{"id":1786,"date":"2025-05-29T09:40:19","date_gmt":"2025-05-29T09:40:19","guid":{"rendered":"https:\/\/musictechohio.online\/site\/alan-sparhawk-with-trampled-by-turtles-149958\/"},"modified":"2025-05-29T09:40:19","modified_gmt":"2025-05-29T09:40:19","slug":"alan-sparhawk-with-trampled-by-turtles-149958","status":"publish","type":"post","link":"https:\/\/musictechohio.online\/site\/alan-sparhawk-with-trampled-by-turtles-149958\/","title":{"rendered":"Alan Sparhawk \u2013 With Trampled By Turtles"},"content":{"rendered":"<div>\n<div class=\"post-preview\">\n<p>\u201c<em>I can please myself with the things that I seek out<\/em>,\u201d declared Alan Sparhawk on \u201cStation\u201d, from last year\u2019s extraordinary <strong><a href=\"https:\/\/www.uncut.co.uk\/features\/alan-sparhawk-interviewed-im-trying-to-tap-into-the-universe-146719\/\" target=\"_blank\" rel=\"noreferrer noopener\">White Roses, My God<\/a><\/strong>. It read like creative self-affirmation with a note of shock, as he moved forward in the wake of <strong>Mimi Parker<\/strong>\u2019s death and the resulting end of Low. In recent years those \u201cthings\u201d he\u2019s been seeking have included laid-back funk (as played with his son Cyrus, in <strong>Derecho Rhythm Section<\/strong>), mutant electro-funk (in the quartet Damien, also with Cyrus) and doom-sludge riffery (with <strong>Feast Of Lanterns<\/strong>). Now, a record from a very different collaborative beast, with a longer history.<\/p>\n<\/div>\n<div class=\"post-content google-ld-json\">\n<div class=\"editable-content\">\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100 is-style-3d\"><a class=\"wp-block-button__link has-vivid-green-cyan-background-color has-background wp-element-button\" href=\"https:\/\/little.getsquirrel.co\/best-deal\/244\/13212801\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Buy With Trampled By Turtles here<\/strong><\/a><\/div>\n<\/div>\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<p>\u201c<em>I can please myself with the things that I seek out<\/em>,\u201d declared Alan Sparhawk on \u201cStation\u201d, from last year\u2019s extraordinary <strong><a href=\"https:\/\/www.uncut.co.uk\/features\/alan-sparhawk-interviewed-im-trying-to-tap-into-the-universe-146719\/\" target=\"_blank\" rel=\"noreferrer noopener\">White Roses, My God<\/a><\/strong>. It read like creative self-affirmation with a note of shock, as he moved forward in the wake of <strong>Mimi Parker<\/strong>\u2019s death and the resulting end of Low. In recent years those \u201cthings\u201d he\u2019s been seeking have included laid-back funk (as played with his son Cyrus, in <strong>Derecho Rhythm Section<\/strong>), mutant electro-funk (in the quartet Damien, also with Cyrus) and doom-sludge riffery (with <strong>Feast Of Lanterns<\/strong>). Now, a record from a very different collaborative beast, with a longer history.<\/p>\n<p><strong><strong><strong><a href=\"https:\/\/shop.kelsey.co.uk\/single-issue\/uncut-magazine\/352\" target=\"_blank\" rel=\"noreferrer noopener\">THE JULY 2025 ISSUE OF UNCUT IS AVAILABLE TO ORDER NOW: STARRING NICK DRAKE, A 15-TRACK NEW MUSIC CD, THE WHO, BLACK SABBATH, BRIAN ENO, MATT BERNINGER, PULP, BOB WEIR AND MORE<\/a><\/strong><\/strong><\/strong><\/p>\n<p>Sparhawk\u2019s relationship with progressive, bluegrass\/country-folk types <strong>Trampled By Turtles<\/strong> stretches back to their early days when they were mentees and mates of Low in Duluth, Minnesota. Sparhawk produced the Turtles\u2019 <strong>Wild Animals<\/strong> in 2014 and they\u2019ve played together many times, most crucially in the summer of 2023. When he was fathoms deep in grief, the sextet invited him to ride along for some tour dates and occasionally he joined them onstage. A recording hook-up had been talked about before but mindsets and schedules finally aligned late that year, when the group were in Cannon Falls\u2019 Pachyderm Studio. Sparhawk joined them at the end of their session there and together they laid down nine tracks over just two afternoons, with no rehearsals and minimal overdubs.<\/p>\n<div class=\"squirrel_div\" data-squirrel-id=\"13212801\" data-loaded=\"false\"><script async src=\"https:\/\/squirrels-gen.getsquirrel.co\/scripts\/01b9822bc6df10cc54883d3ee4415d0c.js\"><\/script><\/div>\n<p>Running at 33 fat-free minutes, <strong>With Tramped By Turtles<\/strong> is immediate evidence of their comfort as ensemble players. The songs \u2013 three of which were in development at the time of Parker\u2019s death \u2013 are very much Sparhawk\u2019s, but the group are not quite just his backing band. Neither are they jamming. The sense is of both parties yielding to the moment, guided by instinct and decades of fluency in their respective practices. Two songs, \u201c<strong>Get Still<\/strong>\u201d and \u201c<strong>Heaven<\/strong>\u201d, are reworkings of songs from <strong>White Roses\u2026<\/strong>, with electronic stuttering and pitch-shifted vocals replaced by choral voices and plangent strings<em>.<\/em> As is standard for a bluegrass band, drums have no place here.<\/p>\n<p>The set opens with \u201c<strong>Stranger<\/strong>\u201d and what suggests an acoustic overturn of \u201c<strong>Psycho Killer<\/strong>\u201d\u2019s intro, its single, metronomic note soon swelled by other strings before Sparhawk\u2019s melodic guitar line kicks in alongside ringing mandolin. The whole builds to an orchestral tide of gently thumping insistence, Sparhawk\u2019s voice cutting through clean and strong as he reminds us, \u201c<em>You gotta put up with stranger [sic]\/People that you know now\/You gotta go through some dangerouser things than you thought you\u2019d have to\/You gotta do a little research before you say that you know\u201d. <\/em>Next is \u201c<strong>Too High<\/strong>\u201d; with sawing fiddle and banjo prominent, it adopts a different, more exultant string-band tone with a faint rock push, recalling a restrained <strong>Waterboys<\/strong>. Sparhawk uses the metaphor of songwriting to address relational (and self-)understanding: \u201c<em>We put the words to a melody and try to make it fit\/Sometimes it kills you, but it sets you free\/Cuts right through it<\/em>\u201d. It\u2019s one of the songs that Sparhawk and Parker were working on during her last few years. \u201c<strong>Not Broken<\/strong>\u201d is a highlight, and frankly devastating in its <strong>Low<\/strong>-ness. <strong>Hollis Sparhawk<\/strong>\u2019s sombre-sweet voice is a striking echo of Parker\u2019s as she and her father individually repeat, \u201c<em>It\u2019s not broken, I\u2019m not angry<\/em>,\u201d before joining in harmony at its close.<\/p>\n<p>At the album\u2019s mid-point sits \u201c<strong>Screaming Song<\/strong>\u201d, in fact a clear-voiced account of the eye of grief\u2019s storm. Initially set to a slow-mo, country tune in which Sparhawk admits, \u201c<em>I\u2019m trying to be cool here but inside I\u2019m screaming this song<\/em>\u201d, it then swells to a tumult, a squealing fiddle passage its punctum. After the inspired makeover of \u201c<strong>Get Still<\/strong>\u201d as a head-nodding meditation with a psych-soul shimmer comes the last of the Parker\/Sparhawk sketches, an easy-rolling \u201c<strong>Princess Road Surgery<\/strong>\u201d. Here he reaches into his upper vocal register, guided by a chunky guitar rhythm. The set closes with \u201c<strong>Torn &amp; In Ashes<\/strong>\u201d, its bittersweet strings carrying notes of exasperation and anger re life\u2019s unfolding. \u201c<em>When will the last word be as the first?<\/em>\u201d Sparhawk asks. \u201c<em>Is it a circle or just reverse?\/You turn down your eyes whenever asked why\/Same fuckin\u2019 answer every time<\/em>.\u201d<\/p>\n<p>When interviewed last year around the release of <strong>White Roses\u2026<\/strong>, Sparhawksaid of this follow-up, \u201cI\u2019m not sure what it means or what direction that means I\u2019m going in, or if it\u2019s more of a side thing, but I\u2019m old enough now [to] try this, try that.\u201d Diversity may be important but it\u2019s not the only driver of his multiple projects. Sparhawk\u2019s collaborative net is a close one and more than creative liberation, <strong>With Trampled By Turtles<\/strong><em> <\/em>represents the uplift and support of community in hard times.<\/p>\n<p><em>When you purchase through links on our site, we may earn an affiliate commission. <a href=\"https:\/\/www.stuff.tv\/about-us\/\" target=\"_blank\" rel=\"noreferrer noopener\">Here\u2019s how it works<\/a><\/em>.<\/p>\n<div class=\"squirrel_div\" data-squirrel-id=\"13212801\" data-loaded=\"false\"><script async src=\"https:\/\/squirrels-gen.getsquirrel.co\/scripts\/01b9822bc6df10cc54883d3ee4415d0c.js\"><\/script><\/div>\n<\/div>\n<\/div>\n<p>The post <a href=\"https:\/\/www.uncut.co.uk\/reviews\/alan-sparhawk-with-trampled-by-turtles-149958\/\">Alan Sparhawk \u2013 With Trampled By Turtles<\/a> appeared first on <a href=\"https:\/\/www.uncut.co.uk\/\">UNCUT<\/a>.<\/p>\n<\/div>\n<p class=\"wpematico_credit\"><small>Powered by <a href=\"http:\/\/www.wpematico.com\" target=\"_blank\">WPeMatico<\/a><\/small><\/p>\n<div style=\"margin-top: 0px; margin-bottom: 0px;\" class=\"sharethis-inline-share-buttons\" ><\/div>","protected":false},"excerpt":{"rendered":"<p>\u201cI can please myself with the things that I seek out,\u201d declared Alan Sparhawk on \u201cStation\u201d, from last year\u2019s extraordinary White Roses, My God. It read like creative self-affirmation with&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[90,1008,88],"tags":[],"class_list":["post-1786","post","type-post","status-publish","format-standard","hentry","category-album","category-low","category-reviews"],"_links":{"self":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/1786","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/comments?post=1786"}],"version-history":[{"count":0,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/1786\/revisions"}],"wp:attachment":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/media?parent=1786"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/categories?post=1786"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/tags?post=1786"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}