{"id":1849,"date":"2025-05-30T13:02:40","date_gmt":"2025-05-30T13:02:40","guid":{"rendered":"https:\/\/musictechohio.online\/site\/when-bruce-springsteen-came-to-britain-149988\/"},"modified":"2025-05-30T13:02:40","modified_gmt":"2025-05-30T13:02:40","slug":"when-bruce-springsteen-came-to-britain-149988","status":"publish","type":"post","link":"https:\/\/musictechohio.online\/site\/when-bruce-springsteen-came-to-britain-149988\/","title":{"rendered":"When Bruce Springsteen Came To Britain"},"content":{"rendered":"<div>\n<div class=\"post-preview\">\n<p>Just about everybody who\u2019s been to a <strong>Bruce Springsteen<\/strong> show has a story, and <strong>Hazel Wilkinson<\/strong>\u2019s is particularly lovely one. She was a teenager when her brother queued all night for tickets to see Springsteen and <strong>the E Street Band<\/strong> at <strong>Manchester Apollo<\/strong> in May 1981, on the European leg of the <strong>River<\/strong> tour. They were at the front of the stalls when, two songs into the second half, Bruce sang \u201c<strong>Sherry Darling<\/strong>\u201d. During the saxophone solo he peered down at Hazel, called her up, and danced across the stage with her for a minute or two.<\/p>\n<\/div>\n<div class=\"post-content google-ld-json\">\n<div class=\"editable-content\">\n<p>Just about everybody who\u2019s been to a <strong>Bruce Springsteen<\/strong> show has a story, and <strong>Hazel Wilkinson<\/strong>\u2019s is particularly lovely one. She was a teenager when her brother queued all night for tickets to see Springsteen and <strong>the E Street Band<\/strong> at <strong>Manchester Apollo<\/strong> in May 1981, on the European leg of the <strong>River<\/strong> tour. They were at the front of the stalls when, two songs into the second half, Bruce sang \u201c<strong>Sherry Darling<\/strong>\u201d. During the saxophone solo he peered down at Hazel, called her up, and danced across the stage with her for a minute or two.<\/p>\n<p><strong><strong><strong><a href=\"https:\/\/shop.kelsey.co.uk\/single-issue\/uncut-magazine\/352\" target=\"_blank\" rel=\"noreferrer noopener\">THE JULY 2025 ISSUE OF UNCUT IS AVAILABLE TO ORDER NOW: STARRING NICK DRAKE, A 15-TRACK NEW MUSIC CD, THE WHO, BLACK SABBATH, BRIAN ENO, MATT BERNINGER, PULP, BOB WEIR AND MORE<\/a><\/strong><\/strong><\/strong><\/p>\n<p>\u201cI looked into his eyes and he was looking into mine,\u201d she remembered. He took her hand and kissed it before making sure she was escorted safely back to the floor. \u201cI stood there and thought, \u2018Did that really happen? Was I imagining it?\u2019 I was 17 years old, I was just finding my way, I wasn\u2019t that popular or that confident. It was that moment of being <em>seen<\/em>, being noticed, being picked out by this guy who was one of my heroes. It was a moment to treasure.\u201d<\/p>\n<p>She\u2019s one of the voices in a new hour-long <strong>BBC<\/strong> documentary on Springsteen\u2019s half-century history with British audiences, which began with two concerts at <strong>Hammersmith Odeon<\/strong> in 1975. He recalls how daunted he felt on his first trip outside the US. \u201cBritish culture changed my life,\u201d he says, talking about his love of <strong>The Beatles<\/strong>, <strong>the Stones<\/strong> and <strong>the Animals<\/strong>. \u201cWhat did I have that I could conceivably give back to these people who gave me so much? The answer was, <em>everything I\u2019ve got<\/em>.\u201d<\/p>\n<p>He mentions his anger at the record company hype that preceded the opening night and repeats the well-known story of how he went around ripping up the posters and flyers telling the world that \u201cFinally, London is ready for Bruce Springsteen.\u201d Among those present for those concerts were <strong>Michael Palin<\/strong> and <strong>Peter Gabriel<\/strong>, who offer their warm testimony. Palin even reads from the diary entry he wrote afterwards.<\/p>\n<p>Neither of them, however, can evoke in their words either the crackling tension that accompanied that first show \u2013 after which Springsteen skipped the party and went straight back to his hotel room, suffering, he says, from a form of PTSD \u2013 nor the sense of relief, relaxation and joy that suffused the second one, six days later. And there\u2019s no one to describe how, on his next visit to London in 1981, he opened the first of his six nights at <strong>Wembley Arena<\/strong> by tearing into \u201c<strong>Born To Run<\/strong>\u201d with his eyes closed, in a spasm of catharsis.<\/p>\n<p>But there are more good stories in the film, and one of the best comes from <strong>Rob Heron<\/strong>, a Durham miner, and his wife Juliana, who helped with a women\u2019s support group for the striking colliers. What Juliana remembers of attending the first UK date of the 1981 tour, at <strong>Newcastle City Hall<\/strong>, is one of her fellow organisers being summoned to Bruce\u2019s dressing room during the interval and returning with a cheque for $20,000 for the support fund from the man who\u2019d written songs about devastated industrial communities and ruined lives.<\/p>\n<p>It was in 1987 that <strong>Sarfraz Manzoor<\/strong>, a 16-year-old in Luton, discovered Springsteen and found in the song \u201c<strong>Independence Day<\/strong>\u201d something that helped him overcome a difficult relationship with his own father. In 2019, by then a distinguished journalist and broadcaster, Manzoor co-wrote <strong>Blinded By The Light<\/strong>, a feature film directed by <strong>Gurinder Chadha<\/strong>, who first heard <strong>Born To Run<\/strong> while doing at Saturday job in Harrods\u2019 record department as a teenager.<\/p>\n<p>These people \u2013 along with longtime fanzine editor <strong>Dan French<\/strong>, <strong>Sting<\/strong>, the comedian <strong>Rob Bryden<\/strong> (who kept a Springsteen scrapbook), the promoter <strong>Harvey Goldsmith<\/strong>, the journalist <strong>David Hepworth<\/strong>, the E Street stalwart Steve Van Zandt and Springsteen\u2019s managers both past (<strong>Mike Appel<\/strong>) and present (<strong>Jon Landau<\/strong>) \u2013 form a mosaic of voices dropped in amid the relevant clips of live performances.<\/p>\n<p>Those shows in Hammersmith represented a big step: they were the band\u2019s first performances after spending two years in clubs like <strong>Paul\u2019s Mall<\/strong> in Boston, the <strong>Bottom Line<\/strong> in New York and the <strong>Troubadour<\/strong> in West Hollywood. A thread implicit in <strong>When Bruce Springsteen Came To Britain<\/strong> is an inexorable upscaling across 50 years, from theatres to stadiums to the biggest arenas available. The miracle of its central figure is how, while expending so much energy on growing his audience around the world, he seems to have hung on to his own sense of a very human scale. It\u2019s an affectionate and admiring film, and none the worse for that.<\/p>\n<p><em><strong>When Bruce Springsteen Came To Britain airs on BBC\u00a0Two on May 31 and on iPlayer afterwards<\/strong><\/em><\/p>\n<\/div>\n<\/div>\n<p>The post <a href=\"https:\/\/www.uncut.co.uk\/reviews\/when-bruce-springsteen-came-to-britain-149988\/\">When Bruce Springsteen Came To Britain<\/a> appeared first on <a href=\"https:\/\/www.uncut.co.uk\/\">UNCUT<\/a>.<\/p>\n<\/div>\n<div style=\"margin-top: 0px; margin-bottom: 0px;\" class=\"sharethis-inline-share-buttons\" ><\/div>","protected":false},"excerpt":{"rendered":"<p>Just about everybody who\u2019s been to a Bruce Springsteen show has a story, and Hazel Wilkinson\u2019s is particularly lovely one. She was a teenager when her brother queued all night&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34,1107,88],"tags":[],"class_list":["post-1849","post","type-post","status-publish","format-standard","hentry","category-bruce-springsteen","category-dvd-blu-ray-and-tv","category-reviews"],"_links":{"self":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/1849","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/comments?post=1849"}],"version-history":[{"count":0,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/1849\/revisions"}],"wp:attachment":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/media?parent=1849"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/categories?post=1849"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/tags?post=1849"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}