block-heading\" id=\"h-stone-temple-pilots-nbsp\">Stone Temple Pilots\u00a0<\/h2>\n<p><strong>Live at Rolling Rock 2001 (Rhino)<\/strong><\/p>\n<p>The fifth Stone Temple Pilots album Shangri La-Dee Da is one of the San Diego band\u2019s finest works, finding all four original members in perfect harmony as they oscillate between stomping hard rock and pop experimentation for their final work produced by Brendan O\u2019Brien. This previously unreleased live album, sourced from a pay-per-view of the 2001 Rolling Rock Festival in Latrobe, Pennsylvania, is a perfect souvenir to commemorate Shangri\u2019s 25th anniversary, peeling off impassioned renditions of such STP standards as \u201cVasoline,\u201d \u201cInterstate Love Song,\u201d \u201cPlush\u201d and \u201cSour Girl\u201d along with then-newer songs like \u201cDays of the Week\u201d and \u201cHollywood Bitch.\u201d Scott Weiland is in top form here, one month before 9\/11, reminding us of what a massive talent he was. He is missed.\u00a0<\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030620.webp\" alt=\"\" class=\"wp-image-658446\" srcset=\"https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030620.webp 800w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030620-340x340.webp 340w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030620-768x768.webp 768w, https:\/\/static.spinmagazine.com\/files\/2026\/04\/1000030620-498x498.webp 498w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"><\/figure>\n<h2 class=\"wp-block-heading\" id=\"m_-3398447190719532754docs-internal-guid-910af9ff-7fff-6c2a-ac6d-35890747c5ce\">Wire Read &amp; Burn 03+ (Pink Flag)<\/h2>\n<p>This Record Store Day, UK post-punk legends Wire revisit the third edition of their\u00a0<em>Read and Burn<\/em>\u00a0EP series, originally released in 2007. Now redubbed\u00a0<em>Read &amp; Burn 03+,\u00a0<\/em>the collection makes its first appearance on vinyl, augmented with three additional tracks, including \u201cDip Flash\u201d \u2014 a reimagining of the classic 1978 single \u201cDot Dash\u201d \u2014 along with the original mix of EP track \u201cOur Time\u201d and an alternate mix of the initial four-track set\u2019s best tune, \u201cDesert Driving,\u201d which began as a variation of the\u00a0<em>Chairs Missing\u00a0<\/em>song \u201cHeartbeat.\u201d This was the last non-historic recording from the original lineup of Wire \u2014 Colin Newman, Graham Lewis, Bruce Gilbert and Robert Grey.\u00a0<\/p>\n<\/p>\n<p>To see our running list of the top 100 greatest rock stars of all time, <a href=\"https:\/\/spinmagazine.com\/2021\/07\/the-greatest-rock-stars-of-all-time\/?utm_source=yahoo&amp;utm_medium=bottomlink&amp;utm_campaign=yahoolink\">click here<\/a>.<\/p>\n<\/div>\n<div style=\"margin-top: 0px; margin-bottom: 0px;\" class=\"sharethis-inline-share-buttons\" ><\/div>","protected":false},"excerpt":{"rendered":"<p>LONDON, UNITED KINGDOM &#8211; APR 12, 2025 &#8211; People queue and browse at Record Store Day 2025 in London&#8217;s Soho area. (Photo credit should read Matthew Chattle\/Future Publishing via Getty&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[214,33],"tags":[],"class_list":["post-10212","post","type-post","status-publish","format-standard","hentry","category-ad-takeover","category-spin-recommends"],"_links":{"self":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/10212","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/comments?post=10212"}],"version-history":[{"count":0,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/10212\/revisions"}],"wp:attachment":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/media?parent=10212"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/categories?post=10212"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/tags?post=10212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}