{"id":7186,"date":"2025-12-05T14:30:00","date_gmt":"2025-12-05T14:30:00","guid":{"rendered":"https:\/\/musictechohio.online\/site\/deep-cut-friday-hammering-in-my-head-by-garbage\/"},"modified":"2025-12-05T14:30:00","modified_gmt":"2025-12-05T14:30:00","slug":"deep-cut-friday-hammering-in-my-head-by-garbage","status":"publish","type":"post","link":"https:\/\/musictechohio.online\/site\/deep-cut-friday-hammering-in-my-head-by-garbage\/","title":{"rendered":"Deep Cut Friday: \u2018Hammering In My Head\u2019 by Garbage"},"content":{"rendered":"
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\"Shirley
Shirley Manson, Duke Erikson, Steve Marker, and Butch Vig of Garbage in 1995.
\n(Credit: gie Knaeps)<\/figcaption><\/figure>\n

Each week, SPIN digs into the catalogs of great artists and highlights songs you might not know for our Deep Cut Friday series.<\/em><\/p>\n

Few bands have married the harsh clang of industrial rock to sugary pop hooks quite as deftly as Garbage. So it feels appropriate that a little of one of the band\u2019s best albums was recorded in a dilapidated building that had been a candy factory. In a piece about the making of 1998\u2019s Version 2.0<\/em> for the August 1999 issue of Keyboard<\/em> magazine, drummer Butch Vig and guitarist Steve Marker revealed that they\u2019d set up a drum kit in the vacant building in Madison, Wisconsin, to get percussion sounds with the space\u2019s unique acoustics. Local police cut the recording session short after neighbors complained, but Garbage were still able to use some of those drum sounds on three songs on the album, including the standout \u201cHammering In My Head.\u201d<\/p>\n

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