{"id":3258,"date":"2025-06-30T15:00:00","date_gmt":"2025-06-30T15:00:00","guid":{"rendered":"https:\/\/musictechohio.online\/site\/fishbone-still-have-a-bone-to-pick\/"},"modified":"2025-06-30T15:00:00","modified_gmt":"2025-06-30T15:00:00","slug":"fishbone-still-have-a-bone-to-pick","status":"publish","type":"post","link":"https:\/\/musictechohio.online\/site\/fishbone-still-have-a-bone-to-pick\/","title":{"rendered":"Fishbone Still Have a Bone to Pick"},"content":{"rendered":"<div>\n<figure><img decoding=\"async\" src=\"https:\/\/static.spin.com\/files\/2025\/06\/Fishbone-Press-Photo-Credit-Matt-Dessner.jpg\" width=\"\" height=\"\" alt=\"Fishbone (Credit: Matt Dessner)\"><\/figure>\n<p>The initial single from <em>Stockholm Syndrome <\/em>(June 27), Fishbone\u2019s first new album in nearly two decades, arrived shortly before last year\u2019s presidential election. The bluntly titled \u201cRacist Piece of Shit\u201d pulls no punches regarding the ska-funk-metal pioneers\u2019 feelings toward our current president and his supporters, even if musically, it\u2019s a relatively unambitious (though scorching) tune. Eight months and a lot of bad news later, Fishbone\u2019s still fuming, but they\u2019ve worked hard to channel that fury into heavy, complex, and deeply idiosyncratic music that can stand up to their best material from the late 1980s and early \u201990s.\u00a0<\/p>\n<figure class=\"wp-block-image aligncenter size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1220\" height=\"1312\" src=\"https:\/\/static.spin.com\/files\/2025\/06\/Fishbone-Album-CVR-Art.jpeg\" alt=\"\" class=\"wp-image-466922\" srcset=\"https:\/\/static.spin.com\/files\/2025\/06\/Fishbone-Album-CVR-Art.jpeg 1220w, https:\/\/static.spin.com\/files\/2025\/06\/Fishbone-Album-CVR-Art-340x366.jpeg 340w, https:\/\/static.spin.com\/files\/2025\/06\/Fishbone-Album-CVR-Art-768x826.jpeg 768w, https:\/\/static.spin.com\/files\/2025\/06\/Fishbone-Album-CVR-Art-498x536.jpeg 498w\" sizes=\"(max-width: 1220px) 100vw, 1220px\"><\/figure>\n<p>The band began as a bunch of junior high misfits in South Central L.A. nearly 50 years ago, releasing their debut album, <em>In Your Face,<\/em> in 1986. After hitting their commercial peak in the early \u201990s with two stints on the Lollapalooza tour and the metal-forward album <em>Give a Monkey a Brain and He\u2019ll Swear He\u2019s the Center of the Universe<\/em>, they went through a tumultuous series of breakups, reunions, diss tracks, and stylistic evolutions, while never quite reaching the massive popularity of their peers in the scene: Red Hot Chili Peppers and Jane\u2019s Addiction. Only singer Angelo Moore and keyboardist-trombonist Christopher Dowd remain of the band\u2019s founding lineup, and <em>Stockholm Syndrome<\/em> (released June 26) marks the first of the band\u2019s eight albums to not feature bassist Norwood Fisher (Tracey \u201cSpacey T\u201d Singleton re-joined the band in 2024 after more than two decades away). Despite the changes, Fishbone sounds as extravagant and eclectic as ever, still envisioning punk and metal as Black music by incorporating the syncopations and harmonies of ska, funk, doo-wop, soul, and early R&amp;B.<\/p>\n<p>More from Spin:<\/p>\n<ul>\n<li>\n\t\t\t<a href=\"https:\/\/www.spin.com\/2025\/06\/foo-fighters-minor-threat-cover\/\">Foo Fighters Reveal 80-Second Minor Threat Cover<\/a>\n\t\t<\/li>\n<li>\n\t\t\t<a href=\"https:\/\/www.spin.com\/2025\/06\/kendrick-tyler-nas-clipse-album\/\">Kendrick, Tyler, Nas Jump Aboard Clipse Comeback Album<\/a>\n\t\t<\/li>\n<li>\n\t\t\t<a href=\"https:\/\/www.spin.com\/2025\/06\/from-songwriter-to-superstar-neton-vegas-meteoric-rise-in-musica-mexicana\/\">From Songwriter to Superstar: Net\u00f3n Vega\u2019s Meteoric Rise in M\u00fasica Mexicana<\/a>\n\t\t<\/li>\n<\/ul>\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1220\" height=\"1036\" src=\"https:\/\/static.spin.com\/files\/2025\/06\/Fishbone-Press-Shot-1-Photo-Credit-Raymond-Amico.jpeg\" alt=\"(Credit: Raymond Amico)\" class=\"wp-image-466923\" srcset=\"https:\/\/static.spin.com\/files\/2025\/06\/Fishbone-Press-Shot-1-Photo-Credit-Raymond-Amico.jpeg 1220w, https:\/\/static.spin.com\/files\/2025\/06\/Fishbone-Press-Shot-1-Photo-Credit-Raymond-Amico-340x289.jpeg 340w, https:\/\/static.spin.com\/files\/2025\/06\/Fishbone-Press-Shot-1-Photo-Credit-Raymond-Amico-768x652.jpeg 768w, https:\/\/static.spin.com\/files\/2025\/06\/Fishbone-Press-Shot-1-Photo-Credit-Raymond-Amico-498x423.jpeg 498w\" sizes=\"auto, (max-width: 1220px) 100vw, 1220px\"><figcaption class=\"wp-element-caption\">(Credit: Raymond Amico)<\/figcaption><\/figure>\n<p>Ever since 1988\u2019s <em>Truth and Soul<\/em>, Fishbone has shown an aggressive political awareness, but <em>Stockholm Syndrome<\/em> makes the band\u2019s strongest statement yet. The song titles reflect the outrage of \u201cRacist Piece of Shit\u201d\u2014\u201cLast Call in America,\u201d \u201cWhy Do We Keep on Dying,\u201d \u201cSecret Police\u201d \u2014with fittingly direct lyrics: \u201cHatred has consumed the nation!\u201d Moore declares in the opening line of \u201cLast Call in America,\u201d before listing a series of other national afflictions including inflation, gas prices, tainted drinking water, and police brutality. These tracks move past the fuck-you simplicity of \u201cRacist Piece of Shit,\u201d while expanding on its musical language as well. \u201cLast Call\u201d features Parliament-Funkadelic legend George Clinton, one of Fishbone\u2019s guiding lights, and melds the pulse of disco to the strut of James Brown. \u201cSuckered by Sabotage\u201d ably combines thrash, hard rock, and reggae, and \u201cSecret Police\u201d somehow sounds like a heavy metal Tears for Fears and might be the catchiest thing the band has ever written. The vaudeville-esque \u201cGelato the Clown,\u201d meanwhile, proves that the band has lost none of its inimitable weirdness\u2014it sounds like Ween combined with Tower of Power. Closing track \u201cLove Is Love\u201d wraps things up with a tender, soaring ballad reminiscent of another, much whiter, funk-metal group that outstripped Fishbone on the charts by going pop: Extreme.\u00a0<\/p>\n<p>Back in 1985, Fishbone called their debut single \u201cParty at Ground Zero,\u201d and though the Cold War context of that anthem has vanished, Fishbone is still getting down while the world hovers on the brink. If Moore, Dowd, and Co. are a little madder and broader in their approach now, it\u2019s only because they believe their music can still make a difference, and they\u2019ll do what it takes to be heard.\u00a0<\/p>\n<p>To see our running list of the top 100 greatest rock stars of all time, <a href=\"https:\/\/www.spin.com\/2021\/07\/the-greatest-rock-stars-of-all-time\/?utm_source=yahoo&amp;utm_medium=bottomlink&amp;utm_campaign=yahoolink\">click here<\/a>.<\/p>\n<\/div>\n<div style=\"margin-top: 0px; margin-bottom: 0px;\" class=\"sharethis-inline-share-buttons\" ><\/div>","protected":false},"excerpt":{"rendered":"<p>The initial single from Stockholm Syndrome (June 27), Fishbone\u2019s first new album in nearly two decades, arrived shortly before last year\u2019s presidential election. The bluntly titled \u201cRacist Piece of Shit\u201d&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2220,117,24,88],"tags":[],"class_list":["post-3258","post","type-post","status-publish","format-standard","hentry","category-fishbone","category-new-music","category-pushly","category-reviews"],"_links":{"self":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/3258","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/comments?post=3258"}],"version-history":[{"count":0,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/3258\/revisions"}],"wp:attachment":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/media?parent=3258"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/categories?post=3258"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/tags?post=3258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}