{"id":3156,"date":"2025-06-26T18:27:25","date_gmt":"2025-06-26T18:27:25","guid":{"rendered":"https:\/\/musictechohio.online\/site\/introducing-the-definitive-ultimate-music-guide-oasis-150304\/"},"modified":"2025-06-26T18:27:25","modified_gmt":"2025-06-26T18:27:25","slug":"introducing-the-definitive-ultimate-music-guide-oasis-150304","status":"publish","type":"post","link":"https:\/\/musictechohio.online\/site\/introducing-the-definitive-ultimate-music-guide-oasis-150304\/","title":{"rendered":"Introducing The Definitive Ultimate Music Guide: Oasis"},"content":{"rendered":"
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Hello, hello, it’s good to be back<\/strong><\/p>\n<\/div>\n

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Hello, hello, it\u2019s good to be back<\/strong><\/p>\n

\u201cYou gonna wake up then, or what?\u201d<\/p>\n

As we launch this new magazine<\/a><\/strong>, in the shops tomorrow, it\u2019s exactly 31 years \u2013 almost to the minute \u2013 since Oasis first sauntered on to the NME stage at the Glastonbury Festival and into the consciousness of the wider world. Up until this point the band had been joyously heralded by the weekly music papers for six months, and available to witness at only around 30 gigs in provincial pubs and clubs. This, then \u2013 for a group who had released their debut single six weeks previously \u2013 was undoubtedly a big one.<\/p>\n

Oasis play for 30 minutes, but from what I recall from watching them out in the field that day, it feels much longer. The performance is poised and spectacularly unhurried, as if they have everything completely under control and are proceeding, from \u201cShakermaker\u201d to \u201cI Am The Walrus\u201d, at their own serene pace, according to their own plan.<\/p>\n

There\u2019s a point during the instrumental break of \u201cSupersonic\u201d where Liam Gallagher stands completely still and simply drinks it all in, for a moment the calm centre of the storm. He reviews the Manchester City T shirts, the massive gathering, the crowd surfing. If he was thinking that he\u2019d arrived in style and on schedule, he wouldn\u2019t have been wrong.<\/p>\n

It\u2019s this side of Oasis \u2013 the poise, the accomplishment, the bravura self-confidence \u2013 that we particularly celebrate in this 172-page definitive edition<\/a><\/strong>. There are insightful in-depth reviews of every Oasis album, and of Noel and Liam\u2019s solo careers. There\u2019s an introduction from Liam and an affectionate afterword from Bonehead \u2013 and an eight-page foldout miscellany and timeline to complement the story. <\/p>\n

Maybe best of all are the archive interviews. Writers from NME and Melody Maker are there throughout the band\u2019s career, but it\u2019s the ones who are there at the start who have the privilege of witnessing the charisma, and accomplishment of a group the like of which they haven\u2019t seen for quite some time.<\/p>\n

\u201cNice one, see you later,\u201d Liam says as he and Noel leave the stage that day. It\u2019s admittedly quite a lot later, but we welcome them back now for all of the same reasons we welcomed them then.<\/p>\n

Enjoy the magazine. You can reserve your limited edition hardback here<\/a>. <\/p>\n<\/div>\n<\/div>\n

The post Introducing The Definitive Ultimate Music Guide: Oasis<\/a> appeared first on UNCUT<\/a>.<\/p>\n<\/div>\n

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Hello, hello, it’s good to be back Hello, hello, it\u2019s good to be back \u201cYou gonna wake up then, or what?\u201d As we launch this new magazine, in the shops…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[376,487,377,378],"tags":[],"class_list":["post-3156","post","type-post","status-publish","format-standard","hentry","category-magazines","category-oasis","category-publications","category-special-issues"],"_links":{"self":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/3156","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/comments?post=3156"}],"version-history":[{"count":0,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/3156\/revisions"}],"wp:attachment":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/media?parent=3156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/categories?post=3156"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/tags?post=3156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}