{"id":3648,"date":"2025-07-14T19:17:17","date_gmt":"2025-07-14T19:17:17","guid":{"rendered":"https:\/\/musictechohio.online\/site\/sin-shake-sin-blazes-a-trail-of-raw-rock-with-misinformation\/"},"modified":"2025-07-14T19:17:17","modified_gmt":"2025-07-14T19:17:17","slug":"sin-shake-sin-blazes-a-trail-of-raw-rock-with-misinformation","status":"publish","type":"post","link":"https:\/\/musictechohio.online\/site\/sin-shake-sin-blazes-a-trail-of-raw-rock-with-misinformation\/","title":{"rendered":"Sin Shake Sin Blazes a Trail of Raw Rock with \u201cMisinformation\u201d"},"content":{"rendered":"<div>\n<figure><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/static.spin.com\/files\/2025\/07\/SPIN-Main-Image-scaled.jpg\" width=\"1290\" height=\"728\" alt=\"\"><\/figure>\n<p>Sin Shake Sin is not your run-of-the-mill rock endeavor. The edgy project is the bold and unfiltered mouthpiece of Stacy Hogan, a life-long musician, South Georgia native, and bona fide Nashville studio musician who has reached over 130 million streams on services like Spotify and YouTube with his no-holds-barred approach to fierce riffs, razor-sharp social commentary, big-time production value, and what he describes as \u201cdeep down in the mud honesty.\u201d<\/p>\n<p>Hogan cut his professional teeth as a musician at the young age of 15, swiftly moving into production work and building a high-traffic licensing\/publishing company by 24. The multi-faceted artist\u2019s work has appeared on Universal and Sumerian Records over the years, but he truly became Sin Shake Sin when he decided to focus on the independent project and hit his stride, with the single \u201cCan\u2019t Go To Hell\u201d rocketing to #5 on Billboard\u2019s Rock Radio Most Added chart, while Sirius XM Octane and nationally syndicated radio programs like Hard Drive with Lou Brutus embraced his sound.<\/p>\n<p>More from Spin:<\/p>\n<ul>\n<li>\n\t\t\t<a href=\"https:\/\/www.spin.com\/2025\/07\/travis-scott-dumbo-video\/\">Travis Scott Drops \u2018Dumbo\u2019 Video From Surprise \u2018Jackboys 2\u2019 LP<\/a>\n\t\t<\/li>\n<li>\n\t\t\t<a href=\"https:\/\/www.spin.com\/2025\/07\/its-going-to-be-the-best-fucking-festival-experience-of-your-life-how-pickathon-survives-in-corporate-america\/\">\u2018It\u2019s Going to Be the Best Fucking Festival Experience of Your Life\u2019: How Pickathon Survives in Corporate America<\/a>\n\t\t<\/li>\n<li>\n\t\t\t<a href=\"https:\/\/www.spin.com\/2025\/07\/the-city-raised-me-deathbyromys-love-hate-relationship-with-hollywood\/\">\u2018The City Raised Me\u2019: DeathbyRomy\u2019s Love-Hate Relationship with Hollywood\u00a0<\/a>\n\t\t<\/li>\n<\/ul>\n<p>As the project\u2019s principal songwriter and founder, Hogan writes, records, and performs every piece of music himself, and even assumes the production, mixing, and mastering roles. \u201cMisinformation\u201d finds him opening up slightly and letting in one outside collaborator, drummer Dave Abbruzzese. Known for his Grammy-Award winning work with Pearl Jam, Abbruzzese\u2019s power animal performance brings a new level of energy to Hogan\u2019s razor-sharp message.<\/p>\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1290\" height=\"1932\" src=\"https:\/\/static.spin.com\/files\/2025\/07\/SPIN-inside-article-image-1290x1932.jpg\" alt=\"\" class=\"wp-image-468636\" srcset=\"https:\/\/static.spin.com\/files\/2025\/07\/SPIN-inside-article-image-1290x1932.jpg 1290w, https:\/\/static.spin.com\/files\/2025\/07\/SPIN-inside-article-image-340x509.jpg 340w, https:\/\/static.spin.com\/files\/2025\/07\/SPIN-inside-article-image-768x1150.jpg 768w, https:\/\/static.spin.com\/files\/2025\/07\/SPIN-inside-article-image-1025x1536.jpg 1025w, https:\/\/static.spin.com\/files\/2025\/07\/SPIN-inside-article-image-498x746.jpg 498w, https:\/\/static.spin.com\/files\/2025\/07\/SPIN-inside-article-image-1668x2499.jpg 1668w, https:\/\/static.spin.com\/files\/2025\/07\/SPIN-inside-article-image-scaled.jpg 1709w\" sizes=\"(max-width: 1290px) 100vw, 1290px\"><figcaption class=\"wp-element-caption\">Photo Courtesy of Sin Shake Sin<\/figcaption><\/figure>\n<p>\u201cI was frustrated at all the media and all the ways misinformation comes at us,\u201d Hogan says of the track. \u201cWhether that\u2019s TV news, the internet, memes, or advertising, we as a society are just being spoon-fed.\u00a0 Too many people fall for it.\u00a0 This song is about awareness and speaking up. The power of information versus the power of misinformation. The power of knowledge. It\u2019s about not sitting idly by while those with their own selfish agendas dictate the world around you.\u201d<\/p>\n<p>Directed by recent Sin Shake Sin collaborator Josh Lockhart and produced by Hogan himself, the single\u2019s music video was also a passion project with roots in Hogan\u2019s original concept.<\/p>\n<p>Sonically, Sin Shake Sin is a genre-bending collision of the industrial, swampy blues, and scorching-hot rock hooks. The music carries echoes of Nirvana, Marilyn Manson, Nine Inch Nails, and Creedence Clearwater Revival as Hogan bends the ear and shines a light on the less-than-politically correct truths. Sin Shake Sin\u2019s signature sound also includes Hogan\u2019s eight-string guitar, which he utilizes across the album to help it rumble with a unique sense of darkness.<\/p>\n<p>In addition to creating Sin Shake Sin, Hogan has lent his writing and instrumental skills to bands such as Starset and RED. He even wrote rock singles for Korn guitar player\/Songwriter Brian Head Welch, and produced an album which topped Billboard\u2019s Classical chart. His work has earned mentions in magazines and on websites such as Guitar World and Loudwire, and he was recently interviewed on Loudwire Nights right after Metallica. \u201cIt was just the craziest, most full-circle, surreal moment ever,\u201d Hogan recalls. \u201cMy mother took me to see my first concert when I was 11.. and it was Metallica\u201d.<\/p>\n<p>Hogan\u2019s two previous <a href=\"https:\/\/www.instagram.com\/sinshakesinofficial\" target=\"_blank\">Sin Shake Sin<\/a> albums were Lunatics and Slaves and The Mess We\u2019ve Made, both of which give listeners a sense for what Sin Shake Sin is all about. Now with \u201cMisinformation\u201d , Hogan proves that music made on his own terms can be boundary-pushing, socially conscious, massive, with a timely message available to anyone who is ready to hear the truth.<\/p>\n<p>Fans can learn more on <a href=\"https:\/\/www.sinshakesin.com\/\" target=\"_blank\">Sin Shake Sin\u2019s official websit<\/a>e and check out the \u201cMisinformation\u201d music video on <a href=\"https:\/\/www.youtube.com\/watch?v=GqBngMLyGKE\" target=\"_blank\">YouTube<\/a>. The project\u2019s discography can be found on all major digital music outlets.<\/p>\n<\/p>\n<p><em><strong>SPIN Magazine newsroom and editorial staff were not involved in the creation of this content<\/strong><\/em>.<\/p>\n<p>To see our running list of the top 100 greatest rock stars of all time, <a href=\"https:\/\/www.spin.com\/2021\/07\/the-greatest-rock-stars-of-all-time\/?utm_source=yahoo&amp;utm_medium=bottomlink&amp;utm_campaign=yahoolink\">click here<\/a>.<\/p>\n<\/div>\n<div style=\"margin-top: 0px; margin-bottom: 0px;\" class=\"sharethis-inline-share-buttons\" ><\/div>","protected":false},"excerpt":{"rendered":"<p>Sin Shake Sin is not your run-of-the-mill rock endeavor. The edgy project is the bold and unfiltered mouthpiece of Stacy Hogan, a life-long musician, South Georgia native, and bona fide&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[],"class_list":["post-3648","post","type-post","status-publish","format-standard","hentry","category-spin-recommends"],"_links":{"self":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/3648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/comments?post=3648"}],"version-history":[{"count":0,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/3648\/revisions"}],"wp:attachment":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/media?parent=3648"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/categories?post=3648"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/tags?post=3648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}