{"id":8108,"date":"2026-01-16T15:00:00","date_gmt":"2026-01-16T15:00:00","guid":{"rendered":"https:\/\/musictechohio.online\/site\/the-sha-la-das-stay-in-the-picture\/"},"modified":"2026-01-16T15:00:00","modified_gmt":"2026-01-16T15:00:00","slug":"the-sha-la-das-stay-in-the-picture","status":"publish","type":"post","link":"https:\/\/musictechohio.online\/site\/the-sha-la-das-stay-in-the-picture\/","title":{"rendered":"The Sha La Das Stay in the Picture\u00a0"},"content":{"rendered":"<div>\n<figure><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/static.spin.com\/files\/2026\/01\/a1515ecbee34266f3ffdcd84b787e55d.jpg-e1767974114935.webp\" width=\"2024\" height=\"1292\" alt=\"The Sha La Das' new album, 'Your Picture.'\"><figcaption>The Sha La Das&#8217; new album, &#8216;Your Picture.&#8217;<\/figcaption><\/figure>\n<p>When the Sha La Das released their 2018 debut, <em>Love in the Wind<\/em>, it was a bit like the discovery of an animal long thought extinct. A doo-wop group releasing new music in the 21st century? Sure, Frankie Valli\u2019s still hanging on, and close-harmony crooning can be heard at civic centers, retirement homes, and casinos across the land. But a real band with members under retirement age, performing original songs? That was something else. Fittingly, the band\u2019s origins had some of the serendipity of a fairy tale: Paul Schalda and Tom Brenneck met as members of sadly deceased soul revivalist Charles Bradley\u2019s band The Extraordinaires, Brenneck got to know Paul\u2019s father Bill, yada yada yada. Bill cuts a doo-wop album with Paul and two other Schalda offspring, Willam Jr. and Carmine, which Brenneck produces.\u00a0<\/p>\n<p>And now, seven years later, the Sha La Das prove that they\u2019re more than a serendipitous one-off. <em>Your Picture<\/em> has all the hallmarks that made <em>Love in the Wind<\/em> a winner: Bill\u2019s supple voice, which can slide into a falsetto remarkably smoothly for a guy pushing 80; the warm, overlapping harmonies that can only be produced by people who\u2019ve spent a good chunk of their lives together; and a firm grasp on classic doo-wop rhythms and melodies that makes room for outside influences from the realms of soul, rock and psychedelia.<\/p>\n<p>More from Spin:<\/p>\n<ul>\n<li>\n\t\t\t<a href=\"https:\/\/www.spin.com\/2026\/01\/the-26-most-influential-people-in-music-in-2026\/\">The 26 Most Influential People in Music in 2026\u00a0<\/a>\n\t\t<\/li>\n<li>\n\t\t\t<a href=\"https:\/\/www.spin.com\/2026\/01\/sleaford-mods-still-have-plenty-to-be-angry-about\/\">Sleaford Mods Still Have Plenty To Be Angry About\u00a0<\/a>\n\t\t<\/li>\n<li>\n\t\t\t<a href=\"https:\/\/www.spin.com\/2026\/01\/5-albums-i-cant-live-without-ryan-key-of-yellowcard\/\">5 Albums I Can\u2019t Live Without: Ryan Key of\u00a0Yellowcard\u00a0<\/a>\n\t\t<\/li>\n<\/ul>\n<p>Opener \u201cYoung Love and Laughter,\u201d with its lumpy bass line, floating keys, and shuffling beat (including shrewd conga accents), does a good job of capturing the album\u2019s souped-up take on classic sounds. Though the rhythms and grooves might be relatively newfangled, Schalda\u2019s wistful melody has the poignant purity of bygone days, while lyrically evoking a less romanticized version of yesteryear. \u201cFriends and love and innocence, they don\u2019t last ever after,\u201d Schalda sings, the resignation that lingers in his voice not unmixed with a trace of hope that, maybe, some of it might.<\/p>\n<p>The inspiration for<em> Your Picture<\/em> came from a photo Schalda found of his wife and the memories it unleashed. Doo-wop has been used as nostalgic shorthand in commercials and TV for years, but Schalda has more on his mind than sweet memories: The lilting title track may end with an inspirational message: \u201cAnd though it\u2019s just a distant memory \/ I know you\u2019ll always be a part of me \/ When I see your picture,\u201d but it begins with the narrator clearing out \u201clots of old trash\u201d to \u201cmake the time pass.\u201d Love can be a powerful consolation, but it can also get swept aside by the detritus of life. Schalda also doesn\u2019t shy away from relationship difficulties: \u201cStop Using My Love\u201d nods to the Supremes in its ultimatum to a misbehaving lover, and the Smokey Robinson strut of \u201cCatch You on the Rebound\u201d ponders the lure of romantic roads not taken.\u00a0<\/p>\n<p>It\u2019s not all longing and regret, though. The piano-enhanced \u201cIf You Want You Can Be My Girl\u201d is a pitch-perfect recreation of joyous teenybopper infatuation, while \u201cDo You Remember When\u201d simultaneously captures the wonder of young love and the miracle of it lasting. And \u201cMagic Mary\u201d proves that there\u2019s still room for a good drug euphemism in today\u2019s wised-up world.\u00a0<\/p>\n<p>Both stubborn survivors and rousing revivalists, the Sha La Das have found a newness in nostalgia and made magic out of disenchantment. Doo-wop may be close to dead, but it can live through memory and persist in dreams.\u00a0<\/p>\n<p>To see our running list of the top 100 greatest rock stars of all time, <a href=\"https:\/\/www.spin.com\/2021\/07\/the-greatest-rock-stars-of-all-time\/?utm_source=yahoo&amp;utm_medium=bottomlink&amp;utm_campaign=yahoolink\">click here<\/a>.<\/p>\n<\/div>\n<div style=\"margin-top: 0px; margin-bottom: 0px;\" class=\"sharethis-inline-share-buttons\" ><\/div>","protected":false},"excerpt":{"rendered":"<p>The Sha La Das&#8217; new album, &#8216;Your Picture.&#8217; When the Sha La Das released their 2018 debut, Love in the Wind, it was a bit like the discovery of an&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,88,5100],"tags":[],"class_list":["post-8108","post","type-post","status-publish","format-standard","hentry","category-pushly","category-reviews","category-the-sha-la-das"],"_links":{"self":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/8108","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/comments?post=8108"}],"version-history":[{"count":0,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/8108\/revisions"}],"wp:attachment":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/media?parent=8108"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/categories?post=8108"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/tags?post=8108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}