{"id":8343,"date":"2026-01-27T15:00:00","date_gmt":"2026-01-27T15:00:00","guid":{"rendered":"https:\/\/musictechohio.online\/site\/the-power-stations-cocaine-fueled-chaos-left-an-80s-masterpiece-still-revered-40-years-later\/"},"modified":"2026-01-27T15:00:00","modified_gmt":"2026-01-27T15:00:00","slug":"the-power-stations-cocaine-fueled-chaos-left-an-80s-masterpiece-still-revered-40-years-later","status":"publish","type":"post","link":"https:\/\/musictechohio.online\/site\/the-power-stations-cocaine-fueled-chaos-left-an-80s-masterpiece-still-revered-40-years-later\/","title":{"rendered":"The Power Station\u2019s Cocaine-Fueled Chaos Left an \u201980s Masterpiece Still Revered 40+ Years Later"},"content":{"rendered":"<div>\n<figure><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/static.spin.com\/files\/2026\/01\/leadGettyImages-992880120.jpg\" width=\"1200\" height=\"799\" alt=\"Power Station in 1985. (Credit: Paul Natkin\/Getty Images)\"><figcaption>Power Station in 1985. (Credit: Paul Natkin\/Getty Images)<\/figcaption><\/figure>\n<p>It began, like so many memorable music stories do, with a British icon and the younger upstart who loved his style. The icon was one Robert Palmer\u2014brilliant, eclectic, a cosmopolitan gentleman of the world but criminally underrated. The upstart was a young troublemaker named Nigel John Taylor, the future bassist with Duran Duran.<\/p>\n<p>\u201cI got into him around the [1978] <em>Double Fun<\/em> album,\u201d says Taylor, now 65, from his home in London. \u201cI went to see him at Birmingham Odeon. It wasn\u2019t quite as immediate for me as Bryan Ferry or Queen, but there was something about him and the way he was operating, with that blue-eyed soul thing he had going. By the time I met him a few years later, he had become one of the most interesting journeyman artists, equal parts style and substance. We just hit it off. I was pretty charming at the time, you know, and it was only natural to talk about doing something together.\u201d<\/p>\n<p>More from Spin:<\/p>\n<ul>\n<li>\n\t\t\t<a href=\"https:\/\/www.spin.com\/2026\/01\/lizzo-blue-note-residencies\/\">Lizzo Goes Jazz For Blue Note Residencies<\/a>\n\t\t<\/li>\n<li>\n\t\t\t<a href=\"https:\/\/www.spin.com\/2026\/01\/billie-eilish-concert-film-release-date\/\">Billie Eilish Bumps 3D Concert Doc To May<\/a>\n\t\t<\/li>\n<li>\n\t\t\t<a href=\"https:\/\/www.spin.com\/2026\/01\/lucinda-williams-sees-a-world-gone-wrong\/\">Lucinda Williams Sees a World Gone Wrong<\/a>\n\t\t<\/li>\n<\/ul>\n<p>That something became the 1985 album <em>The Power Station<\/em>, recorded at the infamous New York City studio of the same name by Taylor and fellow Duran Duran guitarist Andy Taylor while the band was on a short but necessary hiatus (Simon Le Bon and keyboardist Nick Rhodes found refuge in side project Arcadia and that band\u2019s atmospheric album <em>So Red The Rose<\/em>.) Wanting to explore a more ragged hybrid of rock and funk than Duran Duran\u2019s glam-pop, the Taylors allied themselves with Robert Palmer and Chic members Tony Thompson\u2014a formidable drummer\u2014and Bernard Edwards as producer.<\/p>\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"960\" src=\"https:\/\/static.spin.com\/files\/2026\/01\/GettyImages-1241274348.jpg\" alt=\"Robert Palmer performs in San Francisco in 1986.  (Credit: Clayton Call\/Redferns)\" class=\"wp-image-652718\" srcset=\"https:\/\/static.spin.com\/files\/2026\/01\/GettyImages-1241274348.jpg 1200w, https:\/\/static.spin.com\/files\/2026\/01\/GettyImages-1241274348-340x272.jpg 340w, https:\/\/static.spin.com\/files\/2026\/01\/GettyImages-1241274348-768x614.jpg 768w, https:\/\/static.spin.com\/files\/2026\/01\/GettyImages-1241274348-498x398.jpg 498w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\"><figcaption class=\"wp-element-caption\">Robert Palmer performs in San Francisco in 1986.  (Credit: Clayton Call\/Redferns)<\/figcaption><\/figure>\n<p>\u201cThe Power Station evolved out of an idea,\u201d explains Taylor. \u201cOriginally, it wasn\u2019t even going to be a band. We wanted to provide a sound service for different types of singers. But then Robert dropped in, having written a typically acute lyric. I don\u2019t know many artists who could write lyrics that were as funny, interesting, and sexy, and then sing them with such verve and power. Very few, I guess. He brought a track called \u201cGo To Zero,\u201d and then another, \u201cHarvest For The World.\u201d Suddenly, we had an album. I found his music very moving, and at the time, Andy and I were like, let\u2019s go and do something organic\u2014organic, and immediate.\u201d<\/p>\n<p>Released in March 1985, <em>The Power Station<\/em> stands today as one of the definitive albums of the \u201980s. A commercial success that peaked at No. 6 on the Billboard 200 chart, the album spawned two epic singles, including \u201cSome Like It Hot,\u201d which Taylor calls \u201can extraordinary piece of musical architecture\u201d with its gated-drums reverb sounding like the collapse of a thousand shimmering stars.\u00a0 The decadent \u201cGet It On (Bang A Gong),\u201d an out-of-control cover of the 1971 T. Rex smash, followed.<\/p>\n<p>Rhino Records is celebrating the album\u2019s belated 40th anniversary with a box set featuring a brand new remaster of the original LP, instrumental outtakes, the band\u2019s brief appearance at Live Aid, and a full show recorded during the summer of 1985 at The Spectrum in Philadelphia (sadly, without Palmer as lead singer\u2014but more on that, later.)<\/p>\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"783\" src=\"https:\/\/static.spin.com\/files\/2026\/01\/GettyImages-140796539.jpg\" alt=\"John Taylor and Robert Palmer of Power Station performs in1985 on Saturday Night Live. (Credit: Al Levine\/NBC\/NBCU Photo Bank)\" class=\"wp-image-652717\" srcset=\"https:\/\/static.spin.com\/files\/2026\/01\/GettyImages-140796539.jpg 1200w, https:\/\/static.spin.com\/files\/2026\/01\/GettyImages-140796539-340x222.jpg 340w, https:\/\/static.spin.com\/files\/2026\/01\/GettyImages-140796539-768x501.jpg 768w, https:\/\/static.spin.com\/files\/2026\/01\/GettyImages-140796539-498x325.jpg 498w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\"><figcaption class=\"wp-element-caption\">John Taylor and Robert Palmer of Power Station performs in 1985 on <em>Saturday Night Live<\/em>. (Credit: Al Levine\/NBC\/NBCU Photo Bank)<\/figcaption><\/figure>\n<p>\u201cIt was a definitive record,\u201d says bassist Guy Pratt, a longtime Palmer collaborator who also performed with the band during a poorly attended Japanese tour in 1996. \u201c<em>The Power Station <\/em>kind of invented that whole rock funk thing that became prevalent at the time. It\u2019s massively influential. The whole idea was that Andy Taylor had never got to play rock before in Duran, and he had to have his Nile Rodgers hat on. Also the fact that you have Bernard Edwards there, and Jason Corsaro engineering. The gated reverb was allegedly invented by Hugh Padgham on that Peter Gabriel record where Phil Collins played the drums. But then I would say that it was carried on by Corsaro, because it\u2019s the same snare sound that you find in Bowie\u2019s \u201cLet\u2019s Dance\u201d and the Power Station. It\u2019s that studio. It\u2019s the Power Station drum sound. And Tony Thompson.\u201d<\/p>\n<p>If the Chic contingency provided the funk, and the Duran membership the volatile glamour of superstardom, Robert Palmer contributed the album\u2019s timeless spirit.<\/p>\n<p>As a vocalist, Palmer had the uncanny ability to evoke both the gruff R&amp;B grit of \u201960s Stax and the wispy, vulnerable mystique of Brazilian bossa nova. In the \u201970s, he had been one of the first English songwriters to experiment with African dance formats and bubbly Caribbean grooves.<\/p>\n<p>\u201cHe was an easy guy to be around,\u201d says Taylor. \u201cNot a heavy dude at all, but took his music very seriously. He was funny, and wore life lightly. I never saw him lose his temper.\u201d<\/p>\n<p>\u201cHe was my mentor,\u201d adds Pratt, who began his career with Australian band Icehouse. \u201cIt\u2019s almost like I manifested it, because I had literally just joined Icehouse, we went off to support David Bowie and do these festivals in Germany, and Robert was on the bill. I went to see him in Nassau, and we wrote the song \u2018Go To Zero,\u2019 which actually got him the Power Station gig. I was 21. I remember he\u2019d been in discussions with Jeff Beck about a concept that he described as doing a rock record with disco technology. In a way, that\u2019s what The Power Station was about, because funk was almost discofied on that record.\u201d<\/p>\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"1747\" src=\"https:\/\/static.spin.com\/files\/2026\/01\/GettyImages-2188035673.jpg\" alt=\"John Taylor of Duran Duran and the Power Station in 1985. He was attending singer Paul Young's after-show party, celebrating a successful performance at New York's Beacon Theater, while also celebrating his own birthday. (Credit: Vinnie Zuffante\/Getty Images)\" class=\"wp-image-652716\" srcset=\"https:\/\/static.spin.com\/files\/2026\/01\/GettyImages-2188035673.jpg 1080w, https:\/\/static.spin.com\/files\/2026\/01\/GettyImages-2188035673-340x550.jpg 340w, https:\/\/static.spin.com\/files\/2026\/01\/GettyImages-2188035673-768x1242.jpg 768w, https:\/\/static.spin.com\/files\/2026\/01\/GettyImages-2188035673-950x1536.jpg 950w, https:\/\/static.spin.com\/files\/2026\/01\/GettyImages-2188035673-498x806.jpg 498w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\"><figcaption class=\"wp-element-caption\">John Taylor of Duran Duran in 1985. He was attending singer Paul Young\u2019s after-show party, celebrating a successful performance at New York\u2019s Beacon Theater, while also celebrating his own birthday. (Credit: Vinnie Zuffante\/Getty Images)<\/figcaption><\/figure>\n<p>Here\u2019s where our story becomes unpredictable. After the album was released, it was expected that a lengthy tour would capitalize on its success. But in July 1985, Palmer left the band, retreated to Compass Point Studio in Nassau and recorded <em>Riptide<\/em>, the biggest success of his career. Bernard Edwards was at the helm, and the visual for \u201cAddicted to Love\u201d included the tall, leggy models rigidly mimicking the motions of playing musical instruments\u2014an aesthetic gambit that became forever associated with Palmer.<\/p>\n<p>The band enlisted British singer Michael Des Barres and proceeded with the tour.<\/p>\n<p>\u201cYou\u2019ve got to remember that John and Andy were out of control at the time,\u201d Pratt points out. \u201cThis was the height of Duran Duran and cocaine. Robert told me, \u2018I saw the budget, and there\u2019s $250,000 for wardrobe. That\u2019s not wardrobe.\u2019 He knew it was going to be a complete crash. That was also very Robert. He\u2019d done the album, which was a fantastic thing for his reputation, and met Bernard. Now he wanted to go make his own record.\u201d<\/p>\n<p>The Power Station reconvened for a second album, <em>Living in Fear<\/em>, in 1996. A solid effort, it includes a cover of the Beatles\u2019 \u201cTaxman,\u201d as well as a fascinating Bside: \u201cCharanga,\u201d an innovative combination of layered vocal harmonies with traditional Cuban dance music (<em>charanga<\/em> is an instrumental format from the 1950s featuring flute and rhythm section.) But the band\u2019s subsequent tour suffered from poor ticket sales in Japan, the leg where Pratt came in as a bassist.<\/p>\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"896\" src=\"https:\/\/static.spin.com\/files\/2026\/01\/GettyImages-502520845.jpg\" alt=\"Backed by Duran Duran bassist John Taylor; left, and fill-in Power Station vocalist Michael Des Barres. (Credit: Mike Slaughter\/Toronto Star via Getty Images)\" class=\"wp-image-652715\" srcset=\"https:\/\/static.spin.com\/files\/2026\/01\/GettyImages-502520845.jpg 1200w, https:\/\/static.spin.com\/files\/2026\/01\/GettyImages-502520845-340x254.jpg 340w, https:\/\/static.spin.com\/files\/2026\/01\/GettyImages-502520845-768x573.jpg 768w, https:\/\/static.spin.com\/files\/2026\/01\/GettyImages-502520845-498x372.jpg 498w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\"><figcaption class=\"wp-element-caption\">Backed by Duran Duran bassist John Taylor; left, and fill-in Power Station vocalist Michael Des Barres. (Credit: Mike Slaughter\/Toronto Star via Getty Images)<\/figcaption><\/figure>\n<p>Known throughout his adult life for consuming copious amounts of alcohol and cigarettes, Palmer died of a heart attack on September 26, 2003, while staying at a hotel in Paris. He was only 54. \u201cThat life that he lived so well\u2014sometimes a little too well\u2014had caught up with him,\u201d wrote Island Records founder Chris Blackwell in his 2022 autobiography.<\/p>\n<p>\u201cHe\u2019d gone to Paris to collect a pair of new shoes that he was very excited about,\u201d says Pratt with a smile. \u201cWhich is so Robert.\u201d<\/p>\n<p>Fortunately, the music remains.<\/p>\n<p>\u201cWe were driving recklessly under the influence when we made the first Power Station album,\u201d reflects Taylor. \u201cIt was a mad time, and the horse was almost out of control. Andy and I thought that we were indestructible, that we could magically turn out the lights on these guys and make some magic. The truth of the matter is that Tony and Robert were so fucking talented. Stylistically, it was like conducting an orchestra. I was hanging on by the skin of my teeth.\u201d<\/p>\n<\/p>\n<\/p>\n<p>To see our running list of the top 100 greatest rock stars of all time, <a href=\"https:\/\/www.spin.com\/2021\/07\/the-greatest-rock-stars-of-all-time\/?utm_source=yahoo&amp;utm_medium=bottomlink&amp;utm_campaign=yahoolink\">click here<\/a>.<\/p>\n<\/div>\n<div style=\"margin-top: 0px; margin-bottom: 0px;\" class=\"sharethis-inline-share-buttons\" ><\/div>","protected":false},"excerpt":{"rendered":"<p>Power Station in 1985. (Credit: Paul Natkin\/Getty Images) It began, like so many memorable music stories do, with a British icon and the younger upstart who loved his style. The&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31,24,5190],"tags":[],"class_list":["post-8343","post","type-post","status-publish","format-standard","hentry","category-features","category-pushly","category-the-power-station"],"_links":{"self":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/8343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/comments?post=8343"}],"version-history":[{"count":0,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/8343\/revisions"}],"wp:attachment":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/media?parent=8343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/categories?post=8343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/tags?post=8343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}