{"id":3714,"date":"2025-07-16T11:24:06","date_gmt":"2025-07-16T11:24:06","guid":{"rendered":"https:\/\/musictechohio.online\/site\/introducing-the-new-uncut-paul-weller-a-paul-weller-cd-brian-wilson-kevin-rowland-big-thief-and-more-150405\/"},"modified":"2025-07-16T11:24:06","modified_gmt":"2025-07-16T11:24:06","slug":"introducing-the-new-uncut-paul-weller-a-paul-weller-cd-brian-wilson-kevin-rowland-big-thief-and-more-150405","status":"publish","type":"post","link":"https:\/\/musictechohio.online\/site\/introducing-the-new-uncut-paul-weller-a-paul-weller-cd-brian-wilson-kevin-rowland-big-thief-and-more-150405\/","title":{"rendered":"Introducing the new Uncut: Paul Weller, a Paul Weller CD, Brian Wilson, Kevin Rowland, Big Thief and more"},"content":{"rendered":"<div>\n<div class=\"post-preview\">\n<\/div>\n<div class=\"post-content google-ld-json\">\n<div class=\"editable-content\">\n<p><strong><a href=\"https:\/\/shop.kelsey.co.uk\/single-issue\/uncut-magazine\/354\" target=\"_blank\" rel=\"noreferrer noopener\">CLICK HERE TO GET THE NEW ISSUE OF UNCUT DELIVERED TO YOUR DOOR<\/a><\/strong><\/p>\n<p>Speaking to <a href=\"https:\/\/www.uncut.co.uk\/features\/brian-wilson-album-by-album-28238\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Uncut<\/strong><\/a> in 2006, <strong>Brian Wilson<\/strong> explained the recording process for \u201c<strong>Good Vibrations<\/strong>\u201d. The song, he told us, \u201ctook six weeks to record, in five different studios. I wrote out each musician\u2019s part on music paper then they all played it together. I found I could work out each part without it being too difficult. It did get tedious, though. The musicians understood it all more or less straight away. <strong>Hal Blaine<\/strong> was always right on my wavelength.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"uVlSVkzbJDA\"><iframe loading=\"lazy\" title=\"Good Vibrations the Lost Studio Footage\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/uVlSVkzbJDA?feature=oembed&amp;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p>Although a relatively understated view of events, all the same it signalled towards Wilson\u2019s meticulous, if exhaustive, creative processes. For further evidence, there\u2019s black and white film on YouTube showing Wilson bringing his pocket symphony to life in the studio. When he\u2019s not issuing orders like a benign general to Blaine \u2013 \u201cPlay hard and strong all the way\u201d \u2013 you see Wilson in the vocal booth with the rest of <strong>The Beach Boys<\/strong>, singing high harmony with his eyes closed, caught up in some deeply private inner rhapsody. \u201cHe was very unfiltered, very brilliant and very humble at the same time,\u201d Al Jardine tells us elsewhere in this issue. \u201cHe was a miracle, a walking miracle. There\u2019ll never be another one like him. Everybody loved Brian.\u201d You can read more about Wilson in our definitive tribute from <a href=\"https:\/\/www.uncut.co.uk\/author\/strousse\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Stephen Trouss\u00e9<\/strong><\/a> which begins on page 52.<\/p>\n<p>If Wilson \u2013 for whatever reasons \u2013 never quite eclipsed his \u201960s songwriting genius, then our cover star never seems to wane, as <strong>Paul Weller<\/strong>\u2019s ongoing purple patch attests. Print readers can get a flavour for it \u2013 if you need such a thing \u2013 thanks to a rather special, exclusive free CD that rounds up a hefty selection of deep cuts, B-sides and rarities, encompassing bucolic psychedelia, cosmic shuffles and even a 10-minute krautrock epic. All of this complements an excellent new interview with <strong><a href=\"https:\/\/www.uncut.co.uk\/author\/petepaphides\/\" target=\"_blank\" rel=\"noreferrer noopener\">Pete Paphides<\/a><\/strong> which finds Weller in surprisingly emotional form, reflecting on his father and former manager <strong>John Weller<\/strong>, fallen Jam comrade <strong>Rick Buckler<\/strong> and a very funny encounter with Ronnie\u2019s pet lion.<\/p>\n<p>There\u2019s plenty more, of course \u2013 enough, we hope, to last a month\u2026<\/p>\n<p><strong><a href=\"https:\/\/shop.kelsey.co.uk\/single-issue\/uncut-magazine\/354\" target=\"_blank\" rel=\"noreferrer noopener\">CLICK HERE TO GET THE NEW ISSUE OF UNCUT DELIVERED TO YOUR DOOR<\/a><\/strong><\/p>\n<p>To let us know what you think of this month\u2019s issue, email us at <strong>letters@uncut.co.uk<\/strong>. We\u2019d love to hear from you.<\/p>\n<\/div>\n<\/div>\n<p>The post <a href=\"https:\/\/www.uncut.co.uk\/features\/introducing-the-new-uncut-paul-weller-a-paul-weller-cd-brian-wilson-kevin-rowland-big-thief-and-more-150405\/\">Introducing the new Uncut: Paul Weller, a Paul Weller CD, Brian Wilson, Kevin Rowland, Big Thief and more<\/a> appeared first on <a href=\"https:\/\/www.uncut.co.uk\/\">UNCUT<\/a>.<\/p>\n<\/div>\n<div style=\"margin-top: 0px; margin-bottom: 0px;\" class=\"sharethis-inline-share-buttons\" ><\/div>","protected":false},"excerpt":{"rendered":"<p>CLICK HERE TO GET THE NEW ISSUE OF UNCUT DELIVERED TO YOUR DOOR Speaking to Uncut in 2006, Brian Wilson explained the recording process for \u201cGood Vibrations\u201d. The song, he&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1312,669,1545,31,2688,2690,753,1525],"tags":[],"class_list":["post-3714","post","type-post","status-publish","format-standard","hentry","category-big-thief","category-blogs","category-brian-wilson","category-features","category-kevin-rowland","category-margo-price","category-paul-weller","category-roy-harper"],"_links":{"self":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/3714","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/comments?post=3714"}],"version-history":[{"count":0,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/3714\/revisions"}],"wp:attachment":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/media?parent=3714"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/categories?post=3714"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/tags?post=3714"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}