{"id":1459,"date":"2025-05-23T15:00:00","date_gmt":"2025-05-23T15:00:00","guid":{"rendered":"https:\/\/musictechohio.online\/site\/stereolab-disorients-the-dream-of-the-90s\/"},"modified":"2025-05-23T15:00:00","modified_gmt":"2025-05-23T15:00:00","slug":"stereolab-disorients-the-dream-of-the-90s","status":"publish","type":"post","link":"https:\/\/musictechohio.online\/site\/stereolab-disorients-the-dream-of-the-90s\/","title":{"rendered":"Stereolab Disorients the Dream of the \u201890s"},"content":{"rendered":"<div>\n<figure><img decoding=\"async\" src=\"https:\/\/static.spin.com\/files\/2025\/05\/6-SL-_-JD_HiRes-1.jpg\" width=\"\" height=\"\" alt=\"Stereolab (Credit: Joe Dilworth)\"><\/figure>\n<p>It\u2019s easy to forget that it\u2019s been more than 15 years since Stereolab released a studio album. Since the group\u2019s reemergence toward the end of the last decade, we\u2019ve gotten reissues of their \u201890s classics, new compilations of archival material, and even a couple of tours, all of which have kept the European avant-pop band visible. And then there\u2019s the music: Stereolab\u2019s mix of EZ-listening, vintage electronics, cruise-control grooves, and Velvet Underground drone has always sounded at home in any decade, from the esoteric tail end of the millennium to the sunset of the aughts, when the band\u2019s prior album, 2009\u2019s capable <em>Chemical Chords<\/em> dropped.<\/p>\n<p>So, it\u2019s hard to call <em>Instant Holograms on Metal Film<\/em> (out May 23 via Duophonic UHF\/Warp)<em> <\/em>a comeback exactly. But it does balance a return to fundamentals with forays into new territory while making a case for the band\u2019s continued relevance. Only songwriters Tim Gane (guitar-synths), L\u00e6titia Sadier (vocals-synths-guitar), and longtime drummer Andy Ramsay remain from the old days, but Xavi Mu\u00f1oz (bass) and Joe Watson (keys) have been touring members long enough to know how to produce the kind of chilled-out modular grooves that a good Stereolab song depends on. Tracks like \u201cMelodie Is a Wound\u201d and \u201cTransmuted Matter\u201d blend subdued digital pulses with slinky melodies and stiffly funky rhythms, elegantly recapturing the mojo of the \u2018lab\u2019s heyday, while suggesting links to younger weird-pop outfits like Magdalena Bay and Dummy.<\/p>\n<p>More from Spin:<\/p>\n<ul>\n<li>\n\t\t\t<a href=\"https:\/\/www.spin.com\/2025\/05\/5-albums-i-cant-live-without-thomas-mack-lauderdale-of-pink-martini\/\">5 Albums I Can\u2019t Live Without: Thomas Mack Lauderdale of Pink Martini<\/a>\n\t\t<\/li>\n<li>\n\t\t\t<a href=\"https:\/\/www.spin.com\/2025\/05\/the-sparks-effect-ron-and-russell-maels-enduring-magic\/\">The Sparks Effect: Ron and Russell Mael\u2019s Enduring Magic<\/a>\n\t\t<\/li>\n<li>\n\t\t\t<a href=\"https:\/\/www.spin.com\/2025\/05\/miley-cyrus-visual-album-trailer\/\">See Trailer For Miley Cyrus\u2019 \u2018Beautiful\u2019 Visual Album<\/a>\n\t\t<\/li>\n<\/ul>\n<figure class=\"wp-block-image size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1200\" height=\"1200\" src=\"https:\/\/static.spin.com\/files\/2025\/05\/D-UHF-D46_Packshot_HiRes.jpg\" alt=\"\" class=\"wp-image-464643\" srcset=\"https:\/\/static.spin.com\/files\/2025\/05\/D-UHF-D46_Packshot_HiRes.jpg 1200w, https:\/\/static.spin.com\/files\/2025\/05\/D-UHF-D46_Packshot_HiRes-340x340.jpg 340w, https:\/\/static.spin.com\/files\/2025\/05\/D-UHF-D46_Packshot_HiRes-768x768.jpg 768w, https:\/\/static.spin.com\/files\/2025\/05\/D-UHF-D46_Packshot_HiRes-498x498.jpg 498w\" sizes=\"(max-width: 1200px) 100vw, 1200px\"><\/figure>\n<p>Sadier\u2019s purring, intensely detached vocals, and politically pointed lyrics still take center stage: \u201cThe numbing is not working anymore \/ An unfillable hole \/ An insatiable state of consumption,\u201d she sings in \u201cAerial Troubles,\u201d over chiming keys, swaying synths, and a snaky guitar figure. Backing vocals from Mu\u00f1oz, Watson (on a different song), and Marie Merlet add a contrapuntal verve not heard since the tragic death of bassist-backup vocalist Mary Hansen in 2002. Seldom have pronouncements of societal dysfunction and spiritual malaise sounded so breezy, but there\u2019s always a little sonic darkness lurking in the mix, too. A melancholy pervades much of this material, with songs like \u201cImmortal Hands,\u201d which begins with a fitfully strummed acoustic guitar surrounded by a circling flock of keys, summoning the pastoral dystopia of \u201870s English folk outfits like Pentangle. Even the winsome textures of vibraphone and glockenspiel can\u2019t dispel the hints of foreboding, but they do add a bright, rickety richness.\u00a0<\/p>\n<p>Though recorded in London, the album features an array of players from Chicago\u2019s burgeoning jazz and electronic scenes, including engineer Cooper Crain from silicon zoners Bitchin Bajas, his bandmate Rob Frye on reeds and flutes, and Ben LaMar Gay on cornet on three tracks. But it has little in common with the similarly Chicago-saturated <em>Cobra and Phases Group Play Voltage in the Milky Night<\/em>, the band\u2019s abstract peak from 1999. Instead, the flutes, reeds, and other nonstandard rock instruments are primarily used to give hooks an added punch and beats some extra ballast. More than three decades into their career, Stereolab is still pushing boundaries, but they\u2019re also locking things down.\u00a0<\/p>\n<p>To see our running list of the top 100 greatest rock stars of all time, <a href=\"https:\/\/www.spin.com\/2021\/07\/the-greatest-rock-stars-of-all-time\/?utm_source=yahoo&amp;utm_medium=bottomlink&amp;utm_campaign=yahoolink\">click here<\/a>.<\/p>\n<\/div>\n<div style=\"margin-top: 0px; margin-bottom: 0px;\" class=\"sharethis-inline-share-buttons\" ><\/div>","protected":false},"excerpt":{"rendered":"<p>It\u2019s easy to forget that it\u2019s been more than 15 years since Stereolab released a studio album. Since the group\u2019s reemergence toward the end of the last decade, we\u2019ve gotten&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[117,24,88,801],"tags":[],"class_list":["post-1459","post","type-post","status-publish","format-standard","hentry","category-new-music","category-pushly","category-reviews","category-stereolab"],"_links":{"self":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/1459","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/comments?post=1459"}],"version-history":[{"count":0,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/1459\/revisions"}],"wp:attachment":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/media?parent=1459"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/categories?post=1459"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/tags?post=1459"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}