{"id":1785,"date":"2025-05-29T08:47:32","date_gmt":"2025-05-29T08:47:32","guid":{"rendered":"https:\/\/musictechohio.online\/site\/inside-our-latest-free-cd-the-new-sounds-15-tracks-of-the-months-best-music-149949\/"},"modified":"2025-05-29T08:47:32","modified_gmt":"2025-05-29T08:47:32","slug":"inside-our-latest-free-cd-the-new-sounds-15-tracks-of-the-months-best-music-149949","status":"publish","type":"post","link":"https:\/\/musictechohio.online\/site\/inside-our-latest-free-cd-the-new-sounds-15-tracks-of-the-months-best-music-149949\/","title":{"rendered":"Inside our latest free CD \u2013 The New Sounds, 15 tracks of the month\u2019s best music"},"content":{"rendered":"<div>\n<div class=\"post-preview\">\n<p><strong>Alan Sparhawk<\/strong>,\u00a0<strong>Matt Berninger<\/strong>,\u00a0<strong>Nathan Salzburg<\/strong>, <strong>Witch<\/strong>,<strong> Peggy Seeger<\/strong> and more feature on our latest free\u00a0<strong><em>Uncut<\/em><\/strong>\u00a0CD.<\/p>\n<\/div>\n<div class=\"post-content google-ld-json\">\n<div class=\"editable-content\">\n<p><strong>Alan Sparhawk<\/strong>,\u00a0<strong>Matt Berninger<\/strong>,\u00a0<strong>Nathan Salzburg<\/strong>, <strong>Witch<\/strong>,<strong> Peggy Seeger<\/strong> and more feature on our latest free\u00a0<strong><em>Uncut<\/em><\/strong>\u00a0CD.<\/p>\n<p>The 15-track compilation, titled\u00a0<strong><em>The New Sounds<\/em><\/strong>, showcases some of the month\u2019s best music and comes with the\u00a0<em><strong>Uncut<\/strong><\/em>\u00a0dated July 2025.<\/p>\n<p>See below for more on the tracklisting\u2026<\/p>\n<p><strong><a href=\"https:\/\/shop.kelsey.co.uk\/single-issue\/uncut-magazine\/352\">ORDER A COPY FROM US HERE<\/a><\/strong><\/p>\n<p><strong>1 Alan Sparhawk<br \/>Not Broken<\/strong><br \/>We open with a mighty cut from Sparhawk\u2019s second post-Low album, <em>With Trampled By Turtles<\/em>. Stately, poised and still earthy, it can\u2019t help but recall his beloved former band, especially when his and Mimi Parker\u2019s daughter Hollis chimes in on vocals..<\/p>\n<p><strong>2 BC Camplight<br \/>Where You Taking My Baby?<\/strong><br \/>Brian Christinzio is going from strength to strength, and his seventh album <em>A Sober Conversation<\/em> is his deepest and most captivating yet. It\u2019s all about contrasts: here, over a peppy, poppy slice of infectious power-pop, the Manchester-based American sings of confronting his abuser.<\/p>\n<p><strong>3 Matt Berninger<br \/>Bonnet Of Pins<\/strong><br \/><em>Get Sunk<\/em> is the second solo album from The National\u2019s Berninger, and it finds him in typically arresting form. Here he\u2019s channelling his most accessible side, following the vibes of The War On Drugs and Petty and the Heartbreakers back to the source of classic rock.<\/p>\n<p><strong>4 Peggy Seeger<br \/>Slow<\/strong><br \/>Nearing 90, the legendary folk singer \u2013 and latterly songwriter \u2013 takes us through some of her pivotal albums in this issue. Here\u2019s a track from her new LP, <em>Teleology<\/em>, her elegiac final album, released a mere 71 years after her debut.<\/p>\n<p><strong>5 Steve Queralt featuring Emma Anderson<br \/>Swiss Air<\/strong><br \/><em>Swallow<\/em> is the debut album from Ride bassist Queralt, and it powerfully demonstrates just how much of an impact he\u2019s had on the group over the years. Most of the record is instrumental, but here Anderson, formerly of Lush, provides her usual magnetic vocals.<\/p>\n<p><strong>6 Nathan Salsburg<br \/>Ipsa Corpora (Excerpt)<\/strong><br \/>The full piece from the stellar guitarist is 40 minutes long, but here\u2019s a snippet of his first solo acoustic guitar record since 2018\u2019s increasingly revered <em>Third<\/em>. He might have wanted to explore different and equally fertile pastures, but it\u2019s also good to have him back on the solo six-string.<\/p>\n<p><strong>7 Poor Creature<br \/>The Whole Town Knows<\/strong><br \/>A cover of an Irish country song performed by Ray Lynam and Philomena Begley, this trio \u2013 a collision of Lankum and Landless members \u2013 completely reinvent the original into a menacing, propulsive triumph. The group discuss their superb debut album, <em>All Smiles Now<\/em>, in this issue.<\/p>\n<p><strong>8 Natalie Bergman<br \/>Dance<\/strong><br \/>Here\u2019s a highlight from <em>My Home Is Not In This World<\/em>, the second album by Chicago\u2019s Natalie Bergman, who found solace in the New Mexico desert to make this record. Head to the new issue for a full encounter with the songwriter, as she takes us through her incredible and tragic story.<\/p>\n<p><strong>9 Holden &amp; Zimpel<br \/>Incredible Bliss<\/strong><br \/>Synth maven James Holden is a reliably excellent sonic explorer, but he doesn\u2019t always take the most obvious route. Here he\u2019s made a record, <em>The Universe Will Take Care Of You<\/em>, with a Polish free-jazz clarinettist \u2013 but it\u2019s as thrilling as it is out-there.<\/p>\n<p><strong>10 WITCH<br \/>Dancer On A Trip<\/strong><br \/>Kings of Zamrock, the legendary group, aka We Intend To Cause Havoc, are back with a new album, <em>Sogolo<\/em> (\u2018Future\u2019), led by original vocalist Jagari Chanda. He\u2019s joined again by a band of fine young musicians, including Jacco Gardner on bass and production, and \u201980s Witch mainstay Patrick Mwondela back on keys.<\/p>\n<p><strong>11 SG Goodman<br \/>Snapping Turtle<\/strong><br \/><em>Planting By The Signs<\/em> is the third album from the Kentucky singer and songwriter, and it expands her sound into the present and future as much as it digs back into the ancient folkways. Here\u2019s a highlight from the record.<\/p>\n<p><strong>12 The Wildmans<br \/>Sometimes<\/strong><br \/>Aila and Elisha Wildman are a Virginian brother\/sister duo signed to the prestigious New West label. On their new album <em>Longtime Friend<\/em> they hone their old-time Appalachian folk chops and rambling Californian vibes on agile tracks like this.<\/p>\n<p><strong>13 Faun Fables<br \/>Widdershins<\/strong><br \/>Dawn McCarthy and Nils Frykdahl present an epic 16 tracks on their new album <em>Counterclockwise<\/em>, roping in their kids on backing vocals and extra instrumentation. The result is proggy, folky, medieval and always a delight.<\/p>\n<p><strong>14 Tropical Fuck Storm<br \/>Teeth March\u00e9<\/strong><br \/><em>Fairyland Codex<\/em> is the latest from the irreverent Australian art-rockers, still beating a path away from the ragged rock of Gareth Liddiard and Fiona Kitschin\u2019s former band The Drones. The vibe now, especially on this cut, is far more playful and bold, reminiscent of Talking Heads, Devo and other new-wave adventurers.<\/p>\n<p><strong>15 North Mississippi Allstars<br \/>Preachin\u2019 Blues<\/strong><br \/>Luther and Cody Dickinson are back with <em>Still Shakin\u2019<\/em>, an innovative celebration of their 25-year-old debut album <em>Shake Hands With Shorty<\/em>. If you\u2019ve heard the Allstars you\u2019ll know what to expect: that is, swamp-thick, thrilling, Southern rock\u2019n\u2019roll, here channelling a Robert Johnson blues.<\/p>\n<p><strong><a href=\"https:\/\/shop.kelsey.co.uk\/single-issue\/uncut-magazine\/352\">ORDER A COPY FROM US HERE<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n<p>The post <a href=\"https:\/\/www.uncut.co.uk\/features\/inside-our-latest-free-cd-the-new-sounds-15-tracks-of-the-months-best-music-149949\/\">Inside our latest free CD \u2013 The New Sounds, 15 tracks of the month\u2019s best music<\/a> appeared first on <a href=\"https:\/\/www.uncut.co.uk\/\">UNCUT<\/a>.<\/p>\n<\/div>\n<p class=\"wpematico_credit\"><small>Powered by <a href=\"http:\/\/www.wpematico.com\" target=\"_blank\">WPeMatico<\/a><\/small><\/p>\n<div style=\"margin-top: 0px; margin-bottom: 0px;\" class=\"sharethis-inline-share-buttons\" ><\/div>","protected":false},"excerpt":{"rendered":"<p>Alan Sparhawk,\u00a0Matt Berninger,\u00a0Nathan Salzburg, Witch, Peggy Seeger and more feature on our latest free\u00a0Uncut\u00a0CD. Alan Sparhawk,\u00a0Matt Berninger,\u00a0Nathan Salzburg, Witch, Peggy Seeger and more feature on our latest free\u00a0Uncut\u00a0CD. The 15-track&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[],"class_list":["post-1785","post","type-post","status-publish","format-standard","hentry","category-features"],"_links":{"self":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/1785","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/comments?post=1785"}],"version-history":[{"count":0,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/1785\/revisions"}],"wp:attachment":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/media?parent=1785"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/categories?post=1785"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/tags?post=1785"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}