{"id":6246,"date":"2025-10-27T11:10:32","date_gmt":"2025-10-27T11:10:32","guid":{"rendered":"https:\/\/musictechohio.online\/site\/tortoises-touch-reviewed-welcome-return-for-chicagos-post-rock-pioneers-151842\/"},"modified":"2025-10-27T11:10:32","modified_gmt":"2025-10-27T11:10:32","slug":"tortoises-touch-reviewed-welcome-return-for-chicagos-post-rock-pioneers-151842","status":"publish","type":"post","link":"https:\/\/musictechohio.online\/site\/tortoises-touch-reviewed-welcome-return-for-chicagos-post-rock-pioneers-151842\/","title":{"rendered":"Tortoise\u2019s Touch reviewed: welcome return for Chicago\u2019s post-rock pioneers"},"content":{"rendered":"<div>\n<div class=\"post-preview\">\n<p>It\u2019s only been nine years since Tortoise released their last album, but it feels a lot longer. The quintet were closely associated with the Chicago post-rock scene of the late 1990s and early 2000s, and when that scene ran its course, they suddenly seemed unmoored from their original context and anchored to something in the past. On 2016\u2019s The Catastrophist they sounded like a band out of time, an impression bolstered by the fact that the album has been commissioned by the City of Chicago to highlight the scene that had birthed the band nearly 20 years prior. But they kept the subject matter at arm\u2019s length, which made the music sound slick and cursory.<\/p>\n<\/div>\n<div class=\"post-content google-ld-json\">\n<div class=\"editable-content\">\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100 is-style-3d\"><a class=\"wp-block-button__link has-vivid-green-cyan-background-color has-background wp-element-button\" href=\"https:\/\/shop.kelsey.co.uk\/subscribe\/uncut-magazine?offer=xmas25&amp;source=xmas25bs&amp;channel=brsite&amp;utm_source=brand&amp;utm_medium=brand-site&amp;utm_campaign=uncut-xmas25-uncut-bannerads\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Click here and subscribe to Uncut<\/strong><\/a><\/div>\n<\/div>\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<h2 class=\"wp-block-heading\" id=\"h-it-s-been-nine-years-since-tortoise-released-their-last-album\">It\u2019s been nine years since Tortoise released their last album\u2026<\/h2>\n<p>It\u2019s only been nine years since Tortoise released their last album, but it feels a lot longer. The quintet were closely associated with the Chicago post-rock scene of the late 1990s and early 2000s, and when that scene ran its course, they suddenly seemed unmoored from their original context and anchored to something in the past. On 2016\u2019s The Catastrophist they sounded like a band out of time, an impression bolstered by the fact that the album has been commissioned by the City of Chicago to highlight the scene that had birthed the band nearly 20 years prior. But they kept the subject matter at arm\u2019s length, which made the music sound slick and cursory.<\/p>\n<p>Now, in 2025, Tortoise have an all-new context. They are back in time, so to speak: their hometown has experienced a revival in its jazz and improvisational music scene, as a new generation of artists that includes Makaya McCraven, Angel Bat Dawid, Daniel Villareal, Macie Stewart and many others have brought a forceful new voice to venues around town. In some cases they\u2019ve even performed and recorded with members of Tortoise, guitarist Jeff Parker in particular. At the heart of this community is International Anthem Recording Co., the label that has released albums by all of those artists mentioned. Founded in 2014, it has helped to coalesce a new market for exploratory music that has more overlap with indie rock and experimental beats than with the traditional jazz scene.<\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2322255693\/transparent=true\/\" seamless><a href=\"https:\/\/intlanthem.bandcamp.com\/album\/touch\">Touch by Tortoise<\/a><\/iframe><\/p>\n<h2 class=\"wp-block-heading\" id=\"h-it-elevates-the-band-to-the-status-of-local-legends\">It elevates the band to the status of local legends<\/h2>\n<p>So it\u2019s fitting that International Anthem is releasing Touch, Tortoise\u2019s eighth studio album (in a partnership with the venerable Nonesuch Records). The association adds something hefty to this release, more so than if any other label had put it out. It elevates the band to the status of local legends, furthering strengthening their connection to Chicago despite the fact that three of its five members have moved west. The band are obviously invigorated by what\u2019s happening in Chicago right now, but they act less like influential forebears and more like peers and contemporaries. Their new songs are lean, weird, wired, purposeful, as the band of multi-instrumentalists \u2013 Jeff Parker, Dan Bitney, Douglas McCombs, John Herndon and John McEntire \u2013 continue to dig deeper and deeper into what makes a groove groove.<\/p>\n<p>As always, they take the instruments of rock\u2019n\u2019roll \u2013 a tight rhythm section, a twangy guitar, assorted keyboards and synths \u2013 and assemble them in new ways, drawing from a bewildering range of sources. There\u2019s a lot of jazz exploration of course, but also avant-garde composition, improv spontaneity, krautrock linearity, noise, hip-hop beats and soundtrack ambience. Opener \u201cVexations\u201d hangs ten on a deconstructed surf-rock guitar lick, recalling both The Ventures and Ennio Morricone, while the ominous closer \u201cNight Gang\u201d invokes the lumbering enormity of Jack Nitzsche\u2019s \u201cThe Lonely Surfer\u201d. It sounds like three AM in downtown Chicago, towering skyscrapers framing a cold night sky.<\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1886059748\/transparent=true\/\" seamless><a href=\"https:\/\/intlanthem.bandcamp.com\/album\/touch\">Touch by Tortoise<\/a><\/iframe><\/p>\n<h2 class=\"wp-block-heading\" id=\"h-these-songs-are-full-to-bursting-with-sounds-and-ideas\">These songs are full to bursting with sounds and ideas<\/h2>\n<p>These songs are full to bursting with sounds and ideas, suggesting a kind of wide-eyed maximalism, as though nothing is off limits except silence. Yet, like the best Tortoise albums, Touch still sounds carefully edited and precisely shaped. There is always method to their madness. \u201cElka\u201d opens with what sounds like a Chicago house beat, percolating just before the drop, but the drop never arrives. Instead, the sound is assimilated into a shapeshifting shuffle. \u201cAxial Seamount\u201d (named from an underwater volcano off the Oregon coast) lurches into life on a motorik beat, which the band accentuate with burbling guitar notes and keyboard chords that bubble up to the surface. When the tempo quickens halfway through, the song becomes even sleeker and more streamlined, cutting through the water like a retrofuturistic submarine.<\/p>\n<p>As with a lot of music labeled \u201cpost-rock\u201d, Tortoise might come across as a little too brainy, as though they\u2019re simply adding up equations on a chalkboard. But there\u2019s so much gee-wizardry and wonder in even the cleverest tracks on Touch, not to mention moments of surprising poignancy. With its loping bassline pushing the song along at a casual pace, \u201cPromenade \u00c0 Deux\u201d manages the feat of sounding both cinematic and intimate, as though Tortoise are scoring a small, quiet moment in an otherwise grand epic, perhaps when a character feels the first glimmer of regret or hope. That combination of chugging rhythm and gentle synths pinpoints feelings so acute you can\u2019t quite name them.<\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=471429456\/transparent=true\/\" seamless><a href=\"https:\/\/intlanthem.bandcamp.com\/album\/touch\">Touch by Tortoise<\/a><\/iframe><\/p>\n<h2 class=\"wp-block-heading\" id=\"h-a-band-reaffirming-the-ideals-that-animated-them-in-the-first-place\">A band reaffirming the ideals that animated them in the first place<\/h2>\n<p>There is, of course, a boisterous quality to the album, in the blown-out drums on \u201cRated OG\u201d and the dissonant bass chords that anchor \u201cWorks And Days\u201d and what sounds like a distorted organ adding psychedelic flourishes to \u201cLayered Presence\u201d. Like a bunch of sugar-addled tots in a toy store, they seem to have a blast banging things together, and that sense of play can be endearing and even affecting. Touch reminds you how much fun Tortoise are, how seriously they take these musical ideas and how utterly unseriously they take themselves. For that reason, the album has the weight of a comeback. It\u2019s not just a band getting back together after nearly a decade apart, but a band reaffirming the ideals that animated them in the first place.<\/p>\n<p><em>When you purchase through links on our site, we may earn an affiliate commission. <a href=\"https:\/\/www.stuff.tv\/about-us\/\" target=\"_blank\" rel=\"noreferrer noopener\">Here\u2019s how it works<\/a><\/em>.<\/p>\n<div class=\"squirrel_div\" data-squirrel-id=\"13411438\" data-loaded=\"false\"><script async src=\"https:\/\/squirrels-gen.getsquirrel.co\/scripts\/01b9822bc6df10cc54883d3ee4415d0c.js\"><\/script><\/div>\n<\/div>\n<\/div>\n<p>The post <a href=\"https:\/\/www.uncut.co.uk\/reviews\/tortoises-touch-reviewed-welcome-return-for-chicagos-post-rock-pioneers-151842\/\">Tortoise\u2019s Touch reviewed: welcome return for Chicago\u2019s post-rock pioneers<\/a> appeared first on <a href=\"https:\/\/www.uncut.co.uk\/\">UNCUT<\/a>.<\/p>\n<\/div>\n<div style=\"margin-top: 0px; margin-bottom: 0px;\" class=\"sharethis-inline-share-buttons\" ><\/div>","protected":false},"excerpt":{"rendered":"<p>It\u2019s only been nine years since Tortoise released their last album, but it feels a lot longer. The quintet were closely associated with the Chicago post-rock scene of the late&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[90,88,2686],"tags":[],"class_list":["post-6246","post","type-post","status-publish","format-standard","hentry","category-album","category-reviews","category-tortoise"],"_links":{"self":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/6246","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/comments?post=6246"}],"version-history":[{"count":0,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/6246\/revisions"}],"wp:attachment":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/media?parent=6246"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/categories?post=6246"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/tags?post=6246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}