{"id":3262,"date":"2025-06-30T11:42:21","date_gmt":"2025-06-30T11:42:21","guid":{"rendered":"https:\/\/musictechohio.online\/site\/the-best-albums-of-2025-halftime-report-150204\/"},"modified":"2025-06-30T11:42:21","modified_gmt":"2025-06-30T11:42:21","slug":"the-best-albums-of-2025-halftime-report-150204","status":"publish","type":"post","link":"https:\/\/musictechohio.online\/site\/the-best-albums-of-2025-halftime-report-150204\/","title":{"rendered":"The Best Albums Of 2025\u2026 Halftime Report"},"content":{"rendered":"<div>\n<div class=\"post-preview\">\n<p>As we hit the halfway point of 2025, here&#8217;s 20 of the best albums we&#8217;ve heard &#8211; released between January 1 and June 30.<\/p>\n<\/div>\n<div class=\"post-content google-ld-json\">\n<div class=\"editable-content\">\n<p>As we hit the halfway point of 2025, here\u2019s 20 of the best albums we\u2019ve heard \u2013 released between January 1 and June 30.<\/p>\n<p>This list is chronological, beginning with <strong>The Weather Station<\/strong>\u2018s <strong>Humanhood<\/strong> \u2013 which was released on January 17 \u2013 and ending with <strong>Van Morrison<\/strong>\u2018s <strong>Remember Now<\/strong>, which was released on June 13.<\/p>\n<p>Plenty of great stuff here \u2013 from familiar faces to newcomers and, we hope, a few surprises\u2026<\/p>\n<p><strong><a href=\"https:\/\/shop.kelsey.co.uk\/single-issue\/uncut-magazine\/353\">THE NEW ISSUE OF UNCUT STARS BRUCE SPRINGSTEEN, SLY STONE, SCOTT WALKER, NEIL YOUNG, WET LEG, BLONDIE, BOOKER T, SADE AND MUCH MORE \u2013 CLICK HERE TO HAVE IT DELIVERED<\/a><\/strong><\/p>\n<p><strong>The Weather Station<br \/><\/strong>Humanhood<br \/>[Fat Possum]What we said: \u201c<em>Tamara Lindeman\u2019s stunning seventh album is the work of a songwriter at the peak of her powers, possessing fierce honesty and outstanding creative instincts as she addresses anxieties both personal and global\u2026<\/em>\u201c<\/p>\n<div class=\"squirrel_div\" data-squirrel-id=\"13216123\" data-loaded=\"false\"><script async src=\"https:\/\/squirrels-gen.getsquirrel.co\/scripts\/01b9822bc6df10cc54883d3ee4415d0c.js\"><\/script><\/div>\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<p><strong>Chris Eckman<br \/><\/strong>The Land We Knew The Best<br \/>[Glitterhouse]What we said: \u201c<em>\u2026 a collection of interior monologues, essays in contrition, apology, enough regret to flood a valley. \u2018Somehow I missed the memo that said when you reach breaking point, you just say stop\u2026\u2019 Eckman sings on the confessional \u2018Haunted Nights\u2019, an attempt to explain ruinous behaviour\u2026<\/em>\u201c<\/p>\n<div class=\"squirrel_div\" data-squirrel-id=\"13216127\" data-loaded=\"false\"><script async src=\"https:\/\/squirrels-gen.getsquirrel.co\/scripts\/01b9822bc6df10cc54883d3ee4415d0c.js\"><\/script><\/div>\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<p><strong>Richard Dawson<br \/><\/strong>End Of The Middle<br \/>[Domino]What we said: \u201c<em>After The Ruby Cord, an 80-minute album set in a hallucinatory VR future, Richard Dawson is concentrating on smaller things here: namely, the mundane trauma of family units. Yet his songwriting is as powerful and moving as ever\u2026<\/em>\u201c<\/p>\n<div class=\"squirrel_div\" data-squirrel-id=\"13216128\" data-loaded=\"false\"><script async src=\"https:\/\/squirrels-gen.getsquirrel.co\/scripts\/01b9822bc6df10cc54883d3ee4415d0c.js\"><\/script><\/div>\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<p><strong>Yazz Ahmed<br \/><\/strong>A Paradise In The Hold<br \/>[Night Time Stories]What we said: \u201c<em>Trumpeter, flugelhornist and composer Yazz Ahmed has created her most exquisite song world yet on A Paradise In The Hold, 10 tracks of magnetic, boundry-transcending jazz that intricately blend influences from her British-Bahraini heritage\u2026<\/em>\u201c<\/p>\n<div class=\"squirrel_div\" data-squirrel-id=\"13216141\" data-loaded=\"false\"><script async src=\"https:\/\/squirrels-gen.getsquirrel.co\/scripts\/01b9822bc6df10cc54883d3ee4415d0c.js\"><\/script><\/div>\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<p><strong>The Tubs<br \/><\/strong>Cotton Crown<br \/>[Trouble In Mind]What we said: \u201c<em>\u2026 the addictive jangle of the music, the sheen of darkness beyond the melody and the lyrical concision of Owen Williams, who writes a song that is exorcism, confession and accusation all at once\u2026<\/em>\u201c<\/p>\n<div class=\"squirrel_div\" data-squirrel-id=\"13216144\" data-loaded=\"false\"><script async src=\"https:\/\/squirrels-gen.getsquirrel.co\/scripts\/01b9822bc6df10cc54883d3ee4415d0c.js\"><\/script><\/div>\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<p><strong>The Delines<br \/><\/strong>Mr. Luck &amp; Ms. Doom<br \/>[Decor Records and El Cortez Records]What we said: \u201c<em>In a little over 40 minutes, [Willy] Vlautin, [Amy] Boone and the boys take you on a road trip across the great divide, from the casinos of Biloxi,  right up on to the rodeos of Utah and somehow chart an entire continent of cruelty, desperation and clear-eyed determination<\/em>.\u201d<\/p>\n<div class=\"squirrel_div\" data-squirrel-id=\"13216179\" data-loaded=\"false\"><script async src=\"https:\/\/squirrels-gen.getsquirrel.co\/scripts\/01b9822bc6df10cc54883d3ee4415d0c.js\"><\/script><\/div>\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<p><strong>Edwin Collins<br \/><\/strong>Nation Shall Speak Unto Nation<br \/>[AED]What we said: \u201c<em>Working with his regular collaborators -co-producers Jake Hutton and Sean Read, musicians James Walbourne and Carwyn Ellis, and son Will (on bass) \u2013 Collins collates his influences into a carnival of understatement<\/em>.\u201d<\/p>\n<div class=\"squirrel_div\" data-squirrel-id=\"13216180\" data-loaded=\"false\"><script async src=\"https:\/\/squirrels-gen.getsquirrel.co\/scripts\/01b9822bc6df10cc54883d3ee4415d0c.js\"><\/script><\/div>\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<p><strong>Destroyer<br \/><\/strong>Dan\u2019s Boogie<br \/>[Merge]What we said: \u201c.<em>.. these songs insinuate with a vaguely vintage sound that recalls Jonathan Donahue\u2019s spangled dreaminess and the (s)weary brio of Father John Misty\u2026<\/em>\u201c<\/p>\n<div class=\"squirrel_div\" data-squirrel-id=\"13216182\" data-loaded=\"false\"><script async src=\"https:\/\/squirrels-gen.getsquirrel.co\/scripts\/01b9822bc6df10cc54883d3ee4415d0c.js\"><\/script><\/div>\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<p><strong>Eiko Ishibashi<br \/><\/strong>Antigone<br \/>[Drag City]What we said: \u201c<em>With Antigone, Ishibashi\u2019s music has reached an astonishing level of maturity \u2013 at the level of tone, texture and text. The creative partnership she has achieved with the mercurial Jim O\u2019Rourke, since they met over 15 years ago, continues to pay wonderful dividends<\/em>.\u201d<\/p>\n<div class=\"squirrel_div\" data-squirrel-id=\"13216188\" data-loaded=\"false\"><script async src=\"https:\/\/squirrels-gen.getsquirrel.co\/scripts\/01b9822bc6df10cc54883d3ee4415d0c.js\"><\/script><\/div>\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<p><strong>Dean Wareham<br \/><\/strong>That\u2019s the Price of Loving Me<br \/>[Carpark]What we said: \u201c<em>It says everything about Wareham\u2019s distinctive way around a guitar that he can take a Nico cover \u2013 in this case, \u2018Reich De Tr\u00e4ume\u2019 \u2013 and shape it into something warm and languorous, in keeping with the rest of this great solo album.<\/em>\u201c<\/p>\n<div class=\"squirrel_div\" data-squirrel-id=\"13216190\" data-loaded=\"false\"><script async src=\"https:\/\/squirrels-gen.getsquirrel.co\/scripts\/01b9822bc6df10cc54883d3ee4415d0c.js\"><\/script><\/div>\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<p><strong>Brown Horse<br \/><\/strong>All the Right Weaknesses<br \/>[Loose Music]What we said: \u201c<em>Brown Horse have taken the live momentum of the new songs directly into the studio, keeping their raw charge intact which accentuating their dynamics and fine-tuning their arrangements<\/em>.\u201d<\/p>\n<div class=\"squirrel_div\" data-squirrel-id=\"13216191\" data-loaded=\"false\"><script async src=\"https:\/\/squirrels-gen.getsquirrel.co\/scripts\/01b9822bc6df10cc54883d3ee4415d0c.js\"><\/script><\/div>\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<p><strong>The Waterboys<br \/><\/strong>Life, Death And Dennis Hopper<br \/>[Sun Records]What we said: \u201c<em>Conceptually, it\u2019s closer to Songs For Drella or Sufjan Stevens\u2019 Illinois than it is Rick Wakeman. Hopper is a device, an operatic metaphor concerning pop\u2019s golden age, where artists had the freedom to explore themselves and make mistakes<\/em>.\u201d<\/p>\n<div class=\"squirrel_div\" data-squirrel-id=\"13216645\" data-loaded=\"false\"><script async src=\"https:\/\/squirrels-gen.getsquirrel.co\/scripts\/01b9822bc6df10cc54883d3ee4415d0c.js\"><\/script><\/div>\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<p><strong>Salif Keita<br \/><\/strong>In So Kono<br \/>[N\u00d8 F\u00d8RMAT!]What we said: \u201c<em>His guitar playing takes centre stage, hypnotic, complex, repetitive patterns played clawhammer style, plucked with the flesh at the tips of his fingers like a medieval lute player, usually with a capo high on the fretboard\u2026<\/em>\u201c<\/p>\n<div class=\"squirrel_div\" data-squirrel-id=\"13216646\" data-loaded=\"false\"><script async src=\"https:\/\/squirrels-gen.getsquirrel.co\/scripts\/01b9822bc6df10cc54883d3ee4415d0c.js\"><\/script><\/div>\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<p><strong>William Tyler<br \/><\/strong>Time Indefinite<br \/>[Psychic Hotline]What we said: \u201c<em>While his previous records examined the pathway to modern America, Time Indefinite seems to stare into the heart of what the country is now, in all its fragmented polarised turmoil; the state of the nation in perfect sync with Tyler\u2019s own troubled state of mind<\/em>.\u201d<\/p>\n<div class=\"squirrel_div\" data-squirrel-id=\"13216647\" data-loaded=\"false\"><script async src=\"https:\/\/squirrels-gen.getsquirrel.co\/scripts\/01b9822bc6df10cc54883d3ee4415d0c.js\"><\/script><\/div>\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<p><strong>Kassi Valazza<br \/><\/strong>From Newman Street<br \/>[Loose Music]What we said: \u201c<em>From Newman Street is an album full of chapters closing and new ones opening, created by a singer-songwriter who embellishes her folky observations with psychedelic flourishes and knowing nods to the past<\/em>.\u201d<\/p>\n<div class=\"squirrel_div\" data-squirrel-id=\"13216648\" data-loaded=\"false\"><script async src=\"https:\/\/squirrels-gen.getsquirrel.co\/scripts\/01b9822bc6df10cc54883d3ee4415d0c.js\"><\/script><\/div>\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<p><strong>Robert Forster<br \/><\/strong>Strawberries<br \/>[Tapete Records]What we said: \u201c<em>On his ninth solo album, Forster once again knits together the ordinary and the remarkable, furring the edges with a craftsman\u2019s dexterity<\/em>.\u201d<\/p>\n<div class=\"squirrel_div\" data-squirrel-id=\"13212785\" data-loaded=\"false\"><script async src=\"https:\/\/squirrels-gen.getsquirrel.co\/scripts\/01b9822bc6df10cc54883d3ee4415d0c.js\"><\/script><\/div>\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<p><strong>Stereolab<\/strong><br \/>Instant Holograms On Metal Film<br \/>[Duophonic UHF Disks\u00a0and\u00a0Warp Records]What we said: \u201c<em>At a time when neo-facism is on the rise across the world and even a Labour government is slashing welfare budgets to boost defence spending, Instant Holograms\u2026 pushes back forcefully against this grim tide with a vital blast of agit-pop.<\/em>\u201c<\/p>\n<div class=\"squirrel_div\" data-squirrel-id=\"13216650\" data-loaded=\"false\"><script async src=\"https:\/\/squirrels-gen.getsquirrel.co\/scripts\/01b9822bc6df10cc54883d3ee4415d0c.js\"><\/script><\/div>\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<p><strong>Alan Sparhawk<br \/><\/strong>With Trampled By Turtles<br \/>[Sub Pop]What we said: \u201c<em>Sparhawk\u2019s relationship with progressive bluegrass\/country folk types Trampled By Turtles stretches back to their early days when they were mentees and mates in Duluth, Minnesota. When he was fathomed deep in grief, the sextet invited him to ride along for some tour dates and occasionally he joined them onstage\u2026<\/em>\u201c<\/p>\n<div class=\"squirrel_div\" data-squirrel-id=\"13212801\" data-loaded=\"false\"><script async src=\"https:\/\/squirrels-gen.getsquirrel.co\/scripts\/01b9822bc6df10cc54883d3ee4415d0c.js\"><\/script><\/div>\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<p><strong>Pulp<br \/><\/strong>More<br \/>[Rough Trade]What we said: \u201c<em>Over almost half a century they\u2019ve been an object lesson in a band slowly discovering their strengths, honing their craft, taking their time. They\u2019ve matured \u2013 not like a fine wine, but maybe like a magnificently ripe Wensleydale.<\/em>\u201c<\/p>\n<div class=\"squirrel_div\" data-squirrel-id=\"13213583\" data-loaded=\"false\"><script async src=\"https:\/\/squirrels-gen.getsquirrel.co\/scripts\/01b9822bc6df10cc54883d3ee4415d0c.js\"><\/script><\/div>\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<p><strong>Van Morrison<br \/><\/strong>Remembering Now<br \/>[Exile Productions and Virgin Records]What we said: \u201c<em>The title refers not only to the recurring lyrical theme of a man in his 80th year simultaneously inhabiting both his past and present, but the rich sense of musical retrieval, too<\/em>.\u201d<\/p>\n<div class=\"squirrel_div\" data-squirrel-id=\"13217195\" data-loaded=\"false\"><script async src=\"https:\/\/squirrels-gen.getsquirrel.co\/scripts\/01b9822bc6df10cc54883d3ee4415d0c.js\"><\/script><\/div>\n<p><em>When you purchase through links on our site, we may earn an affiliate commission. <a href=\"https:\/\/www.stuff.tv\/about-us\/\" target=\"_blank\" rel=\"noreferrer noopener\">Here\u2019s how it works<\/a><\/em>.<\/p>\n<\/div>\n<\/div>\n<p>The post <a href=\"https:\/\/www.uncut.co.uk\/features\/the-best-albums-of-2025-halftime-report-150204\/\">The Best Albums Of 2025\u2026 Halftime Report<\/a> appeared first on <a href=\"https:\/\/www.uncut.co.uk\/\">UNCUT<\/a>.<\/p>\n<\/div>\n<div style=\"margin-top: 0px; margin-bottom: 0px;\" class=\"sharethis-inline-share-buttons\" ><\/div>","protected":false},"excerpt":{"rendered":"<p>As we hit the halfway point of 2025, here&#8217;s 20 of the best albums we&#8217;ve heard &#8211; released between January 1 and June 30. As we hit the halfway point&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31,65],"tags":[],"class_list":["post-3262","post","type-post","status-publish","format-standard","hentry","category-features","category-lists"],"_links":{"self":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/comments?post=3262"}],"version-history":[{"count":0,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/3262\/revisions"}],"wp:attachment":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/media?parent=3262"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/categories?post=3262"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/tags?post=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}