{"id":1389,"date":"2025-05-21T12:20:32","date_gmt":"2025-05-21T12:20:32","guid":{"rendered":"https:\/\/musictechohio.online\/site\/introducing-the-new-uncut-nick-drake-a-free-15-track-cd-the-who-black-sabbath-pulp-brian-eno-and-more-149868\/"},"modified":"2025-05-21T12:20:32","modified_gmt":"2025-05-21T12:20:32","slug":"introducing-the-new-uncut-nick-drake-a-free-15-track-cd-the-who-black-sabbath-pulp-brian-eno-and-more-149868","status":"publish","type":"post","link":"https:\/\/musictechohio.online\/site\/introducing-the-new-uncut-nick-drake-a-free-15-track-cd-the-who-black-sabbath-pulp-brian-eno-and-more-149868\/","title":{"rendered":"Introducing the new Uncut: Nick Drake, a free 15-track CD, The Who, Black Sabbath, Pulp, Brian Eno and more"},"content":{"rendered":"
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When is the end really \u2018the end\u2019\u2026? For some bands, it seems, bowing out can be interpreted in many different ways, some more definitive than others. The original lineup of Black Sabbath<\/strong> are due to play their last ever concert in July, while a month later The Who<\/strong> embark on their final tour of America. But as Dead & Company<\/strong> attest, goodbyes are a tricky business: this latest iteration of the Grateful Dead<\/strong> stopped touring in 2023, yet at the time of writing are deep into their second residency at the Sphere in Las Vegas.<\/p>\n<\/div>\n

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When is the end really \u2018the end\u2019\u2026? For some bands, it seems, bowing out can be interpreted in many different ways, some more definitive than others. The original lineup of Black Sabbath<\/strong> are due to play their last ever concert in July, while a month later The Who<\/strong> embark on their final tour of America. But as Dead & Company<\/strong> attest, goodbyes are a tricky business: this latest iteration of the Grateful Dead<\/strong> stopped touring in 2023, yet at the time of writing are deep into their second residency at the Sphere in Las Vegas.<\/p>\n

In this issue, Bill Ward<\/strong>, Roger Daltrey<\/strong> and Pete Townshend<\/strong>, and Bobby Weir<\/strong> share their thoughts on their touring efforts going forward. Rest assured, though, it\u2019s not time just yet for eulogies and prayers: these heroic, illustrious careers will continue for some time to come, although the exact details presently remain elusive. Weir certainly sees a busy future for his outfit, even if he\u2019s no longer involved\u2026 \u201cI had this dream a few years back now when we were all onstage with Dead & Company,\u201d he tells us. \u201cI looked across the stage and John Mayer<\/strong>\u2019s hair was turning silver. I looked back and the drummers were a couple of kids who had been understudies. It panned back and it wasn\u2019t me who was playing the guitar. That\u2019s what I\u2019m looking for, that\u2019s where I wanna take this\u2026\u201d<\/p>\n

Elsewhere, a trove of previously unheard Nick Drake<\/strong> music shines compelling new light on one of music\u2019s most beloved albums. Even Joe Boyd<\/strong>, the producer of Five Leaves Left<\/strong>, was initially dismissive that these new discoveries could increase our understanding of Drake\u2019s debut. \u201cI thought it was wonderful,\u201d he confirms. \u201cIt\u2019s very moving.\u201d<\/p>\n

\u2018The end\u2019, it seems, is never really the end.<\/p>\n

But there\u2019s new beginnings, too, for Matt Berninger<\/strong>, Brian Eno<\/strong>, Natalie Bergman<\/strong>, Pulp<\/strong> and Alan Sparhawk<\/strong> alongside tales from Arthur Baker<\/strong>, warm recollections of Sharon Jones<\/strong> by the Dap-kings<\/strong> and wisdom from Peggy Seeger<\/strong>.<\/p>\n

A lot, in other words.<\/p>\n<\/div>\n<\/div>\n

The post Introducing the new Uncut: Nick Drake, a free 15-track CD, The Who, Black Sabbath, Pulp, Brian Eno and more<\/a> appeared first on UNCUT<\/a>.<\/p>\n<\/div>\n

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When is the end really \u2018the end\u2019\u2026? For some bands, it seems, bowing out can be interpreted in many different ways, some more definitive than others. The original lineup of…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[669,31],"tags":[],"class_list":["post-1389","post","type-post","status-publish","format-standard","hentry","category-blogs","category-features"],"_links":{"self":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/1389","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/comments?post=1389"}],"version-history":[{"count":0,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/1389\/revisions"}],"wp:attachment":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/media?parent=1389"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/categories?post=1389"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/tags?post=1389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}