{"id":5958,"date":"2025-10-15T19:00:00","date_gmt":"2025-10-15T19:00:00","guid":{"rendered":"https:\/\/musictechohio.online\/site\/springsteen-deliver-me-from-nowhere-sentimental-take-on-bruces-own-private-nebraska-151757\/"},"modified":"2025-10-15T19:00:00","modified_gmt":"2025-10-15T19:00:00","slug":"springsteen-deliver-me-from-nowhere-sentimental-take-on-bruces-own-private-nebraska-151757","status":"publish","type":"post","link":"https:\/\/musictechohio.online\/site\/springsteen-deliver-me-from-nowhere-sentimental-take-on-bruces-own-private-nebraska-151757\/","title":{"rendered":"Springsteen: Deliver Me From Nowhere \u2013 a sentimental take on Bruce\u2019s own private Nebraska"},"content":{"rendered":"
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\u201cI\u2019m just trynna find something real in all the noise,\u201d mumbles Jeremy Allen White, all brooding, ursine intensity as Bruce Springsteen at the heart of Scott Cooper\u2019s new biopic. \u201cYou find something real,\u201d reassures Jeremy Strong as his manager Jon Landau, \u201cI\u2019ll deal with the noise.\u201d<\/p>\n<\/div>\n

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\u201cI\u2019m just trynna find something real in all the noise,\u201d mumbles Jeremy Allen White, all brooding, ursine intensity as Bruce Springsteen at the heart of Scott Cooper\u2019s new biopic. \u201cYou find something real,\u201d reassures Jeremy Strong as his manager Jon Landau, \u201cI\u2019ll deal with the noise.\u201d<\/p>\n

There\u2019s a similar ambition to Deliver Me From Nowhere<\/em>. Though there are wilder, noisier, more barnstorming chapters in the Springsteen biography, writer-director Cooper asks us to dial down the volume and focus in on the Boss\u2019s quietest, strangest, most revealing episode: the year of 1981-82, when he came off the road in the wake of his first Top 10 hit, rented a shagpile apartment in Colts Neck, New Jersey, and started, in the face of all commercial expectations, to channel eerie, echoplex folk songs about the meanness at the heart of the world.\u00a0<\/p>\n

It\u2019s a bold gambit (faithfully based on Warren Zanes\u2019 deep-dive book), that cuts to the quick of Springsteen\u2019s career, and to the relationship it was founded on. Because, although there\u2019s a perfunctory romance featuring the rather squandered Odessa Young as Faye, the bottle blonde spirit of the Stone Pony, it\u2019s this oddball bromance, between bruised heartland hero and buttoned-up nerd, united in their shared commitment to rock and roll integrity, that\u2019s the real heart of the story.<\/p>\n

It\u2019s certainly the strongest part of the film, with the two Jeremys straining sinews and vocal cords (White looks little like Springsteen, but attains an uncanny Bruce-ian roar on an early \u201cBorn In The USA\u201d) as they fight off self-doubt, second thoughts, Suicidal freakouts to the sound of \u201cFrankie Teardrop\u201d and interfering label execs. \u201cIn this office,\u201d says Strong, as though he\u2019s pledging allegiance to the flag, the republic, mom and apple pie, \u201cwe believe in Bruce Springsteen\u201d.<\/p>\n

It\u2019s a refreshing change from the usual grifters and slimeballs of on-screen rock management. But Cooper isn\u2019t quite so assured at skirting other familiar hazards of the rock biopic. The film is founded on formative flashbacks to the 1950s, and a grim, black-and-white Stephen Graham as Douglas, the troubled Springsteen patriarch. It settles much too comfortably into the photogenic shortcuts of artistic biography, where every childhood trauma is tied up in the bow of song. And it severely misrepresents the most austere, pitiless album of Springsteen\u2019s career by resolving into tearful hugs, therapy and Sam Cooke\u2019s \u201cThe Last Mile Of The Way\u201d.<\/p>\n

But there are moments of wonder. Back in Colts Neck, White-Bruce gazes into his busted up Panasonic boombox playing the warped cassette of his home recordings, his songs emerging from the rumble and tape delay, and makes his own breakthrough. \u201cThat\u2019s it,\u201d he sighs. \u201cIt sounds like the past.\u201d<\/p>\n

Read Uncut\u2019s review of Bruce Springsteen\u2019s Nebraska \u201982: Expanded Edition<\/em> here<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n

The post Springsteen: Deliver Me From Nowhere \u2013 a sentimental take on Bruce\u2019s own private Nebraska<\/a> appeared first on UNCUT<\/a>.<\/p>\n<\/div>\n

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\u201cI\u2019m just trynna find something real in all the noise,\u201d mumbles Jeremy Allen White, all brooding, ursine intensity as Bruce Springsteen at the heart of Scott Cooper\u2019s new biopic. \u201cYou…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34,87,88],"tags":[],"class_list":["post-5958","post","type-post","status-publish","format-standard","hentry","category-bruce-springsteen","category-film","category-reviews"],"_links":{"self":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/5958","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/comments?post=5958"}],"version-history":[{"count":0,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/5958\/revisions"}],"wp:attachment":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/media?parent=5958"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/categories?post=5958"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/tags?post=5958"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}