{"id":3039,"date":"2025-06-23T14:00:00","date_gmt":"2025-06-23T14:00:00","guid":{"rendered":"https:\/\/musictechohio.online\/site\/a-decade-of-feeling-emotion-looking-back-at-carly-rae-jepsens-most-underrated-album\/"},"modified":"2025-06-23T14:00:00","modified_gmt":"2025-06-23T14:00:00","slug":"a-decade-of-feeling-emotion-looking-back-at-carly-rae-jepsens-most-underrated-album","status":"publish","type":"post","link":"https:\/\/musictechohio.online\/site\/a-decade-of-feeling-emotion-looking-back-at-carly-rae-jepsens-most-underrated-album\/","title":{"rendered":"A Decade of Feeling \u2018Emotion\u2019: Looking Back at Carly Rae Jepsen\u2019s Most Underrated Album"},"content":{"rendered":"<div>\n<figure><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/static.spin.com\/files\/2025\/06\/GettyImages-485154180-1-e1749828144948.jpg\" width=\"1290\" height=\"798\" alt=\"Carly Rae Jepsen performs onstage at the Troubadour in 2015 in West Hollywood, California. (Credit: Matthew Simmons\/WireImage)\"><\/figure>\n<p><strong>By the end of 2012, \u201cCall Me Maybe\u201d had conquered pop music. <\/strong>The song had reached No. 1 on the charts in 14 countries, scored multiple Grammy nominations, topped a variety of year-end lists, and became the year\u2019s best-selling single worldwide. This rapid rise meant Carly Rae Jepsen, previously best known as a singer-songwriter who came in third on <em>Canadian Idol<\/em>, appeared to have only two predestined paths forward: a hit second single that cements you as a superstar\u2026 or else, the unshakeable label of \u201cone-hit wonder.\u201d\u00a0<\/p>\n<p>But Jepsen attempted to cleave a different, third path for herself in the summer of 2015, with her June 24 release of <em>Emotion<\/em>, or per its cover, <em>E\u2022MO\u2022TION<\/em>, a stylization that doubles as a heads-up that this album is not exactly the follow-up you expected. Rather than committing to the bubblegum pop she had become the face of, <em>Emotion<\/em> finds Jepsen flirting with \u201880s synths, \u201890s R&amp;B beats, and European dancefloor grooves. She also let her singer-songwriter roots show, largely eschewing bubbly topics like crushes and first kisses for earnest musings on complex relationships.<\/p>\n<p>More from Spin:<\/p>\n<ul>\n<li>\n\t\t\t<a href=\"https:\/\/www.spin.com\/2025\/06\/tropical-fuck-storm-batten-down-the-hatches\/\">Tropical Fuck Storm Batten Down the Hatches<\/a>\n\t\t<\/li>\n<li>\n\t\t\t<a href=\"https:\/\/www.spin.com\/2025\/06\/chaos-and-control-the-rise-and-fall-and-rise-again-of-liam-and-noel-gallagher\/\">Chaos and Control: The Rise and Fall (and Rise Again) of Liam and Noel Gallagher<\/a>\n\t\t<\/li>\n<li>\n\t\t\t<a href=\"https:\/\/www.spin.com\/2025\/06\/summer-smash-young-thug-travis-scott\/\">Young Thug Welcomes Travis Scott, T.I. At First Post-Jail Show<\/a>\n\t\t<\/li>\n<\/ul>\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/static.spin.com\/files\/2025\/02\/71Siv1oLDL._UF10001000_QL80_.jpg\" alt=\"\" class=\"wp-image-466241\" srcset=\"https:\/\/static.spin.com\/files\/2025\/02\/71Siv1oLDL._UF10001000_QL80_.jpg 1000w, https:\/\/static.spin.com\/files\/2025\/02\/71Siv1oLDL._UF10001000_QL80_-340x340.jpg 340w, https:\/\/static.spin.com\/files\/2025\/02\/71Siv1oLDL._UF10001000_QL80_-768x768.jpg 768w, https:\/\/static.spin.com\/files\/2025\/02\/71Siv1oLDL._UF10001000_QL80_-498x498.jpg 498w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\"><\/figure>\n<p>Release cycles are only as successful as the expectations that accompany them, so not surprisingly, <em>Emotion<\/em> was greeted with mixed feelings. Sales-wise, it didn\u2019t tank, but a No. 16 debut on the <em>Billboard<\/em> album chart also wasn\u2019t what the label dreamed of after Jepsen\u2019s multi-platinum selling <em>Kiss<\/em>. None of its singles broke out. The first, \u201cI Really Like You\u201d\u2014the album\u2019s one direct attempt to recreate \u201cCall Me Maybe\u201d\u2014stalled out for sounding too much like what you\u2019d expect, while the sultry sax and heart-thumping drums of second single, \u201cRun Away With Me,\u201d conjured up an experienced adult, not the ing\u00e9nue of past hits.\u00a0<\/p>\n<p>Critics were warmer, welcoming Jepsen\u2019s exploration and maturation, as well as her collaborations with hit indie artists like Dev Hynes, Ariel Rechtshaid, and Rostam Batmanglij. But even while enjoying the music, many reviewers also dismissed Jepsen herself as \u201cclearly trying too hard to make the same genius pop moments that <em>Kiss<\/em> churned them out with effortless flair,\u201d per Evan Sawdey\u2019s review in PopMatters. Or they faulted her for stepping outside of her established lane, with Billy Hamilton from Under the Radar writing, \u201cJepsen is the pet project of a creative hipsterati that\u2019s determined to prove pop is cooler than you, or I.\u201d It was as if <em>Emotion<\/em> had dropped Jepsen into the no man\u2019s land between mainstream and cult success, a complicated place to survive.\u00a0<\/p>\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1290\" height=\"860\" src=\"https:\/\/static.spin.com\/files\/2025\/06\/GettyImages-500349364-1-1290x860.jpg\" alt=\"Carly Rae Jepsen performs on stage at Islington Assembly Hall in 2015 in London, England. (Credit: Andrew Benge\/Redferns)\" class=\"wp-image-466408\" srcset=\"https:\/\/static.spin.com\/files\/2025\/06\/GettyImages-500349364-1-1290x860.jpg 1290w, https:\/\/static.spin.com\/files\/2025\/06\/GettyImages-500349364-1-340x227.jpg 340w, https:\/\/static.spin.com\/files\/2025\/06\/GettyImages-500349364-1-240x160.jpg 240w, https:\/\/static.spin.com\/files\/2025\/06\/GettyImages-500349364-1-768x512.jpg 768w, https:\/\/static.spin.com\/files\/2025\/06\/GettyImages-500349364-1-1536x1024.jpg 1536w, https:\/\/static.spin.com\/files\/2025\/06\/GettyImages-500349364-1-498x332.jpg 498w, https:\/\/static.spin.com\/files\/2025\/06\/GettyImages-500349364-1-1668x1112.jpg 1668w, https:\/\/static.spin.com\/files\/2025\/06\/GettyImages-500349364-1.jpg 1800w\" sizes=\"auto, (max-width: 1290px) 100vw, 1290px\"><figcaption class=\"wp-element-caption\">Carly Rae Jepsen performs on stage at Islington Assembly Hall in 2015 in London, England. (Credit: Andrew Benge\/Redferns)<\/figcaption><\/figure>\n<p>However, the reason I\u2019m taking the time to re-pipe this backstory is that, 10 years on, this in-between spot turned out to be the right one for Jepsen. In hindsight, <em>Emotion<\/em> was the moment she found her voice as an artist by embracing all of her influences at once.\u00a0<\/p>\n<p>The sharp eye of singer-songwriter Jepsen is present in her witty look at friendship (and possibly queer discovery?) on \u201cBoy Problems,\u201d but that song is also backed by keyboards and bass that wouldn\u2019t have been out of place on an early \u201980s disco track. Or how her pulsing cry of desire, \u201cGimmie Love,\u201d simultaneously brings to mind both Chvrches\u2019 anthems and Cyndi Lauper\u2019s ballads. She even sings about her contradictions on \u201cLA Hallucinations,\u201d a bop about being tempted by the traps of fame while also asking to be saved from them. This album is Jepsen admitting that she\u2019s not Taylor Swift nor Robyn nor HAIM, but songs of hers like \u201cMaking the Most of the Night\u201d <em>can<\/em> fit comfortably onto a playlist alongside any of them.\u00a0<\/p>\n<p>Like the heroine in a coming-of-age movie, being true to herself ultimately paid off for Jepsen. The critical consensus grew, with outlets ranging from <em>Stereogum<\/em> to <em>Cosmo <\/em>calling <em>Emotion<\/em> one of the best albums of the year. People kept finding the album, and social media did too, as \u201cRun Away With Me\u201d had a viral moment on Vine (remember Vine?). By the summer of 2016, it became clear that the LGBTQ+ community was feeling <em>Emotion<\/em> too, as the first CarlyFest launched in Brooklyn because\u2014according to its organizer, queer artist Charlene\u2014Jepsen\u2019s songs are \u201cmessages from a utopia where it\u2019s cool to break out into dance on the sidewalk, where bubblegum pop is not a slur.\u201d By 2023, Jepsen was even headlining West Hollywood Pride\u2019s Outloud Music Festival, and guess what song got the biggest audience reaction? It wasn\u2019t \u201cCall Me Maybe.\u201d It was \u201cRun Away With Me.\u201d<\/p>\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1290\" height=\"860\" src=\"https:\/\/static.spin.com\/files\/2025\/06\/GettyImages-2162361480-1-1290x860.jpg\" alt=\"Carly Rae Jepsen performs at Nationals Park in Washington, D.C. in 2024. (Credit: Amanda Andrade-Rhoades for The Washington Post via Getty Images)\" class=\"wp-image-466409\" srcset=\"https:\/\/static.spin.com\/files\/2025\/06\/GettyImages-2162361480-1-1290x860.jpg 1290w, https:\/\/static.spin.com\/files\/2025\/06\/GettyImages-2162361480-1-340x227.jpg 340w, https:\/\/static.spin.com\/files\/2025\/06\/GettyImages-2162361480-1-240x160.jpg 240w, https:\/\/static.spin.com\/files\/2025\/06\/GettyImages-2162361480-1-768x512.jpg 768w, https:\/\/static.spin.com\/files\/2025\/06\/GettyImages-2162361480-1-1536x1024.jpg 1536w, https:\/\/static.spin.com\/files\/2025\/06\/GettyImages-2162361480-1-498x332.jpg 498w, https:\/\/static.spin.com\/files\/2025\/06\/GettyImages-2162361480-1-1668x1112.jpg 1668w, https:\/\/static.spin.com\/files\/2025\/06\/GettyImages-2162361480-1.jpg 1800w\" sizes=\"auto, (max-width: 1290px) 100vw, 1290px\"><figcaption class=\"wp-element-caption\">Carly Rae Jepsen performs at Nationals Park in Washington, D.C. in 2024. (Credit: Amanda Andrade-Rhoades for The Washington Post via Getty Images)<\/figcaption><\/figure>\n<p>This momentum has only continued in the decade since <em>Emotion\u2019s<\/em> debut. Its organic, word-of-mouth momentum transformed a one-time chart-topping artist into something even more rare: a beloved underdog. The tone greeting her name shifted from \u201cWho is this pop star cosplaying as an indie artist?\u201d to \u201cI\u2019m rooting for this underrated artist.\u201d She feels like a personal discovery to people, the pop artist they chose versus one who\u2019s been forced upon them. Hell, one of the best random music conversations I ever had was back in 2021, with a bartender who typically only listens to heavy metal. He told me that there is one pop artist he and everyone on his regular metalhead Discord loves:\u00a0 Carly Rae Jepsen.\u00a0<\/p>\n<p>In not trying to be cool, Jepsen made being pop cool to everyone who doesn\u2019t consider themselves pop <em>or<\/em> cool. Indie artists like Maggie Rogers and Jay Som have cited Jepsen and specifically this album as inspiration, with Jay Som telling <em>Entertainment Weekly<\/em> that it influenced her own debut in, \u201cI liked how energetic and youthful the spirit is, and it\u2019s just so not ashamed to be this pop record.\u201d Jepsen was ahead of the curve, reviving \u201980s synths and \u201990s drums too, as those now appear all over the radio thanks to stars like Sabrina Carpenter and Benson Boone.\u00a0Maybe this would\u2019ve been Carly Rae Jepsen\u2019s future regardless, but now, thanks to the legacy of <em>Emotion<\/em>, she\u2019s on the cusp of 40 and the queen of her own brand of adult indie pop, instead of a former teen star or one-hit wonder. Whatever happened in 2015, the world of 2025 chooses to run away with her.<\/p>\n<p>To see our running list of the top 100 greatest rock stars of all time, <a href=\"https:\/\/www.spin.com\/2021\/07\/the-greatest-rock-stars-of-all-time\/?utm_source=yahoo&amp;utm_medium=bottomlink&amp;utm_campaign=yahoolink\">click here<\/a>.<\/p>\n<\/div>\n<div style=\"margin-top: 0px; margin-bottom: 0px;\" class=\"sharethis-inline-share-buttons\" ><\/div>","protected":false},"excerpt":{"rendered":"<p>By the end of 2012, \u201cCall Me Maybe\u201d had conquered pop music. The song had reached No. 1 on the charts in 14 countries, scored multiple Grammy nominations, topped a&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1922,31,24],"tags":[],"class_list":["post-3039","post","type-post","status-publish","format-standard","hentry","category-carly-rae-jepsen","category-features","category-pushly"],"_links":{"self":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/3039","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/comments?post=3039"}],"version-history":[{"count":0,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/3039\/revisions"}],"wp:attachment":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/media?parent=3039"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/categories?post=3039"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/tags?post=3039"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}