{"id":9982,"date":"2026-04-05T09:30:42","date_gmt":"2026-04-05T09:30:42","guid":{"rendered":"https:\/\/musictechohio.online\/site\/tenderness-true-reviewed-emotionally-rich-country-flecked-debut-154011\/"},"modified":"2026-04-05T09:30:42","modified_gmt":"2026-04-05T09:30:42","slug":"tenderness-true-reviewed-emotionally-rich-country-flecked-debut-154011","status":"publish","type":"post","link":"https:\/\/musictechohio.online\/site\/tenderness-true-reviewed-emotionally-rich-country-flecked-debut-154011\/","title":{"rendered":"Tenderness\u2019 True reviewed: emotionally rich, country\u2011flecked debut"},"content":{"rendered":"<div>\n<div class=\"post-preview\">\n<p>There\u2019s a gorgeous simplicity to Tenderness, the first solo album by Katy Beth Young of indie-poppers Peggy Sue. Young\u2019s voice is a key part of that, a beautiful instrument that recalls Jolie Holland, and this is complemented by Harry Bohay on pedal steel, who adds a subtle, sad undercurrent to Young\u2019s smart songs about broken hearts and modern dislocation, written in a north London flat. While she draws on country music for emotional support, her concerns are contemporary (\u201cTouchscreen\u201d, \u201cDatabase Blues\u201d) and clever (\u201cWe\u2019ll Always Have Paris 1919\u201d, \u201cPlaying \u2018Country Roads\u2019\u201d).<\/p>\n<\/div>\n<div class=\"post-content google-ld-json\">\n<div class=\"editable-content\">\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100\"><a class=\"wp-block-button__link has-vivid-green-cyan-background-color has-background wp-element-button\" href=\"https:\/\/shop.kelsey.co.uk\/uncut-magazine?offer=UNC526&amp;source=UNC526brandsite&amp;channel=brandsite#anchor-shop\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Click here and subscribe to Uncut<\/strong><\/a><\/div>\n<\/div>\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<p>There\u2019s a gorgeous simplicity to Tenderness, the first solo album by Katy Beth Young of indie-poppers Peggy Sue. Young\u2019s voice is a key part of that, a beautiful instrument that recalls Jolie Holland, and this is complemented by Harry Bohay on pedal steel, who adds a subtle, sad undercurrent to Young\u2019s smart songs about broken hearts and modern dislocation, written in a north London flat. While she draws on country music for emotional support, her concerns are contemporary (\u201cTouchscreen\u201d, \u201cDatabase Blues\u201d) and clever (\u201cWe\u2019ll Always Have Paris 1919\u201d, \u201cPlaying \u2018Country Roads\u2019\u201d).<\/p>\n<\/div>\n<\/div>\n<p>The post <a href=\"https:\/\/www.uncut.co.uk\/reviews\/tenderness-true-reviewed-emotionally-rich-country-flecked-debut-154011\/\">Tenderness\u2019 True reviewed: emotionally rich, country\u2011flecked debut<\/a> appeared first on <a href=\"https:\/\/www.uncut.co.uk\/\">UNCUT<\/a>.<\/p>\n<\/div>\n<div style=\"margin-top: 0px; margin-bottom: 0px;\" class=\"sharethis-inline-share-buttons\" ><\/div>","protected":false},"excerpt":{"rendered":"<p>There\u2019s a gorgeous simplicity to Tenderness, the first solo album by Katy Beth Young of indie-poppers Peggy Sue. Young\u2019s voice is a key part of that, a beautiful instrument that&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[90,88],"tags":[],"class_list":["post-9982","post","type-post","status-publish","format-standard","hentry","category-album","category-reviews"],"_links":{"self":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/9982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/comments?post=9982"}],"version-history":[{"count":0,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/posts\/9982\/revisions"}],"wp:attachment":[{"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/media?parent=9982"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/categories?post=9982"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musictechohio.online\/site\/wp-json\/wp\/v2\/tags?post=9982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}