{"id":1539,"date":"2025-05-27T14:00:00","date_gmt":"2025-05-27T14:00:00","guid":{"rendered":"https:\/\/musictechohio.online\/site\/the-supersonic-rise-of-j-j-fad\/"},"modified":"2025-05-27T14:00:00","modified_gmt":"2025-05-27T14:00:00","slug":"the-supersonic-rise-of-j-j-fad","status":"publish","type":"post","link":"https:\/\/musictechohio.online\/site\/the-supersonic-rise-of-j-j-fad\/","title":{"rendered":"The \u2018Supersonic\u2019 Rise of J.J. Fad"},"content":{"rendered":"<div>\n<figure><img decoding=\"async\" src=\"https:\/\/static.spin.com\/files\/2025\/02\/Lead-GettyImages-938908464.jpg\" width=\"\" height=\"\" alt=\"MC JB, Stacy Phillips, and Baby D of JJ Fad in 1989. (Credit: Raymond Boyd\/Getty Images)\"><\/figure>\n<p>Afrika Bambaataa and the Soulsonic Force released the trailblazing single \u201cPlanet Rock\u201d in 1982. It eventually made its way from New York City to Rialto, California, where a then-teenaged Juana Burns was captivated by the electronic synthesizer sounds lifted from Kraftwerk\u2019s \u201cTrans-Europe Express\u201d and its speaker-rattling breaks. Burns, who was already in the entertainment field as a professional cheerleader for the United States Football League, decided she wanted to rap. Just 19 at the time, she held auditions in the den of her mother\u2019s home with the goal of forming the West Coast Salt-N-Pepa.\u00a0<\/p>\n<p>\u201cIt was all word of mouth,\u201d she tells <em>SPIN<\/em>. \u201cThat was it. There was no flyers. There was nothing. I would just tell people that went to my school. I told people in my neighborhood. I think there was probably 20 girls that came.\u201d<\/p>\n<p>More from Spin:<\/p>\n<ul>\n<li>\n\t\t\t<a href=\"https:\/\/www.spin.com\/2025\/05\/kendrick-lamar-and-szas-grand-national-tour-drives-into-l-a\/\">Kendrick Lamar and SZA\u2019s Grand National Tour drives into L.A.<\/a>\n\t\t<\/li>\n<li>\n\t\t\t<a href=\"https:\/\/www.spin.com\/2025\/05\/who-is-willoh\/\">WHO IS <span style=\"color: red\">WILLOH<\/span><\/a>\n\t\t<\/li>\n<li>\n\t\t\t<a href=\"https:\/\/www.spin.com\/2025\/05\/grizzly-bear-awaken-for-first-shows-since-2019\/\">Grizzly Bear Awaken For First Shows Since 2019<\/a>\n\t\t<\/li>\n<\/ul>\n<p>Out of those 20, Burns was most impressed with Dania Birks and her crew, and wound up asking them to join the group. Ultimately, J.J. Fad was born, an acronym for the original five women in the group: Juanita \u201cCrazy J\u201d Lee, Juana \u201cMC JB\u201d Burns, Fatima \u201cO.G. Rocker\u201d Shaheed, Anna \u201cLady Anna\u201d Cash\u201d and Dania \u201cBaby D\u201d Birks. Internal conflicts led to J.J. Fad becoming a trio\u2014and that\u2019s when their career really started to take off.\u00a0<\/p>\n<p>After N.W.A pioneer Eazy-E heard a rough version of \u201cSupersonic,\u201d he wanted to sign them to his newly-minted label, Ruthless Records. With the ink barely dry, the three girls hopped in the studio with Dr. Dre, redid the song and the rest is history.\u00a0<\/p>\n<p>\u201cSupersonic\u201d peaked at No. 10 on the\u00a0Billboard\u00a0Hot Dance\/Club Play Songs\u00a0and No. 22 on the\u00a0Hot R&amp;B\/Hip-Hop Singles &amp; Tracks\u00a0chart in 1988. The single was certified gold by\u00a0the RIAA and earned a Grammy Award nom for Best Rap Performance\u00a0in 1989, making J.J. Fad the first all-female rap group to do so.<\/p>\n<p>MC JB walks us through how J.J. Fad was formed, the making of \u201cSupersonic\u201d and its accompanying video and how they paved the way for N.W.A to make history.<\/p>\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1230\" height=\"1821\" src=\"https:\/\/static.spin.com\/files\/2025\/02\/GettyImages-1369260539.jpg\" alt=\"MC JB  and Baby D  perform in Gary, Indiana in 1989.  (Credit: Raymond Boyd\/Getty Images)\" class=\"wp-image-463390\" srcset=\"https:\/\/static.spin.com\/files\/2025\/02\/GettyImages-1369260539.jpg 1230w, https:\/\/static.spin.com\/files\/2025\/02\/GettyImages-1369260539-340x503.jpg 340w, https:\/\/static.spin.com\/files\/2025\/02\/GettyImages-1369260539-768x1137.jpg 768w, https:\/\/static.spin.com\/files\/2025\/02\/GettyImages-1369260539-1037x1536.jpg 1037w, https:\/\/static.spin.com\/files\/2025\/02\/GettyImages-1369260539-498x737.jpg 498w\" sizes=\"auto, (max-width: 1230px) 100vw, 1230px\"><figcaption class=\"wp-element-caption\">MC JB  and Baby D  perform in Gary, Indiana in 1989.  (Credit: Raymond Boyd\/Getty Images)<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\" id=\"h-bye-bye-barbara-nbsp\"><strong>Bye Bye Barbara\u00a0<\/strong><\/h2>\n<p>I held auditions for an all-girl group in my mom\u2019s den. I\u2019m listening to all these girls, and I\u2019m like, \u201cNo.\u201d Hip-hop was kind of new, so people weren\u2019t really that good at it, including myself. So I was like, \u201cNo, that\u2019s not the sound. That\u2019s not what I\u2019m looking for.\u201d I had a best friend that I went to high school with. She\u2019s a little older, but her name was Lisa and she is Baby D\u2019s cousin. So Lisa was like, \u201cHey, my little cousin can beatbox.\u201d I\u2019m like, \u201cGet out of here. There\u2019s no female beatboxers. You gotta be kidding.\u201d\u00a0<\/p>\n<p>I was like, \u201cWell, call her to come.\u201d She came with a crew. It was her and four other girls. She\u2019s like, \u201cWell, we\u2019re a group.\u201d But I wasn\u2019t really looking for that many people. With me, that would have made five, but I was like, \u201cOK, let me see what you got.\u201d So she starts beatboxing and they start rapping over it. I was like, \u201cOh, I\u2019ll take every single frickin\u2019 one of you guys.\u201d\u00a0<\/p>\n<p>One of the girls that came with them, her name was Barbara, and she was only 12. I said, \u201cWell I have a friend, an Italian girl named Anna. Let\u2019s just make her the DJ so we can have a female DJ too.\u201d So Barbara was out.\u00a0<\/p>\n<h2 class=\"wp-block-heading\" id=\"h-now-serving\"><strong>Now Serving<\/strong><\/h2>\n<p>The inspiration was Baby D and the other girls that were with her because they\u2019re all from Louisiana. There was a burger place out there called Supersonic Burgers\u2014not the Sonic we have today. They used to go there, so they started rapping about it. At first it was about food and then they were like, \u201cNo, let\u2019s make it about this, let\u2019s make it about that.\u201d The beat Baby D was beatboxing was the beat to \u201cSupersonic.\u201d So we all said, \u201cOK, we got to scrap it, use the beat, but everybody needs to write their own part.\u201d So we all wrote our verses.<\/p>\n<p>Then we told Arabian Prince we needed to go in the studio. I go, \u201cDo you know of a studio?\u201d He goes, \u201cYou live here!\u201d So I found a studio with one of my friends who lives in Riverside, and we recorded it with the five girls in that studio in Riverside.<\/p>\n<h2 class=\"wp-block-heading\" id=\"h-supersonic-speed-nbsp\"><strong>Supersonic Speed\u00a0<\/strong><\/h2>\n<p>It took us literally 10 minutes to write the song. It evolved and changed during the course of time, but the first draft we wrote in 10 minutes.<\/p>\n<p>We had no aspirations of like, \u201cOh my god, we\u2019re gonna be famous.\u201d None of that. We just wanted to do it, put it out there, and see where it went. We didn\u2019t think we were going to be rich. We didn\u2019t think we were going to do anything special. We just thought\u2014and not knowing the business\u2014\u201cLet\u2019s make a song and it\u2019ll be on the radio.\u201d We thought that\u2019s how it went.\u00a0<\/p>\n<p>Arabian Prince took us to Dream Team Records, which was the L.A. Dream Team. They laid it on wax on their label, Dream Team Records. That draft had five girls on it. During the Dream Team era, we were doing little local shows at skating rinks and little clubs that we weren\u2019t even old enough to be in, that type of stuff.\u00a0<\/p>\n<h2 class=\"wp-block-heading\" id=\"h-and-then-there-were-two-nbsp\"><strong>And Then There Were Two\u00a0<\/strong><\/h2>\n<p>The girls that came with Baby D were a little naive to the music business. They thought, \u201cOh my god, we have a record. We\u2019re rich. We\u2019re doing shows. We\u2019re rich.\u201d So they had a dispute, and they thought\u2014because I was always the leader\u2014I was skimming money because they weren\u2019t making a lot of money. And I\u2019m like, \u201cLook, there\u2019s five of us. You have to split it in five ways. We\u2019re getting like $600 for a show, so we each got a little more than a hundred bucks. But there was no explaining it to them and they quit. Then it was just me and Baby D.<\/p>\n<h2 class=\"wp-block-heading\" id=\"h-dream-team\"><strong>Dream Team<\/strong><\/h2>\n<p>So I\u2019m 19 and Baby D is 15, and her mom insisted she stick with me. We\u2019re still with Dream Team Records. We put it out and there was a little bit of a buzz on the L.A. airwaves. Eazy-E heard about it and he was like, \u201cI need to get those girls because I\u2019m starting this label Ruthless Records and I can\u2019t legitimize this label with the street rap coming out. I don\u2019t know what\u2019s gonna happen. I don\u2019t know if it\u2019s gonna be rejected. I don\u2019t know if they\u2019re gonna put my ass in jail. I don\u2019t know what\u2019s gonna happen.\u201d\u00a0<\/p>\n<p>He kind of finagled and it\u2019s funny because I was like, \u201cWhat the hell? Are we prostitutes?\u201d Because he bought us from the L.A. Dream Team from Dream Team Records. I don\u2019t know what the deal entailed. I don\u2019t know how much money exchanged hands. We were left out of all that.<\/p>\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1205\" height=\"804\" src=\"https:\/\/static.spin.com\/files\/2025\/02\/GettyImages-1828701316.jpg\" alt='J.J. Fad at \"A Grammy Salute to 50 Years of Hip-Hop\" in Los Angeles, California. (Credit: Francis Specker\/CBS via Getty Images)' class=\"wp-image-463391\" srcset=\"https:\/\/static.spin.com\/files\/2025\/02\/GettyImages-1828701316.jpg 1205w, https:\/\/static.spin.com\/files\/2025\/02\/GettyImages-1828701316-340x227.jpg 340w, https:\/\/static.spin.com\/files\/2025\/02\/GettyImages-1828701316-240x160.jpg 240w, https:\/\/static.spin.com\/files\/2025\/02\/GettyImages-1828701316-768x512.jpg 768w, https:\/\/static.spin.com\/files\/2025\/02\/GettyImages-1828701316-498x332.jpg 498w\" sizes=\"auto, (max-width: 1205px) 100vw, 1205px\"><figcaption class=\"wp-element-caption\">J.J. Fad at \u201cA Grammy Salute to 50 Years of Hip-Hop\u201d in Los Angeles, California. (Credit: Francis Specker\/CBS via Getty Images)<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\" id=\"h-three-is-the-magic-number\"><strong>Three Is The Magic Number<\/strong><\/h2>\n<p>We hadn\u2019t heard of Eazy-E, we hadn\u2019t heard of N.W.A, we hadn\u2019t heard of anything. We just knew we were going to a new label and the owner was really rich, and they were gonna do big things for us. Less than a month later, we go into the studio and redo the entire song with three girls.<\/p>\n<p>We met Sassy C through Dream Team. She was Dream Team\u2019s friend that\u2019s how we got to know her because it was just me and Baby D. They knew her. She was a solo artist, and they knew she was trying to do rap as well. So they introduced her to us. We clicked and all three of us went over to Ruthless. We laid down the track and basically redid it. Dr. Dre was producing it, so he put the special sauce on it. It wasn\u2019t a whole different song, but it was a different sound. I hate even telling that story because I don\u2019t like that version. It sucks so bad, but it\u2019s what happens, so you got to embrace it. I hate even giving those girls shine because they left and it was so rude.\u00a0<\/p>\n<h2 class=\"wp-block-heading\" id=\"h-to-the-moon-nbsp\"><strong>To The Moon\u00a0<\/strong><\/h2>\n[Los Angeles radio station] KDAY got a hold of the song and it went to the stratosphere. It just goes from that point. It was a crossover hit. It was huge. Ruthless didn\u2019t have the money to really do the project, so the money that they made off of us is what funded their project.<\/p>\n<h2 class=\"wp-block-heading\" id=\"h-super-surprised-nbsp\"><strong>Super-<em>Surprised\u00a0<\/em><\/strong><\/h2>\n<p>We didn\u2019t think it was going to be a hit, no. And the only reason why I say that is because, yes, we knew the song was good. Yes, it was catchy. Yes, it was fun. Yes, we knew that there was something there, but this is the \u201980s. We\u2019re trying to break into this rap game, right? And all we\u2019re hearing from the East Coast is this beef and that beef and this beef and that beef. So we were like, \u201cOK look, we gotta come out dissing. We can\u2019t come out with \u2018Supersonic.\u2019 We gotta come out hard. \u201cSupersonic\u201d was actually a B-side. The A-side was called \u201cAnother Ho.\u201d We dissed every East Coast rapper known to man in one minute and 30 seconds. We talked big crap. We\u2019re like, \u201cRoxanne Shant\u00e9 ain\u2019t got no hair in the back.\u201d Oh my, we went off.<\/p>\n<h2 class=\"wp-block-heading\" id=\"h-another-go\"><strong>Another Go<\/strong><\/h2>\n<p>When we went to shop that, we had a street guy\u2014his name was Doug Young\u2014and he was part of the Ruthless street team. So he was going to clubs, he was shopping \u201cAnother Ho\u201d and he\u2019s like, \u201cThis shit is just not working.\u201d It wasn\u2019t hip-hop. It was just more like, \u201cI\u2019m talking shit about you,\u201d but there\u2019s no basis behind it and the beat was just not all that. So he goes, \u201cYou guys need to come with me. Maybe if they see you because you guys are cute.\u201d So we go with him, and it was still like, \u201cEh, nothing.\u201d People were laughing at the lyrics, but nothing else.\u00a0<\/p>\n<p>One of the DJs\u2014I don\u2019t know his name and I wish I would have known at the time so I could give him his props\u2014but he\u2019s like, \u201cWhat\u2019s the backside of it?\u201d Doug was like, \u201cOh that\u2019s \u2018Supersonic.\u2019 That\u2019s gonna be their B-side.\u201d He\u2019s like, \u201cLet\u2019s flip it over.\u201d He flipped it over, played it, and the dance floor went crazy. From that point on, \u201cSupersonic\u201d was the A-Side and it freaking worked.<\/p>\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1203\" height=\"748\" src=\"https:\/\/static.spin.com\/files\/2025\/05\/GettyImages-1285589350.jpg\" alt=\"(Credit: Raymond Boyd\/Getty Images)\" class=\"wp-image-463396\" srcset=\"https:\/\/static.spin.com\/files\/2025\/05\/GettyImages-1285589350.jpg 1203w, https:\/\/static.spin.com\/files\/2025\/05\/GettyImages-1285589350-340x211.jpg 340w, https:\/\/static.spin.com\/files\/2025\/05\/GettyImages-1285589350-768x478.jpg 768w, https:\/\/static.spin.com\/files\/2025\/05\/GettyImages-1285589350-498x310.jpg 498w\" sizes=\"auto, (max-width: 1203px) 100vw, 1203px\"><figcaption class=\"wp-element-caption\"> (Credit: Raymond Boyd\/Getty Images)<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\" id=\"h-a-roller-skating-jam-nbsp\"><strong>A Roller Skating Jam\u00a0<\/strong><\/h2>\n<p>The video was shot on the rooftop of downtown Los Angeles, on one of the tall buildings. I\u2019ve always been into entertainment and all that kind of stuff. I grew up being a competitive roller skater. That\u2019s why you see me spinning on wheels in the \u201cSupersonic\u201d video because I could skate and do tricks. I did that my whole life growing up. I was a national champion roller skater. That was my life. I lived in the skating rink for 18 years. That was my sport. Just like everybody does basketball, roller skating was my sport. I went to competitions, everything.<\/p>\n<h2 class=\"wp-block-heading\" id=\"h-behind-nbsp-nbsp\"><strong>Behind\u00a0\u00a0<\/strong><\/h2>\n<p>It\u2019s not really a funny story, it\u2019s kind of a weird story, but Sassy C, she had gotten into a disagreement with a fellow artist and he punched her, so she had a black eye the entire time in the video. We covered it up with makeup. We were all young, so I think it was something that got out of hand. But you would never even know by watching the video.\u00a0<\/p>\n<h2 class=\"wp-block-heading\" id=\"h-behind-the-turntables-is-dj-train-nbsp\"><strong>Behind The Turntables Is DJ Train\u00a0<\/strong><\/h2>\n<p>By the time that video happened, Arabian Prince was gone. DJ Train is the one in the video. Train passed away in a fire here trying to save his family. He and Baby D were super close; they were besties. He had a girlfriend that used to be on the road with him. She was younger, so he had to miss one show because he had to take her to the prom, so DJ Yella filled in for Train on one show.\u00a0<\/p>\n<h2 class=\"wp-block-heading\" id=\"h-ballin-on-a-budget\"><strong>Ballin\u2019 On A Budget<\/strong><\/h2>\n<p>We had Jerry Heller as a manager when we shot the video, so he took care of everything and we didn\u2019t know what the budget was. We had no idea. We just knew we had a video to shoot and we shot it.<\/p>\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1249\" height=\"1923\" src=\"https:\/\/static.spin.com\/files\/2025\/05\/GettyImages-1396357555.jpg\" alt=\"Sassy C (aka Michelle Franklin) and MC J.B. (aka Juana Burns) in 1990, (Credit: Al Pereira\/Michael Ochs Archives\/Getty Images)\" class=\"wp-image-463397\" srcset=\"https:\/\/static.spin.com\/files\/2025\/05\/GettyImages-1396357555.jpg 1249w, https:\/\/static.spin.com\/files\/2025\/05\/GettyImages-1396357555-340x523.jpg 340w, https:\/\/static.spin.com\/files\/2025\/05\/GettyImages-1396357555-768x1182.jpg 768w, https:\/\/static.spin.com\/files\/2025\/05\/GettyImages-1396357555-998x1536.jpg 998w, https:\/\/static.spin.com\/files\/2025\/05\/GettyImages-1396357555-498x767.jpg 498w\" sizes=\"auto, (max-width: 1249px) 100vw, 1249px\"><figcaption class=\"wp-element-caption\">Sassy C (aka Michelle Franklin) and MC J.B. (aka Juana Burns) in 1990, (Credit: Al Pereira\/Michael Ochs Archives\/Getty Images)<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\" id=\"h-supersonic-2-0\"><strong>Supersonic 2.0<\/strong><\/h2>\n<p>I feel proud that it\u2019s still semi-relevant today and that the new generation of kids absolutely love it\u2014especially since it was on the <em>Sonic the Hedgehog <\/em>trailer. We got a whole new generation of kids that love the song.<\/p>\n<p>I got a note today at my office\u2014I\u2019m the school nurse\u2014and it was from a student\u2019s parent and she was like, \u201cShut the front door. My daughter just told me who you were.\u201d I\u2019m like, \u201cYour daughter?\u201d She\u2019s in the fourth grade. Since it\u2019s Women\u2019s History Month, our librarian put together something about women from our school who have done great things and I was on it.\u00a0<\/p>\n<p>Her daughter went home and told her because the mom said, \u201cHey Alexa, put on \u2018Supersonic.\u2019\u201d I guess she plays it when she\u2019s cleaning. The daughter came in and said, \u201cHey, is that \u2018Supersonic?\u2019 My nurse is the one who sings that.\u2019 So it\u2019s a generational song. It\u2019s going from generation to generation to generation.\u00a0<\/p>\n<h2 class=\"wp-block-heading\" id=\"h-20-20-vision\"><strong>20\/20 Vision<\/strong><\/h2>\n<p>The whole thing was a whirlwind. We didn\u2019t take the time to embrace that and enjoy it because we were so young. We just figured, \u201cOh, yep, this is gonna last forever. Next song\u2019s gonna be a bigger hit than this.\u201d We never took the time to really enjoy what was happening to us. We toured everywhere, and we didn\u2019t take the time to go look at the sites. All we wanted to do was hang out with\u2014and this was fun too\u2014the artists who were on tour with us, which was amazing. It was the Run\u2019s House tour [featuring Public Enemy, Run-DMC, EPMD and DJ Jazzy Jeff &amp; the Fresh Prince]. We loved hanging out with the other people on the show, but we never took the time to go sightseeing and take everything in. But when you\u2019re a teenager, you couldn\u2019t care less.<\/p>\n<h2 class=\"wp-block-heading\" id=\"h-advice-to-her-younger-self\"><strong>Advice To Her Younger Self<\/strong><\/h2>\n<p>Take the time to smell the roses, take everything in, embrace every experience that\u2019s happening to you at that time and don\u2019t take it for granted. It was good for all of us, and the reason why I say that is because it gave us a work ethic. I\u2019ve always been one to work hard, but they weren\u2019t. At Ruthless, we had to work under Dr. Dre, and he was like \u201cDo it again. Do it again. Do it again. Nope, that\u2019s not right. Do it again. You better be here at 6 a.m. and you better not be late.\u201d That really taught us a work ethic that we have all carried with us throughout our lives\u2014through our jobs, through our interviews, through whatever we do\u2014we have that work ethic that has stayed with us. I think that\u2019s amazing.<\/p>\n<p>To see our running list of the top 100 greatest rock stars of all time, <a href=\"https:\/\/www.spin.com\/2021\/07\/the-greatest-rock-stars-of-all-time\/?utm_source=yahoo&amp;utm_medium=bottomlink&amp;utm_campaign=yahoolink\">click here<\/a>.<\/p>\n<\/div>\n<div style=\"margin-top: 0px; margin-bottom: 0px;\" class=\"sharethis-inline-share-buttons\" ><\/div>","protected":false},"excerpt":{"rendered":"<p>Afrika Bambaataa and the Soulsonic Force released the trailblazing single \u201cPlanet Rock\u201d in 1982. It eventually made its way from New York City to Rialto, California, where a then-teenaged Juana&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31,935,24,934],"tags":[],"class_list":["post-1539","post","type-post","status-publish","format-standard","hentry","category-features","category-jj-fad","category-pushly","category-the-why-the-how"],"_links":{"self":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/1539","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/comments?post=1539"}],"version-history":[{"count":0,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/1539\/revisions"}],"wp:attachment":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/media?parent=1539"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/categories?post=1539"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/tags?post=1539"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}